• “A vision of peace. Harmony and good intelligence”: an interview with Caribbean artist Tessa Mars
  • “Art in the Age of Anxiety” a collective digital exhibition at Sharjah Art Foundation
  • “Disobedient Images”: Rencontres d’Arles 2025 Explores Photography as Resistance and Connection
  • “Ex Machina” set to transform the Sicilian city of Scicli into a living theatre of contemporary art.
  • “Grayson’s Art Club”: a new TV show to teach art classes during lockdown
  • “I say I” at La Galleria Nazionale, Rome: an interview with the curators
  • “Identity in space and the human narrative”: an interview on Lamya Gargash’s art and practice
  • “Le Storie della Vera Croce”: the full project by Luigi Presicce on view for the first time at Mattatoio in Roma
  • “OVR: Pioneers” by Art Basel is live this week
  • “The Future of the Museum: 28 Dialogues”, a new book by András Szántó
  • “The Time of the Flood”: an interview with artist Stefano Cagol on his exhibition at CCA Tel Aviv
  • “Treasures from the Wreck of the Unbelievable” by Damien Hirst to open at Galleria Borghese in Rome in 2021
  • “We Are the Flood” — The book documenting Stefano Cagol latest project with a text by Timothy Morton, is out now
  • #besomebody Global Movement
  • #iohocuradite art fundraising project for Palermo
  • #iorestoacasa: Lo schermo dell’arte shares free artist’s movies from its archive
  • “Acting Regional to Get International”: an Interview with Magnus Renfrew on Taipei Dangdai
  • “Become a Desiarchitect, Like a Good Smoothie”. An Interview with Philippe Starck
  • “By or Of Marcel Duchamp or Rrose Sélavy”: an Interview with Sergio Casoli and Mattia De Luca
  • “Conceptual Contraband and the Migration of Art and Ideas”: an Interview with Sara Raza
  • “From Screen to Nature and Back Again”: an Interview with NEEN founder Miltos Manetas
  • “Hic et Nunc”: Flavio Favelli Tells us About his “No Vip Lounge” Welcoming Visitors to Arte Fiera 2019
  • “I do not search, I find”: an Interview with Vanessa Billy
  • “IKEA, Modern Horror, Edward Hopper and Kodokushi”: An Interview with Nadim Abbas
  • “In the Middle is a Good Place to Be”: an Interview with John Akomfrah
  • “Inside Out” by JR is Travelling to Palermo
  • “Leaving the Echo Chamber”: Sharjah Biennial 14 Through the Eyes of the Curators
  • “Life in the Folds”: Carlos Amorales Unveils his Project for the Mexican Pavilion at the Venice Biennale
  • “Milan has Different Souls”: Liliana Moro talks about her city and practice with Agata Polizzi
  • “Real Beauty Hurts”: an Interview with Mustafa Sabbagh
  • “Standing on the Edge of the World”: Sean Scully in Conversation with Alfredo Cramerotti
  • “The Feeling of Things”: an Interview with Matt Mullican
  • “The Process of Translation”: Farah Al Qasimi in Conversation with Karim Sultan
  • “Tiziano/Gerhard Richter. Il Cielo sulla Terra”: a Conversation with Stefano Baia Curioni and Helmut Friedel
  • “VIS. [UN] NECESSARY FORCE”: A Journey through Mexico’s Buried Violence
  • “WOMEN: New Portraits”. A guided tour with Annie Leibovitz
  • ‘Italia in attesa’, 2020 through the gaze of 12 photographers
  • 1-54 heads to Paris for the first time, hosted at Christie’s offices
  • 1-54 is Inaugurating its First Edition in Marrakech
  • 1-54 London is underway at Somerset House
  • 1-54 Marrakech
  • 1-54 to Be Back in Marrakech for its Second Edition
  • 10th Bamako Encounters, African Biennale of Photography
  • 11th Gwangju Biennale Reveals Participating Artists
  • 12th Shanghai Biennale “Proregress: Art in an Age of Historical Ambivalence” to open in November 2018
  • 13th Berlin Biennale for Contemporary Art
  • 14th Biennale de Lyon: Floating Worlds
  • 18 Artists are Taking Over Coachella Valley in California for the 2nd edition of Desert X
  • 18th Istanbul Biennial: The Three-Legged Cat
  • 19th Contemporary Art Festival Sesc_VideoBrasil | Southern Panoramas
  • 1:54 Contemporary African Art Fair
  • 1:54 Contemporary African Art Fair in London
  • 1:54 Contemporary African Art Fair Returns to New York
  • 1:54 Returns to New York for Its Third Edition
  • 1st Asia Biennial / 5th Guangzhou Triennial: Asia Time
  • 2016 Gwangju Biennale Announces Forum & Fellows
  • 2016 Hasselblad Award Winner – Stan Douglas
  • 2016 Palais de Tokyo Exhibition programme
  • 2017 Absolut Art Award Jury Announced and New Emerging Artist Award 2017
  • 2018 Will be Palermo’s Art and Culture Year
  • 2020’s Most Eagerly Anticipated Events
  • 20th Biennale of Sydney announces public programs and highlight performances
  • 20th Biennale of Sydney Preview: Marco Chiandetti
  • 20th Biennale of Sydney unveils initial artist list & exhibition program
  • 20th Biennale of Sydney: The future is already here — it’s just not evenly distributed
  • 21,39 Jeddah Arts 2016
  • 21,39 Jeddah Arts: An Investigation on Climate Change and Environmental Emergency
  • 22nd Biennale of Sydney: Programme Highlights
  • 24th Biennale of Sydney: Ten Thousand Suns
  • 32nd Bienal de São Paulo Announces Final List of Artists and Collectives
  • 35th Bienal de São Paulo: Choreographies of the impossible
  • 36th Ljubljana Biennale of Graphic Arts. The Oracle: On Fantasy and Freedom
  • 45th Art Basel: an interview with Marc Spiegler
  • 4heads has Announced an Artist Run Art Fair in New York
  • 50 emerging artists for Venice Time Case
  • 50 Years of Art Basel – the 1970s: Conversations
  • 56th Venice Biennale Closing Weekend
  • 58th October Salon in Belgrade: selected the curators of the next edition
  • 58th October Salon | Belgrade Biennale 2020 – The Dreamers is postponed until October
