Arturo Hernández Alcázar‘s practice is a constant system of collisions, the geopolitics of a wasteland. The nature of his work requires to destroyed itself, atomized, canceled, dissolved or returned to economic circulation. Copper, smoke, iron, files, papers, coins, rockspowder, and fallen buildings form part of his work in constant transformation, circulation and research. His works exists as installations, sound pieces, drawings, books, and actions.
Mexico City, 1978