Mona Hatoum’s poetic and political oeuvre is realised in a diverse and often unconventional range of media, including installations, sculpture, video, photography and works on paper.

Hatoum’s pieces are concerned with confrontational themes such as violence, oppression and voyeurism, often in reference to the human body. Conflict arises from the juxtaposition of opposites such as beauty and horror, desire and revulsion. Since 1989 she has concentrated on making installations.

Mona Hatoum
Mona Hatoum
Beirut, 1952

Current Exhibitions

12 Sep — 19 Jan
Directly referencing the historically charged location of the Gropius Bau, “Walking...

Mona Hatoum: Remains to Be Seen

White Cube Bermondsey

12 Sep — 03 Nov
White Cube Bermondsey presents “Remains to Be Seen”, Mona Hatoum‘s first exhibit in London since the Tate Modern presentation...

Past Exhibitions

Ways of Seeing

NYU Abu Dhabi Art Gallery
03/09/2018 — 05/01/2019

The Non Community

CentroCentro 26/10/2018 — 27/01/2019

Mona Hatoum: Remains of the Day

White Cube Hong Kong
07/09/2018 — 17/11/2018

Women House

Monnaie de Paris
20/10/2017 — 28/01/2018

Mona Hatoum: The 10th Hiroshima Art Prize

Hiroshima City Museum of Contemporary Art 29/07/2017 — 15/10/2017

Solo Shows

Remains of the Day, White Cube, Hong Kong
Every wall a door, Riverrun, Istanbul
The 10th Hiroshima Art Prize, Pulitzer Arts Foundation, St. Louis, Missouri

The 10th Hiroshima Art Prize, Hiroshima City Museum of Contemporary Art, Japan
Terra Infirma, Menil Collection, Houston, Texas;
Displacements/Entourtungen: Ayşe Erkmen & Mona Hatoum, Museum der
bildenden Künste, Leipzig, Germany

Twelve Windows, Tate Modern, London, Kiasma Museum of Contemporary Art, Helsinki

Twelve Windows, Museum of Fine Arts, Houston, Texas; Centre Georges Pompidou, Paris;
Institute of Contemporary Art, Boston, Massachusetts
Close Quarters, Fundación PROA, Buenos Aires

Turbulence, Arab Museum of Modern Art, Doha, Qatar
Twelve Windows, Alexander and Bonin, New York
Galerie René Blouin, Montreal
Close Quarters, Museum of Fine Arts Ghent, Belgium
Pinacoteca do Estado de São Paulo

Mappings, Centre d’art des Pénitents Noirs, Aubagne, France
A Body of Work, Galleria Continua, San Gimignano, Italy
Kunstmuseum St. Gallen, Switzerland
Reflection, Galerie Chantal Crousel, Paris

You Are Still Here, Arter, Istanbul
Projection, Fundació Joan Miró, Barcelona
Shift, Galerie Max Hetzler, Berlin

Silver Lining, Hochschule der Künste, Bern, Switzerland
Bunker, White Cube, London
Bourj, Alexander and Bonin, New York
Sammlung Goetz, Munich

Galerie Chantal Crousel, Paris
Suspendu, MAC/VAL Musée d’art contemporain du Val–de–Marne, Vitry–sur–
Seine, France
Witness, Beirut Art Center
Käthe – Kollwitz Prize 2010, Akademie der Künste, Berlin
Electrified, Kunsthal 44 Møen, Askeby, Sweden
Le Grand Monde, Fundación Botín, Santander, Spain
Keeping It Real: Act 3, Current Disturbance, Whitechapel Gallery, London

Darat al Funun – The Khalid Shoman Foundation, Amman, Jordan
Alexander and Bonin, New York
Measures of Entanglement, Ullens Center for Contemporary Art, Beijing
Hanging Garden, Kunsthalle Wien, Karlsplatz, Vienna
Interior Landscape, Fondazione Querini Stampalia, Venice
Undercurrent (red), Galleria Continua, San Gimignano, Italy
Natura Morta, Fondazione Merz, Turin, Italy
Mona Hatoum: Collected Works, Rennie Collection at Wing Sang, Vancouver

Galerie Chantal Crousel, Paris
Undercurrents, XIII Biennale Donna, Palazzo Massari PAC, Ferrara, Italy
Unhomely, Galerie Max Hetzler, Berlin
Hanging Garden, DAAD Galerie, Berlin
Present Tense, Parasol Unit – Foundation for Contemporary Art, London

Kairotic, Townhouse Gallery, Cairo
Galerie Max Hetzler, Berlin
Galleria Continua, San Gimignano, Italy
Hot Spot, White Cube, London

Over My Dead Body, Museum of Contemporary Art Australia, Sydney
Mobile Home, Alexander and Bonin, New York
Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon

Hamburger Kunsthalle, Germany; Kunstmuseum Bonn, Germany; Magasin III,
Galerie René Blouin, Montreal

Museo de Arte Contemporáneo de Oaxaca; Exconvento de Conkal, Yucatan,
Photo and Video Works, Uppsala Konstmuseum, Sweden
Artist’s Choice: Mona Hatoum, Here Is Elsewhere, Museum of Modern Art, New

Laboratorio Arte Alameda, Mexico City
Grater Divide, White Cube, London
Centro de Arte de Salamanca; Centro Galego de Arte Contemporánea, Santiago de
Compostela, Spain
Alexander and Bonin, New York
Galerie Nordenhake, Stockholm

Sala Mendoza, Caracas

The Entire World as a Foreign Land, Tate Britain, London
Images from Elsewhere, fig–1, London
SITE Santa Fe, New Mexico; as Domestic Disturbance, Massachusetts Museum of
Contemporary Art, North Adams, 2001

The Box, Turin, Italy
Castello di Rivoli, Turin, Italy
ArtPace – A Foundation for Contemporary Art, San Antonio, Texas
Le Creux de l’enfer – Centre d’art contemporain, Thiers, France; Le Collège, Frac
Fonds régional d’art contemporain Champagne–Ardenne, Reims, France, 2000;
Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium, 2000
Alexander and Bonin, New York

Kunsthalle Basel, Switzerland
Measures of Distance, Contemporary Arts Center, Cincinnati, Ohio
Over My Dead Body, Der Standard, pp.24, 25 (organised by Museum in Progress)
Scottish National Gallery of Modern Art, Edinburgh

Museum of Contemporary Art, Chicago, Illinois; New Museum of Contemporary
Art, New York; Museum of Modern Art, Oxford, UK, 1998
Galerie René Blouin, Montreal