  • 8th Barcelona Symposium: Talking Galleries January 20–21, 2020
  • 9th Berlin Biennale announces its venues
  • A consortium of galleries to enhance the Italian territory: a conversation with Lorenzo Fiaschi
  • A contemporary art itinerary around Basel curated by Boris Magrini
  • A conversation about the weather, with Dieter Roelstraete
  • A conversation between Romeo Castellucci and Mara Sartore on “The Metopes of the Parthenon”
  • A Conversation with Ádám Kokesch, Artist From Hungary
  • A Conversation with András Cséfalvay, Artist from Slovakia
  • A conversation with Christian Fogarolli on his “Pneuma” project
  • A Conversation with Dan Perjovschi, Artist From Romania
  • A Conversation with Dóra Maurer, Artist from Hungary
  • A conversation with Galatea Ranzi on the dialogue between art and theatre
  • A Conversation with Gregor Różański, Artist from Poland
  • A Conversation with Hannah Weinberger on Polyphonic Memories and Participatory Practices
  • A Conversation with Jiří Kovanda, Artist from Czech Republic
  • A Conversation with Lea Rasovszky, Artist from Romania
  • A Conversation with Nico Vascellari: Between Nature, Metamorphosis, and the Ongoing Dynamic of Conflict and Rebirth
  • A Conversation with Roman Štětina, Artist From Czech Republic
  • A Conversation with Vlado Havrilla, Artist from Slovakia
  • A Conversation with Zbigniew Libera, Artist from Poland
  • A Cosmic Movie Camera: Biennale de l’Image en Mouvement 2024
  • A digital Christmas by Fabrizio Plessi in Venice
  • A former tobacco factory in Athens will become a new cultural space
  • A Guide to London with Aaron Cezar
  • A Look at David Bowie’s Private Collection
  • A Major Show by Yayoi Kusama Opening at Victoria Miro, London
  • A new Art destination in Miami: Miami Ironside and Little Haiti
  • A New Museum dedicated to Alexander Calder will open in Philadelphia
  • A new neon installation by Lia Cecchin in Genoa is giving us a message of hope
  • A New Permanent Public Artwork by Giuseppe Penone in Rome
  • A New Project by British Artist Damien Hirst Will Run Across Both Venues of the Pinault Collection in 2017
  • A New Project of Artist Residence to be Hosted at Gallerie Dell’Accademia, Venice
  • A new public intervention by JR to reimagine Palazzo Strozzi’s facade in Spring 2021
  • A new rearrangement on the 2021 art calendar: TEFAF updates its schedule
  • A new, site-specific Work by Maurizio Cattelan Opens at the Guggenheim Today
  • A Permanently Open Window. Jason Dodge’s first permanent installation
  • A Petition to Save an Arts Hub in Hackney Wick, London
  • A Room with a View over Venice [uno sguardo su Venezia]
  • A Room with a View: Alexandre da Cunha and Richard Wentworth on their isolation experience
  • A Room with a View: Apparatus 22 on their isolation experience
  • A Room with a View: Carlos Amorales on his isolation experience
  • A Room with a View: Christian Fogarolli on his isolation experience
  • A Room with a View: Giorgia Severi on her isolation experience
  • A Room with a View: Giovanni Ozzola on his isolation experience
  • A Room with a View: Giusy Pirrotta on her isolation experience
  • A Room with a View: Ignazio Mortellaro on his isolation experience
  • A Room with a View: Jitish Kallat on his isolation experience
  • A Room with a View: Joaquin Segura on his isolation experience
  • A Room with a View: Katy Stubbs on her isolation experience
  • A Room with a View: Masbedo on their isolation experience
  • A Room with a View: Mathilde Rosier on her isolation experience
  • A Room with a View: Matilde Sambo on her isolation experience
  • A Room with a View: Miltos Manetas on his isolation experience in Bogotà
  • A Room with a View: Nadim Abbas on his isolation experience
  • A Room with a View: Nino Cais on his isolation experience
  • A Room with a View: Stefano Cagol on his isolation experience
  • A Room with a View: Susan Kleinberg on her isolation experience
  • A Selection of Design Events Curated by Maria Cristina Didero
  • A Sneak Peek into the 58th Venice Art Biennale
  • A Weekend in Copenhagen
  • a.topos venice launches an online raffle to help rebuild Beirut art scene
  • Abdulnasser Gharem and The Gharem Studio
  • Abigail Reynolds wins third BMW Art Journey
  • About ‘A Friend’ with Ibrahim Mahama and Massimiliano Gioni
  • Absolut Art Bar: Ilja Karilampi, President Room
  • Abu Dhabi Art 2015
  • Abu Dhabi Art 2016 Reveals Established and Innovative Galleries Participating
  • Abu Dhabi Art 2017
  • Adrian Villar Rojas Takes Over the Roof of the MET
  • Adrián Villar Rojas: Poems for Earthlings
  • Africa is the Guest of Honour of Art Paris 2017 Edition
  • African Identities through Western Eyes, an interview with Namsa Leuba
  • Afrotopia: the 11th Biennale of African Photography
  • After months of lockdown, Fondation Beyeler is ready to reopen on May 11, 2020
  • After months of lockdown, Italian museums are ready to reopen
  • Afterwork. An Interview with Inti Guerrero
  • Agen Situs Judi Qiu qiu 99 Online 24 Jam
  • Ahmed Mater’s First Solo Show at Galleria Continua
  • Ai Wei Wei takes over the atrium of London’s Imperial War Museum
  • Ai Weiwei Brings a Piano in a Refugee Camp
  • Ai Weiwei Brings His Life Vest Installation to Vienna
  • Ai Weiwei Covers the facade of Berlin’s Konzerthaus with 14,000 Refugee Life Vests
  • Ai Weiwei First Trip Back to the US
  • Ai Weiwei has decided to close his exhibition Ruptures at Faurschou Foundation
  • Ai Weiwei Next Installation at Palazzo Strozzi Unveiled
