In her cross-media practice, cutting across filmmaking, performance and sculpture, Rossella Biscotti explores and reconstructs obscured moments from recent times, often against the backdrop of state institutions. In the process of composing her personal encounters and oral interrogations into new stories, the site of investigation tends to leave its mark on her sculptures and installations. By examining the relevance of the recovered material from a contemporary perspective, Biscotti sensibly weaves a link to the present. Relationships, support structures and entanglement are issues she questions in her most recent work.
- Rossella Biscotti, The City (still), 2017-18 © Serge Hasenböhler