The Fabric Workshop and Museum, Philadelphia, Pennsylvania
Gallery Anadiel, Jerusalem
Current Disturbance, Capp Street Project, San Francisco
Quarters, Viafarini, Milan, Italy
De Appel, Amsterdam

Socle du Monde, White Cube, London
Short Space, Galerie Chantal Crousel, Paris
British School at Rome

Galerie René Blouin, Montreal
Centre Georges Pompidou, Paris
CRG Gallery, New York

Recent Work, Arnolfini, Bristol, UK
South London Gallery (with Andrea Fisher), London
Socle du monde, Galerie Chantal Crousel, Paris
Positionings/Transpositions (with Barbara Steinman), Art Gallery of Ontario,
Toronto, Canada

Mario Flecha Gallery, London
Dissected Space, Chapter, Cardiff, UK

Mind the Gap, A Space, Toronto, Canada (performance)
The Light at the End, The Showroom, London; Oboro, Montreal
Galerie Obscure, Quebec
Forest City Gallery, London, Canada

Nine One One Contemporary Arts Center, Seattle, Washington

Between the Lines, The Orchard Gallery, Derry, UK (performance)

Variation on Discord and Divisions, ABC No Rio, New York; AKA Gallery,
Saskatoon, Canada; Western Front, Vancouver; Articule, Montreal, 1985

The Negotiating Table, SAW Gallery, Ottawa, Canada; Niagara Artists Centre, St
Catharines; Western Front, Vancouver; Franklin Furnace, New York, 1984 (performance)

Group Shows

Objects of Wonder: British Sculpture 1950 – Present, PalaisPopulaire, Berlin
100 Artists in the City, Montpellier, France
Stance & Fall – A Wavering World, Marta Herford, Germany

Hope is Strong, Millennium Gallery, Sheffield, UK
Visions of the Earth / The planned world, Santander Art Gallery, Madrid
Atlas, Fondazione Prada, Milan
Walls, Museum of Fine Arts Caen
No Place Like Home, Museu Colecao Berardo, Lisbon
MoMA AT NGV: 130 Years of Modern and Contemporary Art, National Gallery of
Victoria, Melbourne
Dime-Store Alchemy, FLAG Art Foundation, New York
The Everyday and Extraordinary, Birmingham Museum and Art Gallery; Towner Art
Gallery, Eastbourne, UK, 2019
Herstory: Women Artists from the Collection of Patrizia Sandretto Re Rebaudengo,
Touchstones Rochdale, UK
Motive/Motif: Artists Commemorate the Suffragettes, Queen Elizabeth Olympic
Park, London
Memory Palace, White Cube, London
Remembering Tomorrow: Artworks and Archives, White Cube Hong Kong
Women House, National Museum of Women in the Arts, Washington DC
Motherland in Art, Museum of Contemporary Art in Kraków
Studio Visit: Selected Gifts from Agnes Gund, The Museum of Modern Art, New
Speech Acts: Reflection-Imagination-Repetition, Manchester Art Gallery, UK
Ways of Seeing, NYUAD Art Gallery, Abu Dhabi
Intimate Infinite: Imagine A Journey, Lévy Gorvy, New York
The Precious Clay: Porcelain in Contemporary Art, Museum of Royal Worcester
Open Works, Fundació Catalunya La Pedrera, Barcelona
Catastrophe and Reconstruction, Mori Art Museum, Japan
Soundlines Of Contemporary Art: International Contemporary Art Exhibition,
Cafesjian Center For The Arts, Yerevan, Armenia
The Hepworth Prize for Sculpture 2018, Hepworth Wakefield, West Yorkshire, UK
Persona Grata, MAC/VAL Musée d’art contemporain du Val-de-Marne, Vitry-surSeine
Revolution Generations, MATHAF: Arab Museum of Modern Art, Doha
Women Power Protest, Birmingham Museum and Art Gallery
Minimalism: Space. Light. Object, The National Gallery of Singapore and
ArtScience Museum

Vitreous Bodies: Assembled Visions in Glass, Bakalar & Paine Galleries,
Massachusetts College of Art and Design, Boston, Massachusetts
Entangled: Threads & Making, Turner Contemporary, Margate, UK
The Place Is Here, Nottingham Contemporary; Middlesbrough Institute of Modern
Art, UK; South London Gallery
Meret Oppenheim: Opere in dialogo da Max Ernst a Mona Hatoum/Meret
Oppenheim: Works in Conversation from Max Ernst to Mona Hatoum, Museo
d’arte della Svizzera Italiana, Lugano
No Place Like Home, The Israel Museum, Jerusalem; Museu Coleção Berardo,
NOW, Scottish National Gallery of Modern Art, Edinburgh
Tous des sang – mêlés, MAC/VAL Musee d’art contemporain du Val–de–Marne,
Vitry–sur–Seine, France
La Terra Inquieta/The Restless Earth, La Triennale di Milano, Milan, Italy
Beyond the Pleasure Principle: Affective Operations in Art, Zachęta National Gallery
of Art, Warsaw
Gray Matters, Wexner Center for the Arts, Columbus, Ohio
Ruptures, The Des Moines Art Center, Iowa
Documenta 14, EMST National Museum of Contemporary Art, Athens and
Fridericianum, Kassel, Germany
Sculpture in the Close, Jesus College, Cambridge, UK
Dreamers Awake, White Cube, London
Jerusalem Lives, The Palestinian Museum, Birzeit, Palestine
Artists in Exile: Expressions of Loss and Hope, Yale University Art Gallery, New
Haven, Connecticut
In Rebellion. Female Narratives in the Arab World, Valencia Institute of Modern Art,
Arte Povera and British Artists, Estorick Collection of Modern Italian Art, London
Sanctuary, Fort Mason Chapel, San Francisco
Age of Terror: Art since 9/11, Imperial War Museum, London
From Me to Us: the City without Borders, Palazzo del Quirinale, Rome
Like a Moth to a Flame, Officine Grandi Riparazioni, Turin, Italy
Home Beirut: Sounding the Neighbours, Museo nazionale delle arti del XXI secolo,
Welcome to Jerusalem, Jewish Museum, Berlin