  • Ai Weiwei releases ‘Coronation’
  • Ai Weiwei Will Donate 10% of Exhibition Proceeds To Greek Refugee Crisis
  • Ai Weiwei’s First Movie on Refugees
  • Ai Weiwei’s New Exhibition at the Museum of Cycladic Art
  • Aichi Triennale 2016 – Homo Faber: A Rainbow Caravan
  • Al Hamriyah Studios: The New Art Space of Sharjah Art Foundation
  • Al Rawi Cafe Bookstore by Pallavi Dean Interiors set to Be a hub for the Emirate’s Creative Community
  • Alcova Miami
  • Alejandro Aravena, Director of the 15th Venice Architecture Biennale, wins Pritzker Prize
  • Alejandro González Iñárritu To Present a Virtual Reality Project
  • Alessandro Rabottini and Leonardo Bigazzi on the Trilogy of Uncertainties
  • Alessandro Rabottini Appointed New Artistic Director of miart
  • Alex Gartenfeld: ICA in Miami is fostering and promoting local artists
  • Alexis Blake: Allegory of the Painted Woman
  • Alfredo Jaar is the recipient of the Hasselblad Award 2020
  • Alfredo Jaar: Let One Hundred Flowers Bloom
  • Alia Farid and Aseel AlYaqoub are the Winners of Art Jameel Artists Commission
  • Alina Chaiderov wins Illy Present Future Prize 2015
  • Àlma Venùs
  • Alserkal Art Week
  • Alserkal Art Week 2025
  • Alserkal Art Week: Uprooted
  • Alserkal Avenue announces OMA-designed space
  • Alserkal Avenue Galleries Night
  • Alserkal Avenue Gallery Night: March 14th, 6pm
  • Alserkal Avenue – A New Spotlight for Arts & Culture
  • Alserkal Programming Commission: Hale Tenger in Conversation with Mari Spirito
  • Alterazioni Video: Notes for an Unfinished Park
  • Álvaro Siza Wing
  • Amin Jaffer on the Indian Pavilion 2026
  • Amsterdam Art Weekend 2015
  • An Embodiment of Ecological Issues: 11th edition of Taipei Biennial to focus on environmental matter
  • An Interview with Agustina Woodgate and her take on Miami
  • An Interview with Ahmet Güneştekin
  • An Interview with Camilla Boemio, Curator of the Nigerian Pavilion
  • An interview with Carlo Giordanetti
  • An interview with Chow Chun Fai
  • An interview with Craig Robins
  • An interview with Elena Filipovic from Kunsthalle Basel
  • An interview with Hassan Hajjaj
  • An interview with Marina Meijer, president of Kunsthaus Baselland
  • An interview with Melissa McGill and the Red Regatta family
  • An interview with Mostafa Aghrib from The Marrakech Museum for Photography and Visual Art
  • An interview with Pablo Rodriguez-Fraile
  • An Interview with Paula Valero: Resistant Herbarium Rosa Luxemburg (Mothers) at Vino Vero Venice
  • An Interview with Seba Calfuqueo, Mapuche Artist and Activist
  • An interview with Ximena Caminos
  • An Interview with Zhou Tiehai, Artist and Director of West Bund Art & Design Fair
  • An introspective look: Cecilia Alemani in conversation with András Szántó
  • An off project by Mike Nelson at Nouveau Musée National de Monaco
  • Andrea Bonaceto and the role of NFTs as a paradigm shift way beyond art
  • Andrea Morucchio: an Interview on the Rape of Venice
  • Andrzej Wróblewski (1927-1957) In the First Person
  • Angela Vettese in Conversation with Milovan Farronato
  • Anicka Yi selected for the next Hyunday Commission for Turbine Hall
  • Anish Kapoor, Zaha Hadid Architects and Sophie Walker Studio Are the Finalists of UK Holocaust Memorial Competition
  • Anish Kapoor: Monte Sant’Angelo Metro Station in Naples
  • Anita Dube to Curate Kochi-Muziris Biennale 2018
  • Anne Imhof to Represent Germany at the 57th International Art Exhibition—La Biennale di Venezia
  • Anne Imhof’s “Faust” at the 2017 Venice Biennale
  • Anozero’24 Bienal de Coimbra
  • Anri Sala on AS YOU GO and The Spaces in Between
  • Ans Azura: a new platform dedicated to central-eastern european and middle eastern art
  • Anselm Reyle Returns with a Solo Show at CFA’s New Space
  • Antarctic Biennale to be Launched Next Year
  • Antonio Caro, the great Colombian conceptual artist, dies age 71
  • Antonio Marras and Milan: At the Core of a Multidisciplinary Practice
  • Antony Gormley’s sculpture takes over Piazza del Duomo, Prato
  • Antony Gormley, the Sergeant of Sentinels.
  • Antony Gormley: Event Horizon
  • Architect and sculptor Anish Kapoor to exhibit a new series of works during the Venice Art Biennale in 2021
  • ARCO Lisboa 2019: Africa in Focus
  • Arco Lisboa 2025
  • ARCOlisboa 2018 Returns to Lisbon from 17 to 20 May
  • ARCOlisboa 2023
  • ARCOLisboa Inaugurates its First Edition
  • ARCOLisbon to be held in May 2016
  • ARCOmadrid
  • ARCOmadrid 2016 – 35h Anniversary: Speakers & Curators
  • ARCOmadrid 2020
  • ARCOmadrid 2025
  • ARCOmadrid celebrates its 35th anniversary
  • Armenia to Host a Major International Art Event
  • Armin Linke’s long-term research “Blind Sensorium” on show at Matadero Madrid until March 20
  • Armory Show Announces 2016 Focus: African Perspectives
  • ARoS Aarhus Art Museum Announces the First ARoS Triennial
  • Art Abu Dhabi 2025
  • Art After the Hangover: Daniel Baumann on the Changing Art World and the Power of Audience
  • Art as Activism: Cristina Baldacci, Natalie King and Francesca Tarocco on “Ina Lou / Dear Mother Earth” and the Call for Ecological Reverence at the Venice Biennale
  • Art as Resistance: an Interview with Taiwanese Artist Chen Chieh-jen
  • Art Basel 2016 Galleries List
  • Art Basel 2016 Reveals Details of Film Program Curated by Maxa Zoller
  • Art Basel 2018: Galleries Announced
  • Art Basel 2020 Online Viewing Rooms’ new editions to open in September and October
  • Art Basel 2023
  • Art Basel 2024
  • Art Basel Announced the First Hong Kong Kabinett Edition
