The solo show by the Geneva-based artist presents works that root within her initial findings of ongoing research departing from the act of cell phone charging in public. Her photographic and video works are inspired by the subversive, essential use of free access generators and power outlets in Switzerland’s urban public sphere. Recalling second-hand electronics, the installation speculates on guerrilla techniques, social contingency, and innovation concerning technology as a firstclass privilege.
- Camille Kaiser, no title, 2016. Courtesy of 1.1 Space for Zeitgeist