Life Is Not a Beach, Alexander Tutsek–Stiftung, Munich
Do It, Sharjah Art Foundation, United Arab Emirates
Looking at the World Around You: Contemporary Works from Qatar Museums,
Sala de Arte Santander, Madrid
Earth and Ever After, 21, 39, Jeddah, Saudi Arabia
Not New Now, Marrakech Biennale 6, Morocco
The 1980s: Today’s Beginnings?, Van Abbe Museum, Eindhoven, Netherlands
Seeing Round Corners, Turner Contemporary, Margate, UK
The House of Impressions: Classic and Contemporary Media Art, Pushkin State
Museum of Fine Arts, Moscow
Found, Foundling Museum, London
sans papiers – Das Leben ist eine Reise, Kurt–Kurt, Berlin
The Dark Side of the Moon, Kunstmuseum St. Gallen, Switzerland
What Is Left?, frei_raum Q21, MuseumsQuartier, Vienna
Hinter dem Vorhang. Verhullung und Enthüllung seit der Renaissance: Von Tizian
bis Christo/Behind the Curtain: Concealment and Revelation since the
Renaissance: From Titian to Christo, Stiftung Museum Kunstpalast, Düsseldorf
Uncertain States: Künstlerisches Handeln in Ausnahmezuständen, Akademie der
Künste, Berlin
Vivre!!, Musée national de l’histoire de l’immigration, Paris
Political Intent and Beyond Limits, Museum of Fine Arts, Boston, Massachusetts

Too Early, Too Late. Middle East and Modernity, Pinacoteca Nazionale di Bologna,
Schlaflos: Das Bett in Geschichte und Gegenwartskunt/Sleepless: Beds in History
and Contemporary Art, 21er Haus, Vienna
Apparitions: Frottages and Rubbings from 1860 to Now, The Hammer Museum,
Los Angeles, California; The Menil Collection, Houston, Texas
Lest the Two Seas Meet, Museum of Modern Art, Warsaw
Rastros y Vestigios: indagaciones sobre el presente, Hospicio Cabañas,
Guadalajara, Mexico; Museo Amparo, Puebla, Mexico; Antiguo Colegio de San
Ildefonso, Mexico City
Arts & Foods, Triennale di Milano, Italy
Under the Clouds: from Paranoia to the Digital Sublime, Museu Serralves, Porto,
Desperate Housewives? Künstlerinnen räumen auf, Kulturspeicher Würzburg,
Germany; Kunstsammlungen Zwickau, Germany, 2016; Kunstmuseum Mülheim an
der Ruhr, Germany 2016; Städtische Galerie Villengen–Schwenningen, Germany,
2016; Staatliches Textil und Industriemuseum, Germany, 2016
Global Imaginations, De Meelfabriek, Leiden, Netherlands
2050: Une brève histoire de l’avenir, Royal Museums of Fine Arts of Belgium,
Like a Prayer, Magasin III, Stockholm
What We Call Love: From Surrealism to Now, Irish Museum of Modern Art, Dublin
Stance or Distance?, Contemporary Art Museum, Kumamoto, Japan
Nel Mezzo del Mezzo, Museo Riso and Albergo dei Poveri, Palermo

Neighbours: Contemporary Narratives from Turkey and Beyond, Istanbul Modern,
Lens – Based Sculpture: The Transformation of the Concept of Sculpture through
Photography, Akademie der Künste, Berlin; Kunstmuseum Liechtenstein, Vaduz,
Ravage: Kunst en erfgoed in tijden van conflict/Ravaged: Art and Culture in Times
of Conflict, M – Museum Leuven, Belgium
La disparition des lucioles, Prison Saint–Anne, Avignon, France
Les désastres de la guerre 1800–2014, Louvre – Lens, Pas–de–Calais, France
Mind the Map, Galleri F15, Moss, Norway
Good Morning Mr. Orwell, Nam June Paik Art Center, Yongin–si, South Korea
Ombra, Polvere e Una Promessa di Futuro/Shadow, Dust and a Promise of Future,
Sale di Complesso di Sant’Agostino and Piazza del Duomo, Pietrasanta, Italy
Zeichen gegen den Krieg: Antikriegsplastik von Lehmbruck bis heute, Lehmbruck
Museum, Duisburg, Germany
Synthesis, Reykjavik Art Museum; as How Space Turns, Museum fur
Gegenwartskunst Siegen, Germany, 2015
Mark the Line, Göteborgs Konsthall, Gothenburg, Sweden
Dead Reckoning: Whorled Explorations, Kochi–Muziris Biennale, Kerala, India

Ici, ailleurs/Here, elsewhere, La Friche Belle de Mai, Marseille , France
Homelands, Indira Gandhi National Centre for the Arts, Delhi, India; The Harrington
Street Arts Centre, Calcutta, India; Dr. Bhau Daji Lad Museum, Mumbai, India;
National Gallery of Modern Art, Bangalore, India (British Council touring exhibition)
Keywords: Art, Culture and Society in 1980s Britain, Institute of International Visual
Arts, London; Tate Liverpool, UK
Fragile?, Fondazione Giorgio Cini, Venice
So Much I Want to Say: From Annemiek to Mother Courage, Haus der Kunst,
Material World, Denver Art Museum, Colorado
Le pont, Musée d’Art Contemporain, Marseille, France
Glasstress: White Light/White Heat, Palazzo Cavalli–Franchetti, Collateral Event of
the 53rd Venice Biennale
Beyond Belief: 100 Years of the Spiritual in Modern Art, Contemporary Jewish
Museum, San Francisco (co – organised by the San Francisco Museum of Modern
When Now Is Minimal: Die unbekannte Seite der Sammlung Goetz, Neues
Museum, Nuremburg, Germany
Drone: The Automated Image, Le Mois de la photo à Montreal, Fonderie Darling, Montreal
Iskele 2: The Unanswered Question, Neuer Berliner Kunstverein and TANAS, Berlin
More Light, 5th Moscow Biennale of Contemporary Art
De Anatomische Les: Van Rembrandt tot Damien Hirst/Anatomy Lesson: From
Rembrandt to Damien Hirst, Gemeentemuseum Den Haag, The Hague
Kunst & Textil – Stoff als Material und Idee in der Moderne von Klimt bis heute/Art
& Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present,
Kunstmuseum Wolfsburg, Germany; Staatsgalerie Stuttgart, Germany, 2014
Damage Control: Art and Destruction since 1950, Hirshhorn Museum and
Sculpture Garden, Washington, DC; Mudam Luxembourg, 2014; Kunsthaus Graz –
Universalmuseum Joanneum, Graz, Austria, 2014
Le Surréalisme et l’objet, Centre Georges Pompidou, Paris
Remember Everything: 40 Years, Galerie Max Hetzler, Berlin
Wall Works, Hamburger Bahnhof – Museum für Gegenwart, Berlin
In Order to Join, Städtisches Museum Abteiberg, Mönchengladbach, Germany
Lines of Control, The Nasher Museum of Art at Duke University, North Carolina

