London - Exhibition

The Show is Over

Gagosian London

15 Oct 201330 Nov 2013

Gagosian Gallery presents The Show is Over, an exhibition about abstraction and the end of painting, often proposed but never concluded. Christopher Wool’s statement in paintings, drawings and billboards, taken from Vasily Rozanov’s nineteenth century definition of nihilism, contains sufficient irony to suggest that painting itself, the spectacle that surrounds it, and the ultimate questions it poses about life and death, are never quite over.

The negation of painting emerged in Europe after WWII in Francis Picabia’s last paintings, Lucio Fontana’s punctured and slashed Concetto spaziale paintings, Yves Klein’s Fire-Color works, and Piero Manzoni’s quest for neutral materiality in the Achromes. When first exhibited in 1953, Robert Rauschenberg’s White Paintings—monochromatic panel paintings—were unprecedented in their deceptive blankness. These works anticipated diverse interpretations of the neutral picture plane. Gerhard Richter’s paintings of the 1970s in shades of grey project a removed, indifferent power. Richard Serra’s Left Corner Horizontal (1977), a dense black expanse of oilstick on linen, produces a physical and spatial void that appears impenetrable.

A shared spirit of negation is evident in the anarchic actions that fueled the urban Punk movement, epitomized by Steven Parrino’s physical attacks on the canvas and Kim Gordon’s evanescent wreaths. In Parrino’s Untitled (1992), the anarchist symbol is sprayed in black engine enamel on white vellum. Ed Ruscha’s hermetic painted wordplay reaches cinematic finality with The End paintings, begun in the early 1980s. The silhouettes of Hourglass #4 (1987) and End (1993) are set against grey-spectrum horizons that evoke transitions of time and space.

Seeking new ways to negate or efface the picture plane, artists such as Douglas Gordon, Mark Grotjahn, Wade Guyton, Adam McEwen, Albert Oehlen, Richard Prince, and Rudolf Stingel represent sustained challenges to the limits of painting, both real and imagined.

“The Show is Over” continues the thread of Gagosian exhibitions such as “Imageless Icons: Abstract Thoughts” (2005); “Crash” (2010); and “Malevich and the American Legacy” (2011), which trace art-historical themes from the advent of Modernism to the present.

 

  • Christopher WoolChristopher Wool

Related Artists

Willem de Kooning

Jeff Elrod

Lucio Fontana

Felix Gonzalez-Torres

Felix Gonzalez-Torres

Kim Gordon

Mark Grotjahn

Mark Grotjahn

Wade Guyton

Wade Guyton

Yves Klein

Gregor Hildebrandt

Gregor Hildebrandt

Mike Kelley


Roy Lichtenstein

Piero Manzoni

Brice Marden

Adam McEwen

Adam McEwen

Albert Oehlen

Steven Parrino

Francis Picabia

Sigmar Polke

Sigmar Polke

Richard Prince

Robert Rauschenberg

Gerhard Richter

Gerhard Richter

Ed Ruscha, Photo © Gary Regester

Edward Ruscha

Ryman Robert

Robert Ryman

Richard Serra

Richard Serra

Frank Stella

Frank Stella

Nate Lowman

Nate Lowman

Neil Jenney

Rudolf Stingel

Rudolf Stingel

Cy Twombly at Black Mountain College, ca. 1951, photo by Robert Rauschenberg

Cy Twombly

Andy Warhol 1983, printed 1990 by Robert Mapplethorpe 1946-1989

Andy Warhol

Christopher Wool

Christopher Wool

Richard Wright

Contacts & Details

OPENING:
mon, tue, wed, thu, fri, sat 10:00 am - 6:00 pm

CLOSING DAYS:
sun

T: +44 207 493 3020 M: london@gagosian.com W: Gagosian
ADDRESS:
17-19 Davies Street London , W1K 3DE United Kingdom