  • Art Basel Announced the Gallery List for its 48th Edition
  • Art Basel Announced the Gallery List of its Fifth Edition in Hong Kong
  • Art Basel Announces a Premier List of Galleries for its Miami Beach Edition
  • Art Basel announces Buenos Aires as its first Art Basel City
  • Art Basel Announces in Hong Kong its new initiative: Art Basel Cities
  • Art Basel announces new dates in September
  • Art Basel Cancels its 2020 edition
  • Art Basel Cities Inaugurates its Residency Program in Buenos Aires
  • Art Basel Cities is Taking Over Buenos Aires with a Rich Program Curated by Cecilia Alemani
  • Art Basel Hong Kong
  • Art Basel Hong Kong 2018: Galleries Announced
  • Art Basel Hong Kong 2020 Has Been Cancelled
  • Art Basel Hong Kong 2023
  • Art Basel Hong Kong online viewing rooms now open
  • Art Basel in Basel Announces its 2019 Exhibitors List
  • Art Basel in Hong Kong 2016: Encounters
  • Art Basel Miami Beach
  • Art Basel Miami Beach 2016 Announces Exhibitor List
  • Art Basel Miami Beach 2020 cancelled due to the impact of the pandemic
  • Art Basel Miami Beach 2023
  • Art Basel Miami Beach 2024
  • Art Basel moves its Basel edition to September 2021
  • Art Basel moves its Hong Kong edition from March to May 2021
  • Art Basel Paris 2024
  • Art Basel | Year 46
  • Art Basel: Conversations
  • Art Basel: Parcours
  • Art Basel: Premier Lineup of Galleries for its 2020 Edition in Basel
  • Art Basel: Unlimited
  • art berlin 2018 Announces Participating Galleries
  • Art Berlin 2019
  • Art Berlin Contemporary Announces Participants for 2016 Edition
  • Art Berlin to Get Its First Edition
  • Art Beyond the Runway: A Conversation with Vincent Lo Brutto on Air Service Basel
  • Art Brussels
  • Art Brussels 2016: Artistic Programming
  • Art Brussels 2017: From Discovery to Rediscovery
  • Art City Bologna 2020: “La vita nuova” by Romeo Castellucci presented as the special project of the programme
  • Art City Bologna 2023
  • Art City Bologna 2025: Le Porte della Città
  • Art Cologne 2016
  • Art Cologne 2017: an Interview with Fair Director Daniel Hug
  • Art Critic and Curator Germano Celant has Died in Milan
  • Art Dubai 2016: Galleries
  • Art Dubai 2019: An Interview with Artistic Director Pablo del Val
  • Art Dubai 2023
  • Art Dubai Announced its 2017 Programme
  • Art Dubai announces details of its 2021 edition
  • Art Dubai Announces New Selection Committee Members
  • Art Dubai Announces Online Programme and New Dates
  • Art Encounters at Volvo Studio Milano:
 Six Steps Forward For One Step Back
  • Art Fair Philippines 2017: The New Art Destination
  • Art fairs are back: the ninth edition of Cosmoscow
  • Art Gallery Day & South Side Art Day
  • Art Historian and Critic Gillo Dorfles Died at 107
  • Art in Miami Design District during Art Basel
  • Art in the times of Coronavirus: an interview with Chus Martínez
  • Art Jameel to Open a Project Space on the Occasion of Art Dubai 2017
  • Art Los Angeles Contemporary
  • Art Los Angeles Contemporary Returns in Santa Monica
  • Art Makes Us Look at Things in a Different Way: an Interview with Ralph Rugoff
  • Art Miami and Context to Relocate Downtown in 2017
  • Art Night Venice 2019
  • Art Nomade Milan: the maker of a global community of art lovers
  • Art Palma Brunch 2025
  • Art project in honour of Grenfell artist Khadija Saye – Breath is Invisible
  • Art Southamptons Opens its Fourth Edition
  • Art Stage Jakarta Inaugurates its First Edition
  • Art Stage Singapore is Reaching its 8th Edition
  • Art Stage Singapore: Sales, Key Figures and Numbers
  • Art Taipei 2015
  • Art Taipei 2016
  • Art Week Mexico City 2023
  • Art Weekend Basel Kicks Off this Saturday
  • Art Weekend São Paulo
  • Art Weekend São Paulo takes place in the city from November 9-11, 2018
  • Art-o-rama
  • Art-o-rama 19th Edition in Marseille
  • ART-O-RAMA Marseille 2016
  • ART-O-RAMA: Summer is Going on in Marseille
  • ART021: Shanghai Contemporary Art Fair
  • Art16 returns to Olympia London from 20 – 22 May 2016
  • Art: An Essential Need. Emergency Grants for artists living in Africa
  • ARTBO 2015 closes with great success
  • ARTBO 2016
  • ARTBO 2017 Announced Participating Galleries
  • ARTBO International Art Fair of Bogota Celebrates its 15th Anniversary
  • ARTBO Reaches its 13th Edition
  • Arte Fiera 2018: an Interview with Angela Vettese
  • Arte Fiera 2019 about to open in Bologna, from February 1-4
  • Arte Fiera 2022
  • Arte Fiera 2025
  • Arte Fiera celebrates its 40th year
  • Arte Fiera Reaches its 41st Edition
  • Arte Generali: A new Initiative by Generali Group with a Launch Campaign by Oliviero Toscani and Maurizio Cattelan
  • arteBA 2016
  • ArteBA Reaches its 26th Edition
  • Arthur Jafa’s ‘Love Is the Message, The Message Is Death’ streams online for 48 hours
  • Artissima 2015
  • Artissima 2016 Announces Participating Galleries
  • Artissima 2017 Announced Participating Galleries
  • Artissima 2017: an Interview with Ilaria Bonacossa
  • Artissima 2018 Special Projects: DAF Struttura Introduced by Zasha Colah
  • Artissima 2018: Galleries and Details Announced
  • Artissima 2019 Press Conference at Combo, Turin
  • Artissima 2019: Back to the Future Celebrates its 10th Anniversary
  • Artissima 2020 changes shape due to the uncertain global scenario
  • Artissima announces galleries for it’s 2015 edition
  • Artissima Meeting Point – 2015 Programme
  • Artissima – 25 Years of Art: an Interview with Ilaria Bonacossa and Other Artissima Stories
  • Artist and curator Maria Rebecca Ballestra has died.