Discussing Metamodernism, Galerie Tanja Wagner, Berlin
Rasterfahndung, Kunstmuseum Stuttgart, Germany
ZOO, Musée d’Art Contemporain de Montréal, Canada
La vie des formes, Les Abattoirs, Toulouse, France
The Fertile Crescent: Gender, Art, and Society in the Middle East, Princeton
University, Art Museum, Princeton, New Jersey (organised by the Institute for
Women and Art at Rutgers University)
Newtopia: The State of Human Rights, Mechelen, Belgium
The Unexpected Guest, 7th Liverpool Biennial, UK
Double Take, 2nd Mardin Biennale, Turkey
Gnadenlos: Witz Ironie Satire Sarkasmus – Künstlerinnen und das
Komische/Merciless: Wit Irony Satire Sarcasm – Female Artists and the Comical,
Kunsthalle Vogelmann, Heilbronn, Germany; Paula Modersohn – Becker Museum,
Bremen, Germany 2013
From Death to Death and Other Small Tales: Masterpieces from the Scottish
National Gallery of Modern Art and the Dimitris Daskalopoulos Collection, Scottish
National Gallery of Modern Art, Edinburgh

Crisisss… América Latina, arte y confrontación 1910–2010, Museo del Palacio de
Bellas Artes, Mexico City
Heroínas/Heroines, Museo Thyssen – Bornemisza y Fundación Caja Madrid
L’art de Menjar (Eating Art), La Pedrera, Barcelona (organised by Fundació Caixa
The Luminous Interval, Guggenheim Bilbao, Spain
Women War Artists, Imperial War Museum, London
Locus Agonistes: Practices and Logics of the Civic, Meeting Points 6, Beirut Art
Center; MAKAN, Amman; Townhouse Gallery, Cairo; Argos Centre for Art and
Media, Brussels; Haus der Kulturen der Welt, Berlin, 2012; Onassis Cultural Center,
Athens, 2012
The Future of a Promise, Magazzini del Sale, Collateral Event of the 53rd Venice
Disquieting Muses, Contemporary Art Center of Thessaloniki – State Museum of
Contemporary Art, Greece
Beirut, Kunsthalle Wien Karlsplatz, Vienna
Jean Genet, Nottingham Contemporary, Nottingham, UK
Erre, variations labyrinthiques, Centre Pompidou – Metz, France
Untitled, 12th Istanbul Biennial
Voyage en Orient, from Pierre Loti to Nan Goldin, Galerie d’art du conseil general
des Bouches–du–Rhône, Aix–en–Provence, France
Dance/Draw, Institute of Contemporary Art, Boston, Massachusetts; Tang Museum
at Skidmore College, Saratoga Springs, New York
On/Off Language, The Jerusalem Show V (organised by Al – Ma’mal Foundation),
Le Retour, 3rd International Festival of Contemporary Art of Algiers, Musée d’art
moderne d’Alger, Algiers

The Visceral Body, Vancouver Art Gallery
A Feast for the Eyes: Food in Still Life, Kunstforum Wien, Vienna
Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R.
Guggenheim Museum, New York
Che cosa sono le nuvole? Artworks from the Enea Righi Collection, Museion,
Bolzano, Italy
Fall Out: War and Conflict in the British Council Collection, Whitechapel Gallery,
Mind and Matter: Alternative Abstractions, 1940s to Now, Museum of Modern Art,
New York
Glück happens, Kunstpalais, Stadt Erlangen, Germany
Tutto è connesso/Everything is connected, Castello di Rivoli, Turin, Italy
Hope!, Palais des Arts et du Festival, Dinard, France
The New Décor, Hayward Gallery, London; Garage Center for Contemporary
Culture, Moscow
Mona Hatoum, Stefan Kürten and Rita McBride, Alexander and Bonin, New York
Yesterday Will Be Better: Taking Memory into the Future, Aargauer Kunsthaus,
Aarau, Switzerland
Contemporary Art in Patios of Quito, Convento San Agustin, Quito
Terre Vulnerabili, Hangar Bicocca, Milan, Italy
Contemporary Eye: Crossovers, Pallant House Gallery, Chichester, UK
On Line: Drawing Through the Twentieth Century, Museum of Modern Art, New
Il Coraggio: Arte contemporanea dalla Fondazione Sandretto Re Rebaudengo,
Centro Saint – Bénin, Aosta, Italy

The Power of Ornament, Orangerie, Lower Belvedere, Vienna
Accrochage, Galerie Max Hetzler, Berlin
Pot Luck, The New Art Gallery, Walsall; Aberystwyth Art Centre; Pisthanger Manor
Gallery & House, London
elles@centrepompidou, Centre Georges Pompidou, Paris
REBELLE: Art and Feminism 1969–2009, Museum voor Moderne Kunst Arnhem,
Glasstress, Istituto Veneto di Scienze, Lettere ed Arti – Palazzo Cavalli Franchetti,
Collateral Event of the 53rd Venice Biennale
Surrealism and Contemporary Art: Subversive Spaces, Compton Verney,
Warwickshire; as Subversive Spaces: Surrealism + Contemporary Art, The
Whitworth Art Gallery, Manchester, UK
Medals of Dishonour, British Museum, London; The State Hermitage Museum, St
Petersburg, 2012
Platform in KIMUSA: Void of Memory, Platform 2009, The Old DSC (Defense
Security Command) Site, Seoul
British Subjects: Identity and Self – Fashioning 1967–2009, Neuberger Museum of
Purchase College, State University of New York, Purchase, New York
Paper: Pressed, Stained, Slashed, Folded, Museum of Modern Art, New York
Slash: Paper Under the Knife, Museum of Arts and Design, New York
The Sky Within My House: Contemporary Art in Patios of Cordoba, Patio de la
Cancela, Cordoba, Spain
Taswir: Pictorial Mappings of Islam and Modernity, Martin – Gropius – Bau, Berlin
Earth: Art of a Changing World, Royal Academy of Arts, London
Barock, Museo d’Arte Contemporanea Donna Regina, Naples

Genesis: The Art of Creation, Zentrum Paul Klee in BernMartian Museum of
Terrestrial Art, Barbican Art Gallery, London
Twelve Travels British Art in Sensibility and Experience, Tochigi Prefectural
Museum of Fine Arts, Japan; Shizuoka Prefectural Museum of Art, Japan; The
Museum of Modern Art, Toyama, Japan; Setagaya Art Museum, Tokyo, 2009
The Morning After: Videoworks from the Goetz Collection, Weserburg Museum für
moderne Kunst, Bremen, Germany
Being Here: Mapping the Contemporary, Bucharest Biennale 3
Ekko Echo Ecco, U – TURN Quadrennial for Contemporary Art, Copenhagen
Close – Up, The Fruitmarket Gallery, Edinburgh
Never – Part: Histories of Palestine, BOZAR – Palais des Beaux–Arts, Brussels
The Impossible Prison, Galleries of Justice, Nottingham UK (organised by
Nottingham Contemporary)
Depletion, Tel Aviv Museum of Art, Israel
Heavy Metal: On the Inexplicable Lightness of a Material, Kunsthalle zu Kiel,
Political/Minimal, Kunst – Werke Institute for Contemporary Art, Berlin; Muzeum
Sztuki, Lodz, Poland, 2009

