Venice - Biennial

All the World’s Futures – The 56th Venice Biennale

09 May 201522 Nov 2015

As announced today by Paolo Baratta, president of La Biennale di Venezia, the title chosen by Okwui Enwezor for the 56th International Art Exhibition is All the World’s Futures.

«At the core of the Exhibition is the notion of the exhibition as stage where historical and counter-historical projects will be explored. Within this framework the main aspects of the 56th Exhibition will solicit and privilege new proposals and works conceived specifically by invited artists, filmmakers, choreographers, performers, composers, and writers to work either individually or in collaboration ».

Three are the Filters that form All the World’s Futures:
Liveness: On epic duration; Garden of Disorder; Capital: A Live Reading.

Liveness: On epic duration
« All the World’s Futures is both a spatial and temporal manifestation that is relentlessly incomplete, structured by a logic of unfolding, a program of events that can be experienced at the intersection of liveness and display. It will be a dramatization of the space of the exhibition as a continuous, unfolding, and unceasing live event. In doing so All the World’s Futures will activate works that are already existing but also invites contributions that will be realized especially for this Exhibition ».

Garden of Disorder
«This Filter, located in the Giardini and the Central Pavilion, Corderie, Giardino delle Vergini in the Arsenale, and selected areas in Venice, takes the historical ground of la Biennale in the Giardini as a metaphor through which to explore the current “state of things “. The Biennale Arte 2015, returns to the ancient ground of this ideal to explore the changes in the global environment, to read the Giardini with its ramshackle assemblage of pavilions as the ultimate site of a disordered world, of national conflicts, as well as territorial and geopolitical disfigurations. The artists have been invited to develop proposals that take the concept of the garden as a point of departure to realized new sculptures, films, performances, and installations for All the World’s Futures ».

Capital: A Live Reading
«Beyond the distemper and disorder in the current “state of things,” there is one pervasive preoccupation that has been at the heart of our time and modernity. Since the publication of Karl Marx’s massive Capital: Critique of Political Economy in 1867, the structure and nature of capital has captivated thinkers and artists, as well as inspired political theorists, economists, and ideological structures across the world. A core part of this program of live readings, is “Das Kapital” a massive meticulously researched bibliographic project, conceived by the artistic director in the Central Pavilion ».

« With this outlook, All the World’s Futures, through its constellation of Filters will delve into the “state of things” and question “the appearance of things”, shifting from the guttural enunciation of the voice to the visual and physical manifestations between artworks and the public ».
« The Biennale – specifies Baratta – is an Art Exhibition and not an art fair, and as such requires more than an unbiased up-dating of a roster of artists, young or not so young, famous or otherwise. Art and today’s reality present us with far more complex tasks. In the past, we have defined the Biennale in various ways. Today, faced with the dangers of slipping towards a more orthodox popularity, conventionality and security, we have named it “The Machine of Desire” to keep the desire for art high and in turn to want art and accept it is a necessity. In other words, to recognise as both a primary and primordial necessity man’s need to give some perceptible form to utopias, obsessions, anxieties, desires and to the ultra-sensitive world ».

« A Biennale is a complex affair– states Baratta. None of the aspects mentioned can be overlooked and whatever the curator’s initial concept – philosophical, political or anthropological – his selection really must include pieces that are necessary and fundamental to our perception. The introduction of the Biennale College is proof of our increasing commitment to new generations of artists. The current Architecture Exhibition has enjoyed the addition of the Dance, Theatre, Music and Cinema sectors. The next Art Biennale contain various forms of art but as an integral part of the exhibition. It is not the first time that an exhibition faces a world filled with uncertainty and turmoil whilst the “garden of the world” appears to us as a “garden of disorder”, and it is also not the first time that faced with a complicated reality, an exhibition responds with the enthusiasm and dynamism evident in the one we are in the throes of organizing ».

The 56th International Art Exhibition of la Biennale di Venezia will also present, as is traditional, the National Participations with their own exhibitions in the Pavilions at the Giardini and at the Arsenale, and in the historic city centre of Venice.

This edition will also include selected Collateral Events, presented by international entities and institutions, which will present their exhibitions and initiatives in Venice concurrently with the 56th Exhibition.

  • All the World's Futures. The 56th Venice Biennale All the World's Futures. The 56th Venice Biennale

Curators

Okwui Enwezor

Okwui Enwezor

Contacts & Details

OPENING:
tue, wed, thu, fri, sat, sun 10:00 am - 6:00 pm

CLOSING DAYS:
mon

ADMISSION:
€25; Reduced: €22/20

T: +39 041 521 8711 W: La Biennale di Venezia
ADDRESS:
Arsenale and Giardini della Biennale Venice, 30122 Italy