  • Artist Chiara Fumai Died at 39
  • Artist collective Isuma selects curatorial team of Canada Pavilion at 58th Venice Art Biennale
  • Artist Fusun Onur chosen to represent Turkey during 2021 Venice Art Biennale
  • Artist g. olmo stuppia’s exhibition project brings contemporary art to the Suite Conservatorio of Palazzo Foscolo in Venice
  • Artist Mohamed Ahmed Ibrahim to represent UAE at the 59th Venice Art Biennale
  • Artist Nama Tsaabar’s performance occurring at Faena Art Center during Art Basel Cities: Buenos Aires
  • Artist Niamh O’Malley will represent Ireland at the next Venice Biennale in 2022
  • Artist Olafur Eliasson Creates his First Building in Denmark
  • Artist shortlist for the BMW Art Journey announced during Art Basel in Hong Kong
  • Artist Stan Douglas to represent Canada at the next Venice Art Biennale
  • Artist Zai Kuning to represent Singapore at the 57th Venice Biennale
  • Artistic concept of Manifesta 13 Marseille ‘Traits d’union.s’ revealed.
  • Artistic Directors of the 13th Gwangju Biennale announced further details of the forthcoming edition
  • Artistic Residencies in Veneto, Friuli-Venezia Giulia, and Trentino-Alto Adige for Sustainable Tourism
  • Artists Ackroyd & Harvey have installed Joseph Beuys’ Acorns, a group of 100 oak trees, on Tate Modern’s South Terrace
  • Artists and Architecture, Variable dimensions
  • Artists and curator appointed for Brazilian Pavilion at 58th Venice Biennale
  • Artists Announced for Next Year’s Whitney Biennial
  • Artists Announced for the 2016 Liverpool Biennial
  • Artists Dialogue: I can’t control the audience, an Interview with Tsang Kin-Wah
  • Artists Dialogue: Let the Practice Change, an Interview with Ho Sin Tung
  • Artists from Mainland China, Hong Kong, and Taiwan Commissioned to Create New Works for Guggenheim Collection and Fall 2016 Exhibition
  • Artists in Myanmar are protesting for democracy throughout the country
  • Artists of Nordic Pavilion at 58th Venice Biennale Announced
  • Artists’ Lights 2015
  • Artists’ Recipes: an Interview with Admir Jahic & Comenius Roethlisberger
  • As One: Marina Abramović in Greece
  • As Rights Go By at freiraum Q21 INTERNATIONAL/MQ
  • Ashraf Fayad’s Death Sentence Dropped by Saudi Court
  • Asia Art Archive Annual Fundraiser 2016
  • Asia Contemporary Art Week (ACAW) 2015
  • Athens Biennale 2015–2017: Omonoia, Synapse 1
  • Athens Biennale 2020 to open in September
  • Athens Biennale Postponed to Spring 2021
  • Athens from an Artist’s Perspective: an Interview with Angelo Plessas
  • Athens Photo Festival 2016
  • Audemars Piguet ARCOmadrid Prize: An Interview with Belen Uriel
  • Audemars Piguet Art Commission 2017: An Interview with Lars Jan
  • Aurora Fonda: Teaching and Practicing Curating in Venice
  • Avant – Young 2021 | #safety
  • Awaiting Venice Biennale 2024: Elisabetta Di Maggio
  • Awaiting Venice Biennale 2024: Francesco Zanatta
  • Awaiting Venice Biennale 2024: Jure Kastelic
  • Awaiting Venice Biennale 2024: Lucia Veronesi
  • Awaiting Venice Biennale 2024: Maria Morganti
  • Awaiting Venice Biennale 2024: Mariateresa Sartori
  • Awaiting Venice Biennale 2024: Matilde Sambo
  • Awaiting Venice Biennale 2024: Michelangelo Penso
  • Awaiting Venice Biennale 2024: Michele Bubacco
  • Awaiting Venice Biennale 2024: Nina Ceranic
  • Awaln’art
  • Awards of the 56th International Art Exhibition
  • Axel Vervoordt is Opening a New Space in Kanaal, Belgium
  • Back to Nature: an Interview with Benedetto Pietromarchi
  • Back to Nature: Contemporary Art at Villa Borghese, Rome
  • Baltic Artists’ Awards 2017 Announced
  • BAM Palermo: from the Mediterranean and beyond the seas
  • BAM-Mediterranean Archipelago Biennial: an Interview with Beatrice Merz
  • Banksy donates triptych to raise funds for Bethlehem hospital
  • Banksy has funded a new ship to rescue migrants in the Mediterranean
  • Banksy Launches Hotel in Bethlehem
  • Banksy new mural in Bristol
  • Banksy new work opposite the French Embassy in Knightsbridge
  • Banksy paints Steve Jobs on refugee camp wall
  • Banksy’s New Christmas Mural in Birmingham
  • Baratta and Rugoff Annouce the National Participations and Official Collateral Events of the Upcoming Biennale
  • Barcelona Gallery Weekend 2016
  • Barcelona Gallery Weekend 2017
  • Barcelona Gallery Weekend 2024
  • Barry X Ball: The Shape of Time
  • Basel Abbas and Ruanne Abou-Rahme: On the Generative Potential of the Fragment
  • Basel from an Artist’s Perspective: an Interview with Hannah Weinberger
  • Basel from an Artist’s Perspective: an Interview with Johannes Willi
  • Basel Social Club
  • Basel Through an Architect’s Perspective: One Day in Basel with Andreas Ruby
  • Basel’s Fondation Beyeler hosts the first site-specific installation in Switzerland by world-renowned artist Olafur Eliasson
  • BAW – Bolzano Art Weeks 2024: A Rhizome for Contemporary Art
  • BAW – Bolzano Art Weeks 2026: Art, Ecology and a City in Transformation
  • Beatrice Bulgari announces the birth of Fondazione In Between Art Film
  • Béatrice de Reyniès and Daniela Ferretti
  • Beatrice Trussardi launches the Beatrice Trussardi Foundation
  • Belong. Here. Now. An interview with Jonathan Mildenhall
  • Ben Rivers: winner of the Eye Art & Film Prize 2016
  • Berlin Art Week 2020 unveils programme’s highlights
  • Berlin Art Week 2025
  • Berlin Beats
  • Berlin Biennale: New Dates 2020
  • Berlin from an Artist’s Perspective: An Interview with Jeewi Lee
  • Berlin from an artist’s perspective: an interview with Julian Charrière
  • Berlin from an Artist’s Perspective: an Interview with Ariel Reichman
  • Berlin from an Artist’s Perspective: an Interview with Felix Kiessling
  • Berlin Gallery Weekend 2016
  • Berlin’s most exclusive nightclub Berghain transform into huge art venue with “Studio Berlin”
  • Beyond Performance: Palazzo Strozzi’s Special Project with Cally Spooner, Mario García Torres e Opavivará!