2Move, Sala Verónicas y Centro Párraga, Murcia, Spain; Zuiderzeemuseum,
Enkhuizen, Netherlands; Stenersenmuseet, Oslo, Norway; Solstice Arts Centre,
Navan, County Meath, Ireland; Belfast Exposed
Turbulence, 3rd Auckland Triennial, Auckland, New Zealand
L’emprise du lieu, Domaine Pommery, Reims, France
STILL LIFE: Art, Ecology and the Politics of Change, Sharjah Biennale 8, United
Arab Emirates
Lines, Grids, Stains, Words, Museum of Modern Art, New York; Museu Serralves,
Porto, Portugal, 2008; Museum Wiesbaden, Germany, 2008
Mining Glass, Museum of Glass, Tacoma, Washington, DC
Capricci: Possibilités d’autres mondes, Casino Luxembourg – Forum d’art
contemporain, Luxembourg
Dialogues méditerranéens à Saint–Tropez, Parcours artistiques de l’été culturel
2007, Citadelle de Saint–Tropez, France
Border Jam: La Cuadratura del Cono, Museo de Bellas Artes Juan Manuel Blanes,
Montevideo; Proa Foundation, Buenos Aires; La Moneda Palace Cultural Center,
Santiago de Chile
There is no border…, Galerie im Taxispalais, Innsbruck, Austria
Neue Heimat, Berlinische Galerie, Berlin
Annisettanta: Il decennio lungo del secolo breve, La Triennale di Milano, Italy
Gehen bleiben: Bewgung, Körper, Ort in der Kunst der Ggenwart/Going Staying:
Movement, Body, Place in Contemporary Art, Kunstmuseum Bonn, Germany
Timer 01 Intimità/Intimacy, Fondazione Triennale di Milano, Triennale Bovisa,
Milan, Italy

Kairotic: Mona Hatoum, Gary Hill, Karim Rashid, Townhouse Gallery, Cairo
Conversations = Hadith, Sfeir – Semle Gallery, Beirut
Without Boundary: Seventeen Ways of Looking, Museum of Modern Art, New York
You’ll Never Know: Drawing and Random Interference, Harris Museum and Art
Gallery, Preston, UK (Hayward Touring exhibition)
Around the World in Eighty Days, Institute of Contemporary Arts, London
Zones of Contact, 15th Biennale of Sydney
Into Me/Out of Me, MoMA PS1, New York; Kunst – Werke Institute for Contemporary Art, Berlin
Polemos, Forte di Gavi, Gavi, Italy
Drei Farben – BLAU, XIII Rohkunstbau, Wasserschloss Groß Leuthen, Groß
Leuthen, Germany
Out of Time: Contemporary Art from the Collection, Museum of Modern Art, New
How to Improve the World: 60 Years of British Art, Hayward Gallery, London
Confini, Museo d’Arte Provincia di Nuoro, Italy
D’ombra, Palazzo delle Papesse – Centro Arte Contemporanea, Sienna, Italy;
Museo d’Arte Provincia di Nuoro, Italy, 2007; Compton Verney, UK, 2007
Eye on Europe: Prints, Books, and Multiples, 1960 to Now, Museum of Modern Art,
New York
Diagnosis [Art]: Contemporary Art Reflecting Medicine, Kunstmuseum Ahlen,
The 80s: A Topology, Museu Serralves, Porto, Lisbon
Super Vision, Institute of Contemporary Art, Boston, Massachusetts
Aftershock: Contemporary British Art 1990–2006, Guangdong Museum of Art,
Guangzhou, China; Capital Museum, Beijing, 2007 (British Council touring

Desenhos: A – Z/Drawings: A – Z, Porta 33, Funchal, Madeira, Portugal
The Body: Art & Science, National Museum of Fine Arts, Stockholm
Some Stories: Women Artists from Turkey, Egypt, Iran, Syria, Algeria, and
Palestine, Kunsthalle Wien, Vienna; Magazin 4, Bregenz, Austria
Works on Paper, Galerie Max Hetzler, Berlin
Colour After Klein, Barbican Art Gallery, London
The Treason of Sculpture, Mario Sequeira Gallery, Braga, Portugal
Always a little Further, 51st Venice Biennial
Panopticon: The Architecture and Theatre of Prison, Zachęta National Gallery of
Art, Warsaw
Fairy Tales Forever, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
The Real Me. London in Six Easy Steps: Six Curators, Six Weeks, Six Perspectives,
Institute of Contemporary Arts, London
Figures of Thinking: Convergences in Contemporary Cultures, Richard E. Peeler Art
Center, DePauw University, Greencastle, Indiana; McDonough Museum of Art,
Youngstown, Ohio; Tufts University Gallery, Aidekman Arts Center, Medford,
Massachusetts, 2006; Western Gallery, Western Washington University,
Bellingham, Washington, DC, 2007; Joel and Lila Harnett Museum of Art,
University of Richmond Museums, Richmond, Canada, 2008
On Both Sides of the Rhine – Movement, Museum Ludwig, Cologne, Germany
Guardami. Percezione del Video, Palazzo delle Papesse – Centro Arte
Contemporanea, Sienna, Italy

Made in Mexico/Hecho en Mexico, Institute of Contemporary Art, Boston,
Massachusetts; The Hammer Museum, Los Angeles
Beyond East and West: Seven Transnational Artists, Krannert Art Museum,
University of Illinois, Urbana–Champaign, Illinois; Louisiana State University
Museum of Art, Baton Rouge, Louisiana; Hood Museum of Art, Dartmouth College,
Hanover, New Hampshire; Williams College Museum of Art, Williamstown,
Massachusetts, 2005
Das große Fressen: Von Pop bis heute, Kunsthalle Bielefeld, Germany
Turning Points: 20th Century British Sculpture, Tehran Museum of Contemporary
Art, Iran
Laocoon Devoured: Art. Politics. Violence, Artium, Centro – Museo Vasco de Arte
Contemporáneo, Vitoria–Gasteiz, Spain; Centro José Guerrero, Granada, Spain;
DA2 Domus Artium 2002, Salamanca, Spain
Transcultures, EMST National Museum of Contemporary Art, Athens
Love It or Leave It, Cetinje Biennial V, Montenegro
Non Toccare la Donna Bianca – Arte Contemporanea fra diversità e liberazione,
Fondazione Sandretto Re Rebaudengo, Turin, Italy; Castel dell’Ovo Museum,
Naples, 2005
Cordially Invited, Basis voor actuele kunst and Centraal Museum, Utrecht,
From Moore to Hirst: Sixty Years of British Sculpture, National Museum of Art of
Romania, Bucharest

