The School for Curatorial Studies Venice presents an exhibition curated by 21 international students from The School for Curatorial Studies Venice.
Addressing the urgency in these questions, “How Much is Too Much?” welcomes visitors on an immersive journey to discover the substance of our sensory archives only to pause and reflect upon the impact of our habits of compartmentalization.
Confronted with excess, our instinctive reaction is to organize and compartmentalize our thoughts and experiences. On the one hand, this can serve as an effective coping mechanism to deal with topics we are not ready to address. On the other, it can function as a form of denial or stigmatization. We accumulate and expel, putting things aside to deal with them later, but more often than not we forget what we have put away in the first place. What do our discarded experiences, interactions, thoughts, and objects say about us? How does compartmentalizing as an attempt to manage excess affect our psyche, perception, and overall society? Are we missing something when we try to organize, classify, and fit everything into certain structures?
Addressing the urgency in these questions, How Much is Too Much? welcomes visitors on an immersive journey to discover the substance of our sensory archives only to pause and reflect upon the impact of our habits of compartmentalization.
Following A Plus A Gallery’s long history of collective curatorial projects, How Much is Too Much? aims to create an environment of critical reflection for both artist and viewer alike. The exhibition takes the overwhelming excess of contemporary society as its starting point, opening with Giles Round’s playful pieces that encroach upon the very walls they inhabit and thus reference the sensory overload and high-speed dissemination of popular culture, Benjamin Hirte’s minimal reflections on how our behavior is organized by commercial branding and familiar visual cues, and Vanessa Safavi’s more subdued explorations of interiority and all that is hidden. Teased with these expressions of excess and internality, viewers will then make their way to a unique compartmentalized display of works by Amelia Crouch, Oliver Czarnetta, Sam Ekwurtzel, Daniel Faust, Paloma Muñoz & Walter Martin and consequences of how we deal with the muchness around us. Bringing these artists together using experimental modes of display, How Much is Too Much? presents a wide range of new and existing works to shed light on an increasingly pressing issue of our time. Instead of allowing our compartments to pile up and push further out, teetering on the edge of a landslide, let us examine the contents of what we have sealed away.
Major support for the exhibition is provided by RAJAPACK and our long time partners We Exhibit and Drusian.
- Giles Round, Summers In Italy, Winters In New York, 2017