  • Beyond the Booth: Antoine Levi on Ciaccia Levi Gallery, Artissima, and Redefining the Art Fair Experience
  • Beyond tradition: Caterina Frongia on weaving, migration and transformation
  • Biennale Architettura 2020: Hashim Sarkis and Paolo Baratta Presented “How Will We Live Together?”
  • Biennale Arte 2024: Finissage Performance Programme
  • Biennale Arte 2024: Stranieri Ovunque – Foreigners Everywhere
  • Biennale Arte 2026 In Minor Keys by Koyo Kouoh
  • Biennale Danza Preview: The Herds
  • Biennale Gherdëina
  • Biennale of Sydney 2018: List of the First 21 Participating Artists Out
  • Bill Viola to Take Over Palazzo Strozzi in 2017
  • Block Universe, London’s Performance Art Festival: An Interview with Director Louise O’Kelly
  • BMW Art Journey, trip of creative discovery, a conversation with Thomas Girst
  • Bogiaisso: A Video Art Festival Engaging Chioggia and its Fishers
  • Bogotá from an Artist Perspective: An Interview with Leyla Cardenas
  • Bohemian Glass: An interview with Caterina Tognon and Sylva Petrová
  • Bologna Art Weekend 2016
  • Bolzano Art Week #3: play_ground
  • Bolzano Art Weeks 2025: Remapping LAND/marks
  • Bonotto delle Tezze: Officina Malanotte
  • Brazilian Artist Tunga Dies at 64
  • Brazilian Photographer and Filmmaker Louise Botkay Wins Second Oberhausen e-flux Prize
  • Britain’s Biggest Ever Survey of Neon Art at Grundy Art Gallery
  • British Museum Temporary Shutdown After Greenpeace Protest
  • British Museum to Host a New Show of American Prints
  • Bruce Munro: Field of Light
  • Bruno Racine appointed director of Palazzo Grassi – Punta della Dogana in Venice
  • Brussels Art Week 2025
  • Brussels Gallery Weekend 2019
  • Brussels’ Galleries open their doors
  • Bukhara Biennial: Recipes for Broken Hearts
  • C0C The Festival as Performance : an interview with Club to Club founder Sergio Ricciardone
  • Cairo Design Week 2025
  • Camille Henrot Interviewed by Daria de Beauvais
  • Can Art not be political? Reem Fadda unveils details on the upcoming 6th Marrakech Biennale
  • Cappadox 2016: Let Us Cultivate Our Garden
  • Capri The Island Of Art to Launch its 2nd Edition
  • Cardi Gallery Announces the Public Opening of its New London Gallery
  • Carlo Ratti: The Architecture of Intelligens and Adaptation
  • Carol Bove and Hubbard/Birchler to Represent Switzerland Venice Biennale in 2017
  • Carol Rama: Appassionata 
  • Carolee Schneemann Gets the Golden Lion for Lifetime Achievement
  • Caroline Corbetta on Kunsthaus Paradiso
  • Carolyn Christov-Bakargiev: a foreword about the venues of the 14th Istanbul Biennial
  • Carpintaria: A New Experimental Platform in Rio de Janeiro
  • Carsten Höller and Stefano Mancuso to Take Over Palazzo Strozzi
  • Casa dei Tre Oci to Host Photographs by René Burri and Ferdinando Scianna
  • Casino Luxembourg – Reopened
  • Castello di Rivoli 2016 Exhibitions’ Programme
  • Caterina Avataneo
  • Catherine Nichols talks about her role as a creative mediator and how she has to respond to a complex set of objectives for Prishtina and its citizens
  • Cécile B. Evans is the winner of the sixteenth edition the illy Present Future Award
  • Cecilia Alemani Has Been Appointed Curator of the Venice Biennale 2021
  • Cecilia Alemani will be the Artistic Director of BA Art Basel City Initiative
  • Cecilia Alemani will curate the Italian Pavilion at the 57th La Biennale di Venezia
  • Celebrating the 50th anniversary of von Bartha gallery: an interview with Director Stefan von Bartha
  • Celebration of a moment: mischer’traxler for Perrier-Jouët
  • Centre Pompidou to open an outpost in New Jersey in 2024
  • Centro Pecci reopens with “Interregnum” an exhibition by Adrian Paci
  • Centro per l’arte contemporanea Luigi Pecci announces its upcoming exhibition programme
  • Ceramics Art Symposium Gmunden 2018: Call for Entries
  • Cetate Arts Danube Residency: 9th Edition
  • Chapman Brothers open pop-up shop situated in the heart of the Red light district of Amsterdam
  • Charlotte Colbert: Venice as a Possible Landscape
  • Chart Art Fair Returns in Copenhagen
  • Chiara Crespi on Athens, Art and New Connections
  • China’s Yinchuan City to Host its 1st Biennale in September 2016
  • Chinese artist Yang Fudong to Join Rolls-Royce Art Programme
  • Chinese contemporary art on display at Fondation Louis Vuitton
  • Chisenhale Gallery 2017 Commissions Programme
  • Christian Boltanski: Anime. Di luogo in luogo. A special project in Bologna
  • Christie’s Italia presents its first online auction: Nilufar [100] Design Selections
  • Christina Nakou and Anna Pangalou: Transiens Nostrum
  • Christine Macel Announces Viva Arte Viva, the 57th Venice Art Biennale
  • Christine Macel appointed director of the 57th Venice Biennale
  • Christine Tohmé appointed Curator of Sharjah Biennial 13
  • Christoph Büchel’s wreck returned to the city of Augusta where it will stand as a memorial
  • Christopher K. Ho is the new Asia Art Archive Executive Director
  • Chun Eui-Young selected as the Director of Gwangju Folly III
  • Cima Azzam on Sharjah
  • Cinema Akil and Front Row launches Relief Screening Event for Beirut
  • Claire Breukel: Miami’s inherent multiculturalism offers huge scope for learning
  • Claudia Albertini on Hong Kong
  • Clouds and Tears: an Interview with Michael Sailstorfer
  • Codalunga: a 24hours performance by Nico Vascellari
  • Collecting beyond Boundaries: digital media in contemporary art a conversation with Joost Vanhaerents
  • Collezione Maramotti and Atelier dell’Errore Collaboration for Frieze Week, London