M_ARS: Art and War, Neue Galerie Graz, Austria
Micro/Macro: British Art, 1996–2002 , Mucsarnok Kunsthalle, Budapest
Banquete: Metabolism and Communication, ZKM Zentrum für Kunst und
Medientechnologie Karlsruhe, Germany
Il Racconto del filo: Ricamo e cucito nell’arte contemporanea, Museo d’arte
moderna e contemporanea di Trento e Rovereto, Italy
©EUROPE EXISTS, Macedonian Museum of Contemporary Art, Thessaloniki,
Migration, Kunstmuseum Liechtenstein, Vaduz
Incommunicado, Sainsbury Centre for Visual Arts, University of East Anglia,
Norwich, UK; City Art Centre, Edinburgh, 2004; Cornerhouse, Manchester, UK,
2004 (Hayward Touring exhibition)
Flesh Art, Abattoir of Prato Cultural Centre, Italy
Images of Society, Kunstmuseum Thun, Switzerland

Outer & Inner Space: A Video Exhibition in Three Parts, Virginia Museum of Fine
Arts, Richmond
Documenta 11, Kassel, Germany
Another World: 12 Bedroom Stories, Kunstmuseum Luzern, Lucerne, Switzerland
40 Jahre: Fluxus und Die Folgen, Nassauischer Kunstverein, Wiesbaden, Germany
The Benefit of Art: Postfeminist Positions from the Goetz Collection, Kunsthalle
Baden–Baden, Germany
Sculpture, Alexander and Bonin, New York
Comer o no comer/To eat or not to eat, Centro de Arte de Salamanca, Spain
Imagine, you are standing here in front of me, Museum Boijmans Van Beuningen,
Rotterdam, Amsterdam

El Instante Eterno/The Eternal Instant: Art and Spirituality at the Change of the
Millennium, Espai d’Art Contemporani de Castelló, Spain
Field Day: Sculpture from Britain, Taipei Fine Arts Museum, Taiwan
(Self) Portraits, Alexander and Bonin, New York
El Mundo Nuevo/The New World, Bienal de Valencia, Spain
The Mediterranean: A New Wall?, Culturgest, Lisbon
In weiter Ferne, so nah, neue palästinensische kunst, IFA – Galerie Bonn; IFA –
Galerie Stuttgart, Germany; IFA – Galerie Berlin, 2002
Il Dono: Offerta Ospitalita Insidia/The Gift: Generous Offerings, Threatening
Hospitality, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy;
Centro Cultural Candiani, Mestre, Italy

Sincerely Yours, Astrup Fearnley Museet for Moderne Kunst, Oslo
Friends and Neighbours, 4th EV+A Biennial, Limerick City Gallery of Art, Limerick,
Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of
Fine Arts, Richmond
Out There, White Cube, London
Between Cinema and a Hard Place, Tate Modern, London
Orbis Terrarum, Antwerpen Open, Museum Plantin – Moretus, Antwerp, Belgium
La forma del mondo/la fine del mondo, Padiglione d’Arte Contemporanea, Milan,
Vision and Reality, Louisiana Museum of Modern Art, Humlebaek, Denmark
MAN: Body in Art from 1950–2000, Arken Museum for Moderne Kunst, Skovvej,
No es solò lo que ves. Pervirtiendo el minimalismo, Museo Nacional Centro de Arte
Reina Sofia, Madrid

Threshold: Invoking the Domestic in Contemporary Art, John Michael Kohler Arts
Center, Sheboygan, Wisconsin; Contemporary Art Center of Virginia, Virginia
Beach, Virginia
Cosmos: From Romanticism to Avant – Garde, 1801–2001, Montreal Museum of
Fine Arts; Centre de Cultura Contemporània de Barcelona, 2001; Palazzo Grassi,
Venice, 2000
La Casa, il Corpo, il Cuore, Museum Moderner Kunst Stiftung Ludwig, Vienna;
National Gallery in Prague, 2000
Looking for a Place, SITE Santa Fe Biennial III, New Mexico
The Century of the Body: Photoworks 1900–2000, Culturgest, Lisbon; Musée de
l’Elysée Lausanne, Switezerland, 2000
Das XX. Jahrhundert: ein Jahrhundert Kunst in Deutschland, Neue Nationalgalerie,
Regarding Beauty: A View of the Late Twentieth Century, Hirshhorn Museum and
Sculpture Garden, Washington, DC
Art Worlds in Dialogue: From Gauguin to the Global Present, Museum Ludwig,
Cologne, Germany
54 x 54 x 54, Financial Times Building, London

Wounds: Between Democracy and Redemption in Contemporary Art, Moderna
Museet, Stockholm
Close Echoes, Public Body & Artificial Eye, GHMP Gallery Prague City Gallery;
Kunsthalle Krems, Krems an der Donau, Austria
Echolot, Museum Fridericianum, Kassel, Germany
Real/Life: New British Art, Tochigi Prefectural Museum of Fine Arts, Utsunomiya,
Japan; Fukuoka City Art Museum, Japan; Hiroshima City Museum of Contemporary
Art; Tokyo Museum of Contemporary Art; Ashiya City Museum of Art History,
Japan, 1999
Traversées/Crossings, National Gallery of Canada, Ottawa
XXIV Bienal de São Paulo, Fundacao Biennial São Paulo
Minimal Maximal, Neues Museum Weserburg Bremen, Germany; Staatliche
Kunsthalle Baden–Baden, Germany; Centro Galego de Arte Contemporánea,
Santiago de Compostela, Spain, 1999; Chiba City Museum of Art, Japan, 2001;
National Museum of Art, Kyoto, Japan, 2001; Fukuoka Art Museum, Japan, 2001;
National Museum of Contemporary Art, Seoul, Korea, 2002
Emotion: Young British and American Artists from the Goetz Collection,
Deichtorhallen, Hamburg, Germany
7th International Cairo Biennale

