Shezad Dawood works across disciplines film, painting, neon, sculpture and more recently virtual reality to deconstruct systems of image, language, site and narrative. Using the editing process as a method to explore both meanings and forms, his practice often involves collaboration and knowledge exchange, mapping across geographic borders and communities. Through a fascination with the esoteric, otherness and science-fiction, Dawood interweaves histories, realities and symbolism to create richly layered artworks.
Shezad Dawood’s work is in major public and private collections including Tate, London; LACMA, Los Angeles; National Gallery of Canada, Ottawa; The British Museum, London; Kiran Nadar Museum of Art, Delhi; Mathaf, Arab Museum of Modern Art, Doha; UBS Collection; US Government Art Collection; Government Art Collection, UK; Bill & Melinda Gates Foundation; Art Jameel, Dubai; Devi Art Foundation, Delhi; EKARD Collection.
His film works have been screened internationally, including Art Rotterdam (2018); New Adelphi Exhibition Gallery, Manchester (2018); Screen City Biennial, Stavanger (2017); Pera Film | Pera Museum, Istanbul (2016); MoMA, New York (2015); Floating Cinema, London (2015); Nitehawk Cinema, Brooklyn (2015); Kurz/ Dust, CCA Warsaw (2015); Art Dubai Film (2014); Aspen Art Museum (2014); Flatpack Film festival, FACT Liverpool, Manchester Cornerhouse, Sheffield Showroom, Arnolfini, Nottingham Broadway, Cambridge Picturehouse, Oxford Picturehouse and London Sci-Fi Film Festival (all 2013). Dawood is a Jarman Award nominee (2012), and one of the winners of the Abraaj Capital Art Prize (2011). Shezad Dawood was born in London in 1974 and trained at Central St Martin’s and the Royal College of Art before undertaking a PhD at Leeds Metropolitan University. Dawood is a Research Fellow in Experimental Media at the University of Westminster. He lives and works in London.