  • Communicating Art Today: Mara and Teresa Sartore for Il Giornale dell’Arte
  • CONDO London 2019 opening on next January 12
  • Condo London to Reach its 3rd Edition
  • Condo New York 2017
  • Condo New York 2018
  • Condo Unit to Open in Athens at The Breeder
  • CONNEXXION
  • Constructed Situations: An Interview with Curator Masha Sergeeva
  • Contemporaine de Nîmes: The Flower and the Strength
  • Contemporary Art from Saudi Arabia in Houston and Aspen
  • Contemporary Dialogues with Tintoretto: an Interview with Alessandro Possati, Founder and Director of Zuecca Projects
  • Contemporary Istanbul 2016 Features New Projects
  • Contemporary Istanbul 2019: Galleries Announced
  • Copenhagen Art Week
  • Copenhagen Contemporary (CC) Grand Opening
  • Creative Folkstone Triennal announces its fifth edition’s artists
  • Cristiana Collu in conversation with Mara Sartore
  • Cristina Bechtler talks about Zurich, between art and nature
  • Cross Collecting: an intuitive and expanding way of collecting art with passion and consideration
  • Crossway Foundation’s Journey to the USA 2017
  • Cuban artist Yornel Martínez Elias selected for the Basel 2017 Davidoff Art Residency
  • Culturunners Invites Palestinian Artist Khaled Jarrar to Travel to the US for the first time
  • Curator Announced for the Pavilion of Iceland at the Biennale Arte 2022
  • Curators and Theme of the 12th Gwangju Biennale
  • Curitiba Biennial: Curator Massimo Scaringella in Conversation with Artists Stefano Cagol, Hannes Egger and Philipp Messner
  • Daata Fair: The new online art fair dedicated to video and digital
  • Dak’Art 2016 has announced its participating artists
  • Dak’art OFF Programme of Events
  • DAMA 2018: A Conversation with Giorgio Galotti, Domenico de Chirico and Martha Kirszenbaum
  • DAMA comes back to Turin: new location, new programme and more
  • Damien Hirst Art Against Brexit Vote
  • Damien Hirst is to Take Over One of Gagosian’s London Galleries as Curator for an Entire Year
  • Damien Hirst to Open a Jeff Koons Show at His London Museum
  • Dana Farouki: the new Chair for the Abraaj Group Art Prize
  • Daniel Baumann tells us about a wonderful Zurich, rich in art and events during Zurich Art Weekend
  • Daniel Garza Usabiaga, the new artistic director of Zona Maco unveils fair’s features and tells what we shouldn’t miss in Mexico City.
  • Daniel Pešta: On Determination
  • Daria Dmytrenko’s Intrico: Creatures from the Subconscious Forest
  • Darzanà: Two Arsenals, One Vessel. Turkey at the 15th Venice Architecture Biennale
  • David Černý: Artocalypsa and the dead presidents
  • David Hrankovic
  • David Landau
  • David Shrigley Unveils his new Commission for the Fourth Plinth titled “Really Good”
  • David Zwirner Gallery to Open its First Outpost in Hong Kong
  • Davide Quadrio on the MAO of Turin: the Museum as a Living Organism
  • Davidoff Art Initiative
  • Davidoff Art Initiative Announces the Selected Artists for Spring 2017 Residency
  • Davidoff Art Residency Program: an Interview with Olivia McGilchrist
  • Davidoff Art Residency Program: an Interview with Rodell Warner
  • Delaying the Arrival of Meaning – A conversation with Romeo Castellucci
  • Delfina Foundation to Feature the Second Part of the Venice Biennale’s Performance Programme
  • Delfina Foundation: Winter and Spring Programming
  • Delfina Foundation’s Interviews Series: Bo Zheng
  • Delfina Foundation’s Interviews Series: Cooking Sections
  • Delfina Foundation’s Interviews Series: Invernomuto
  • Delfina Foundation’s Interviews Series: Paul Maheke and Nkisi
  • Delfina Foundation’s Interviews Series: Vivian Caccuri
  • Delfina Foundation’s Interviews Series: Vivien Sansour
  • Demas Nwoko: Golden Lion For Lifetime Achievement Of The Biennale Architettura 2023
  • Depot Boijmans Van Beuningen: an art collection that looks to the future
  • Desert X 2017
  • Desert X 2021 to open next month in the Coachella Valley
  • Desert X in Coachella
  • Dhaka Art Summit 2016
  • Dhaka Art Summit 2023
  • Dhaka Art Summit: Seismic Movements
  • Dialogue as a Tool for Curatorial Discourse
  • DIFC Art Nights at Gate Village
  • Digital artwork by Beeple sets an unprecedented record sold at auction at Christie’s
  • Discover Present Future at Artissima 2024 – An Interview with Curators Léon Kruijswijk and Joel Valabrega
  • Discovering the Julius Baer Art Collection: a conversation with the collection’s curator Barbara Staubli
  • DK ‘ZATTERE’ ’19 – ’20
  • documenta 14: Venues in Kassel
  • Documenta 15
  • Documenta fifteen unveils its public programme in the conversation series “lumbung calling”
  • Domaine du Muy Welcomes New Sculpture Works
  • Domenico Gnoli
  • Doris Salcedo’s Installation in Bogotà as Tribute to Victims of Colombia’s Civil War
  • Doron Langberg: Flowers
  • Dorsoduro Museum Mile: a new joint venture in Venice
  • Dr. Zoé Whitley appointed Senior Curator at the Hayward Gallery
  • Drawing the (Hi)story: an Interview with Pilar Quinteros
  • Drawings Come to Artissima 2017: an Interview with Curators Luís Silva e João Mourão
  • Dread Scott’s Artwork Installed in Response to Police Brutality
  • Dries Van Noten
  • Dubai Design Week 2018: Highlights from the Upcoming Edition
  • Durjoy Bangladesh Foundation (DBF) Presents First Edition of Majhi International Art Residency Programme in Venice
  • Durjoy Bangladesh Foundation’s initiatives to support vulnerable communities
  • Ebun Sodipo: A Journey Through the Debris of Images
  • Echoes: Plot Twist
  • Ed Atkins at Castello di Rivoli and Fondazione Sandretto Re Rebaudengo, Turin