De – Genderism: détruire dit – elle/il, Setagaya Art Museum, Tokyo
Artistes Palestiniens contemporains, Institut du Monde Arabe, Paris
Material Culture: The Object in British Art of the 80s and 90s, Hayward Gallery,
A Quality of Light, Newlyn Art Gallery, Penzance, UK (organised by Iniva, initiated
by St Ives International)
Engel: Engel, Kunsthalle Wien, Vienna; The Rudolfinum, Prague, Czech Republic,
Changing Spaces: Artists’ Projects from the Fabric Workshop and Museum,
Philadelphia, Museum of Contemporary Art, Miami, Florida; CU Galleries, University
of Colorado Boulder, Colorado; City Gallery, Atlanta, Georgia; Detroit Institute of
Arts, Michigan
The Quiet in the Land, Institute of Contemporary Art, Maine College of Art,
Portland, Oregon; Institute of Contemporary Art, Boston, Massachusetts
Unmapping the Earth, 2nd Gwangju Biennale, South Korea
Sensation: Young British Artists from The Saatchi Collection, Royal Academy of
Arts, London; Hamburger Bahnhof – Museum für Gegenwart, Berlin, 1998;
Brooklyn Museum, New York, 1999
Trash: Quando i rifiuti diventano arte, Palazzo delle Albere, Trento, Italy
Body, The Art Gallery of New South Wales, Sydney
Art from the UK: Part 1, Douglas Gordon, Mona Hatoum, Abigail Lane, Rachel
Sammlung Goetz, Munich

Inside the Visible, Institute of Contemporary Art, Boston, Massachusetts; National
Museum of Women in the Arts, Washington, DC; Whitechapel Art Gallery, London;
Art Gallery of Western Australia, Perth, Australia, 1997
Maps Elsewhere, Institute of International Visual Arts, London
Feed and Greed, Östereichisches Museum für Angewandte Kunst, Vienna
Dimensions, Städtische Kunsthalle Mannheim, Germany
NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark
Fremdkörper/Corps étranger/Foreign Body, Museum für Gegenwartskunst, Basel
Distemper: Dissonant Themes in the Art of the 1990s, Hirshhorn Museum and
Sculpture Garden, Washington, DC
The Art Embodied, Musée d’art contemporain de Marseille, France
Toyama Now ’96, The Sixth International Contemporary Art Exhibition, The
Museum of Modern Art, Toyama, Japan
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers,
Sabbathday Lake Shaker community, Maine
Shopping, Soho Art Festival, Jerry’s restaurant, New York
Inclusion: Exclusion, Steirischer Herbst ’96, Graz, Austria
Life/Live: La scène artistique au Royaume – Uni en 1996, de nouvelles aventures,
Musée d’art Moderne de la Ville de Paris; Centro Cultural de Belém, Lisbon

ARS 95, Museum of Contemporary Art, Helsinki
Körper formen, Künstlerwerkstatt, Munich
Identity and Alterity, Italian Pavilion, 46th Venice Bienniale
Rites of Passage, Tate Gallery, London
Here and Now: Twenty – Five Years of British Sculpture from 1970 to the Present,
Serpentine Gallery, London
Fémininmasculin, le sexe de l’art, Centre Georges Pompidou, Paris
The Turner Prize 1995, Tate Gallery, London
Orient/ation, 4th Istanbul Biennial

Forces of Change: Artists of the Arab World, National Museum of Women in the
Arts, Washington, DC; Dudley House, Lehman Hall, Harvard University,
Massachusetts; Wolfson Gallery and Central Gallery, Miami Dade College, Florida,
1995; Gwinnett Fine Arts Center, Atlanta, Georgia 1995
Espacios Fragmentados, 5th Havana Biennial
Le Saut dans le Vide, TsDKh Central House of Artists, Moscow
Inside the Visible: Begin the Beguine in Flanders, Beguinage of Saint Elizabeth,
Kortrijk, Belgium; Institute of Contemporary Art, Boston, Massachusetts, 1996
Sense and Sensibility: Women and Minimalism in the Nineties, Museum of Modern
Art, New York
Ik + de Ander: Art and the Human Condition, Beurs van Berlage, Amsterdam
Super Suburb, Museum City Tenjin ’94, Fukuoka, Japan
Willie Doherty, Mona Hatoum, Doris Salcedo, Brooke Alexander Gallery, New York
Le Shuttle, Künstlerhaus Bethanien, Berlin
Art Unlimited: Multiples of the 60s and 90s, Centre for Contemporary Art,
Glasgow; Brighton University, UK, 1996; Ferens Art Gallery, Hull, UK, 1996; Newlyn
Art Gallery, Penzance, UK 1996 (Arts Council of Great Britain touring exhibition)
Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid
Humanism and Technology, 600 Seoul International Art Festival, Seoul
Heart of Darkness, Kröller – Müller Museum, Otterlo, Netherlands

Four Rooms, Serpentine Gallery, London
Grazer Combustion, Steirischer Herbst ’93 Festival, Graz, Austria
Witness, Presentation House Gallery, Vancouver; Oakville Galleries; Edmonton Art
Gallery, Canada; Dunlop Art Gallery, Regina, Canada; Southeast Museum of
Photography, Daytona State College, Daytona Beach, Florida
Eros, c’est la vie, Confort Moderne, Poitiers, France
Tyne International 1993, Newcastle upon Tyne, UK
Shifting Paradigms/Modèles Mouvants: Contemporary Canadian Video Art, V Tape
Video and Orality, National Gallery of Canada, Ottawa

Pour la Suite du Monde, Musée d’Art Contemporain de Montréal, Canada
Manifeste, 30 ans de création en perspective 1960–1990, Centre Georges
Pompidou, Paris
Fine Material for a Dream…? Harris Museum and Art Gallery, Preston, UK; Ferons
Museum and Art Gallery, Hull, UK; Oldham Art Gallery, UK
Brit Art, 11 Britische Künstler, Kunsthaus Glarus, Switzerland
Who Do You Take Me For?, Institute of Modern Art, Brisbane, Australia
The Cutting Edge, Barbican Art Gallery, London

4th Havana Biennial
Shocks to the System, Foyer Galleries, Royal Festival Hall, London; Northern Centre
for Contemporary Art, Sunderland, UK; Ikon Gallery, Birmingham, UK; Towner Art
Gallery, Eastbourne, UK; Plymouth City Museum and Art Gallery, UK; Maclaurin Art
Gallery, Ayr, UK (Arts Council of Great Britain touring exhibition)
Interrogating Identity, Grey Art Gallery and Study Center, New York; Museum of
Fine Arts, Boston, Massachusetts; Walker Art Center, Minneapolis, 1992; Madison
Art Centre, Wisconsin, 1992; Center for the Fine Arts, Miami, Florida, 1992; Allen
Memorial Art Museum, Oberlin, Ohio, 1992; Duke University Museum of Art,
Durham, North Carolina, 1992
The Interrupted Life, New Museum of Contemporary Art, New York
The Hybrid State, Exit Art, New York

