For his first solo exhibition at Lisson Gallery Milan, Wael Shawky brings together a selection of drawings produced during the creation of his two critically acclaimed film trilogies: “Cabaret Crusades” (2010–2015) and “Al Araba Al Madfuna” (2012– 2016).
These works, in which the former recalls accounts of the Crusades from an Arab perspective and the latter tells the personal stories of the artist intertwined with Mohamed Mostagrab’s Dairout al Sharif, will be on show respectively at Castello di Rivoli and Fondazione Merz in Turin, Italy from 3 November 2016 until 5 February 2017.
Shawky’s work spans video, performance, installation and drawing, all of which are connected through an ongoing investigation into how multiple accounts of history have been conceived and recorded. A natural storyteller, Shawky takes historiographical and literary references as starting points for his concentrated narratives, in which he interweaves myths, facts and fiction. According to Shawky: “History and theatre are caught up in each other… The cabaret is a stage for history, as a performance.”
Drawing is a fundamental aspect of Shawky’s practice as it acts as a vehicle for storytelling, where fictions can become realities. The 20 drawings on display at Lisson Gallery Milan share insights into Shawky’s creative process when creating Cabaret Crusades and Al Araba Al Madfuna. The drawings, delicately rendered in graphite, pigments, ink and oil, contain fantastical depictions of figures that exist only in the artist’s imagination, poetically staged in theatrical settings that echo the adventures of his films. With translucent tones and hints of metallic hues, the works are marked by a reflective stance towards their medium, subject matter and materiality.
Works on paper will be exhibited next to a historical map of the Orient. Notable landmarks of ancient cities, based on maps from the 14th century, have been etched on freestanding pieces of glass and reflected in a mirror of the same size. This work, which resonates with the scenography of Cabaret Crusades II, was recently shown alongside three other maps at Kunsthaus Bregenz in Austria from 16 July until 23 October 2016. Shawky has most recently been nominated for the Hugo Boss Prize, which will be announced on 20 October in New York. He is currently undertaking a residency at MATHAF, in partnership with the Fire Station, in Doha, Qatar, where he is conducting research for his first feature-length film on the history of the Persian Gulf. Filming for the project will begin in 2018.
- Wael Shawky, Al Araba Al Madfuna, Drawings, 2015