Featuring Henning Strassburger’s new abstract paintings, “Karma Mansion“, the artist’s first solo exhibition in the UK, explores the relationship between mass media, pop culture and architecture by playing with twenty-first century visual culture and image construction.
Living in an age which our digital selves are experienced by more people than our physical selves raises questions around identity and meaning. “Karma Mansion” alludes to the effect that mass media has not just on image construction but also on our material space, blurring the lines between inside and outside, public and private.
- Henning Strassburger, Transfer-Spirit, 2019. Courtesy the artist and Blain|Southern. Photo: Simon Vogel