Video and Myth, Museum of Modern Art, New York
The British Art Show, McLellan Galleries, Glasgow; Leeds City Art Gallery, UK;
Hayward Gallery, London
Changing the Subject, Anthology Film Archives, New York
New Art for Newcastle, Victoria Tunnel, Newcastle upon Tyne (TSWA Four Cities
Project), UK
Passages de l’image, Centre Georges Pompidou, Paris; Fundació Caixa de
Pensions, Barcelona, Spain, 1991; The Power Plant, Toronto, Canada, 1991; Wexner
Art Center, Columbus, Ohio, 1991; San Francisco Modern Art Museum, 1992
Disrupted Identities, SF Camerawork, San Francisco
Territories of Distance, Walter Phillips Gallery, Banff, Canada

Intimate Distance: Five Female Artists, The Photographers’ Gallery, London; Wigan
Arts College, UK; Plymouth Arts Centre, UK, 1990; Brewhouse Arts Centre,
Taunton, UK, 1990; Mappin Art Gallery, Sheffield, UK, 1990; Cambridge Darkroom,
UK, 1991; Bluecoat Gallery, Liverpool, UK, 1991
Uprising, Artists Space, New York
The Other Story, Hayward Gallery, London; Wolverhampton Art Gallery, UK;
Manchester City Art Gallery; Conerhouse, Manchester
Rétrospective Mona Hatoum, 5e Festival International de Films et Vidéos de
Femmes de Montréal, Canada
3rd Havana Biennial

The Essential Black Art, Chisenhale Gallery, London; Laing Art Gallery, Newcastle
upon Tyne, UK; Huddersfield Art Gallery, UK; Herbert Art Gallery, Coventry, UK;
Gardner Arts Centre, Brighton, UK; Cooper Gallery, Barnsley, UK
Nationalism: Women and the State, A Space, Toronto, Canada (performance)
Metro Billboard Project ’88, Newcastle upon Tyne, UK; Manchester, UK; Sheffield,
UK; Leeds, UK; London; Derry (Projects UK touring exhibition)
EDGE ’88: International Experiment in Art, London
Installations, Cornerhouse, Manchester
In an Unsafe Light, Ikon Gallery, Birmingham
Along the Lines of Resistance, Cooper Gallery, Barnsley, UK; Rochdale Art Gallery,
UK, 1989; Bonington Gallery, Nottingham, UK, 1989; Kent Institute of Art and
Design, Canterbury, UK, 1989; Greenwich Citizen’s Gallery, London, 1989

An Evening of Performance Art with Mona Hatoum, Sylvia C. Ziranek, Nick Stewart,
Chisenhale Dance Space, London (performance)
At the Edge, Air Gallery, London
Figures, Cambridge Darkroom; Milton Keynes Gallery; Darlington Arts Centre, UK
Confrontations: The Role of Controversy in Art, Laing Art Gallery, Newcastle upon
Tyne, UK; Cartwright Hall, Bradford, UK; Cornerhouse, Manchester
State of the Nation, Herbert Art Gallery and Museum, Coventry, UK
Trans – Positions, Leeds City Art Gallery, UK
A Week of Performance, Saint Martin’s School of Art, London (performance)
National Review of Live Art, Riverside Studios, London (performance)
New Work: No Definition, Third Eye Centre, Glasgow (performance)
Siting Technology, Walter Phillips Gallery, Banff; McKenzie Art Gallery, Regina,
Canada, 1988
The Elusive Sign: British Avant – Garde Film and Video 1977–1987, Tate Gallery,
London (British Council and Arts Council of Great Britain touring exhibition)
Dislocations, Kettle’s Yard, Cambridge, UK (performance)

New Work Newcastle 86, Laing Art Gallery, Newcastle upon Tyne, UK (organised
by Projects UK; performance)
Next: Tomorrow, Cambridge Darkroom and Kettle’s Yard, Cambridge, UK
Live Video, Time Based Arts, Amsterdam (performance)
Je est un autre, Galerij van de Akademie, Waasmunster, Belgium
Streets Alive, Sheffield, UK (performance)
Identity/Desire: Representing the Body, Collins Gallery, University of Strathclyde,
Glasgow; Aberdeen Art Gallery and Museum, UK; Crawford Arts Centre, St
Andrews, UK; Maclaurin Art Gallery, Ayr, UK (Scottish Arts Council touring
Conceptual Clothing, Ikon Gallery, Birmingham (performance); Harris Museum and
Art Gallery, Preston, UK, 1987; Peterborough City Museum and Art Gallery, UK,
1987; Spacex, Exeter, UK, 1987; Stoke–on–Trent City Museum and Art Gallery, UK,
1987; Aberdeen Art Gallery, UK, 1987; Huddersfield Art Gallery, UK, 1987;
Cartwright Hall Art Gallery, Bradford, UK, 1987; Camden Arts Centre, London, 1988
Tara Babel, Carly Reedy and Mona Hatoum: Three Women Performance Artists,
Chisenhale Dance Space, London (performance)

Dazzling Phrases, Forest City Gallery, London, Canada; The Art Gallery of Windsor,
Canada (performance)
Real Time, Institute of Contemporary Arts, London (organised by Audio Arts;
Kunst mit Eigen–Sinn, Museum Moderner Kunst, Vienna
Roadworks, Brixton Art Gallery, London (performance)
Art and Research Exchange, Belfast

2nd International Festival of Performance, South Hill Park Arts Centre, Bracknell,
UK (performance)
Women’s Performance, Rochdale Art Gallery, UK (performance)

Bridewell Studios, Liverpool (performance)
The Radiator, Manchester (performance)
Blind Dates, The Blackie, Liverpool (performance)
Wiencouver IV, Western Front, Vancouver

Women Live, London Film – Makers’ Co – op; London Musicians Collective
Reflections, Aspex Gallery, Portsmouth, UK (performance)

Gender Views, London Film – Makers’ Co – op (performance)
New Contemporaries ’81, Institute of Contemporary Arts, London (performance)
Basement Gallery, Newcastle upon Tyne, UK (performance)
Summer Show ’81, London Film – Makers’ Co–op

Coventry Events Week (with Paul Jackson), Lanchester Gallery, University of
Coventry, UK (performance)
Five Days at Battersea, Battersea Arts Centre, London (performance)
Summer Show ’80, London Film – Makers’ Co – op (performance)

Three Slade Performances: Paul Jackson, Mona Hatoum, David O’Connor, Slade
School of Fine Art, London (performance)
White Room, Slade School of Fine Art, London (performance)

Contacts & Details

City of birth: Beirut Country of birth: Lebanon Date of birth: 1952 Lives in: London, UK