  • Edinburgh Art Festival 2016
  • Edoardo Monti: the Art Cowboy
  • Egill Sæbjörnsson Will Represent Iceland at the 57th Venice Biennale
  • Eight Edition of Volcano Extravaganza Festival to Begin on July 28th
  • El Anatsui, Golden Lion for Lifetime Achievement
  • El Anatsui: Five Decades at Carriageworks Sydney
  • Elena Filipovic: on Basel and showcasing the most trenchant artists of our time
  • Elisabetta Barisoni
  • Elmgreen & Dragset appointed curators of the 15th Istanbul Biennial (2017)
  • Elmgreen & Dragset Present a One-day Installation at Paris’s Grand Palais
  • Elmgreen & Dragset: Van Gogh’s Ear
  • Elmgreen & Dragset’s The Well Fair transforms UCCA’s Great Hall into a fictional art fair
  • Emergency Fund for Displaced Beirut Artists launched by Mophradat
  • Emilia Kabakov
  • Emily Jacir Will Transform her Family Home in Bethlem into an Art Center
  • Emirati Expressions IV: Conventions of Arts
  • Emma Hart Wins the Sixth Max Mara Art Prize for Women
  • Emma Talbot is the winner of the Max Mara Art Prize for Women 2019-2021
  • Emmanuel Perrotin Opens a new Space in Seoul
  • Emmett Moore: Miami Through an Artist’s Perspective
  • Ennesima / Umpteenth. An Exhibition of Seven Exhibitions of Italian Art, an interview with Vincenzo de Bellis
  • Enrico Castellani Died at 87
  • Enwezor’s questions on All the World’s Futures
  • Era Mare
  • Erwin Wurm
  • Esther Stocker Takes Over the Rooms of the Italian Embassy in Vienna
  • Etel Adnan (1925-2021) remembered
  • Eugenio Viola in conversation with Gian Maria Tosatti
  • European Photo Exhibition Award 03: Shifting boundaries
  • Evaporating Suns: Contemporary Myths from the Arabian Gulf a conversation with Munira Al Sayegh and Verena Formanek
  • Everyone Belongs to Everyone Else: A conversation with Fosbury Architecture
  • Experimenter Curators’ Hub Reaches its 7th Edition
  • Exploring Mexico City, a conversation with Adela Goldbard
  • Exploring Singapore, a conversation with Eugene Soh
  • Exploring the Artistic and Cultural Heritage of Uzbekistan: An Interview with Gayane Umerova
  • Exploring the Invisible – An Interview with Sound and Intermedia Artist Alba Triana
  • EXPO Chicago 2016 Reveals its Program
  • Extractivism and colonization in Latin America: the 34th Bienal de São Paulo presents Ximena Garrido-Lecca
  • Extraperlo 2021 – a curatorial platform for the unorthodox
  • Fabio Roncato: On landscape as a sculptural agent
  • Faena Prize for the Arts Open Call
  • Fantastica — 18th Quadriennale d’Arte
  • Farewell to Beverly Pepper: Minimalist Sculptor, Maximalist Personality
  • Federica Patti talks about Bologna’s endless energy
  • Felice Grodin Presents Miami’s “Invasive Species”
  • Festiwall Public Art Festival in Ragusa
  • FIAC 2016 Exhibitor List Revealed
  • FIAC 2018 Announces its Programme
  • FIAC Announces 2016 Exhibitor List
  • FIAC announces the list of exhibitors of the 2019 edition, to be held from October 17-20, 2019
  • FIAC Paris Art Week Photo Report
  • FIAC: to go ahead this October
  • Film by the artistic duo Formafantasma on digital screening until March 31, 2020
  • Finalists Announced for Museion Prize
  • Find out the Artists Presented in Unlimited – Art Basel 2018
  • Finite Rants
  • First Italian Video Artweek to Take Over Rome
  • First pavilions of the 2017 Venice Biennale have been announced
  • Fishing for Islands
  • Five young Ethiopian Photographers Respond to the theme of Distance
  • Flash, Mind and Spirit
  • Floating Cinema – Unknown waters
  • Floating Cinema: Unknown Waters
  • Floating Dreams by Ik-Joong Kang
  • Florence Art Week: Florence and the contemporary in dialogue
  • Florence takes homage after Nice’s attacks with a Black David
  • Florentijn Hofman: A Floating Fish in Wuzhen, China
  • Fly by Night
  • Focus: Contemporary Tehran at Contemporary Istanbul 2015
  • Fogo Fátuo: Art in Motion
  • Fondation Beyeler to Stage a Major Exhibition of Georg Baselitz
  • Fondation Beyeler, Basel Announces its 2017 Program
  • Fondation Louis Vuitton presents Chantal Akerman/ Annette Messager: Les Approches at the Espace culturel Louis Vuitton München
  • Fondazione Furla has chosen Peep-Hole as New Artistic Direction
  • Fondazione Furla Presents New Projects in Partnership with Museo del Novecento, Milan
  • Fondazione Merz Announces Finalists for the 3rd Edition of Mario Merz Prize
  • Fondazione Merz to take over Cantieri Culturali alla Zisa, Palermo for 3 years
  • Fondazione Merz: 2016 Exhibition Programme
  • Fondazione Nicola Trussardi launched its digital programme titled “Viaggi da camera”
  • Fondazione Prada Goes Digital
  • Fondazione Prada Milan presents a new project conceived by Simon Fujiwara, introducing audiences to the world of Who the Bær
  • Fondazione Prada supports Damien Hirst’s participation in a charity campaign by Save the Children
  • Fondazione Prada, Milan Inaugurates its New Summer Exhibitions
  • Fondazione Sandretto Re Rebaudengo to Open a New Venue in Madrid
  • Food, Time Consumption and Transformation: an Interview with Raul Ortega Ayala
  • For Whom the Bell Tolls, an interview with Samson Young
  • Forever is now: how to merge ancient and contemporary art
  • FotoFest 2016 Biennial
  • FotoFest Biennial 2020 opens with “African Cosmologies”
  • Fragility at the Core: An Interview with ​​Théo Mercier
  • Frances Morris will be the new director of Tate Modern, replacing Chris Dercon
  • Frances Stark Presents her 2015 Absolut Art Award-Winning Project at LACMA
  • Francesco Vezzoli to present “Palcoscenici Archeologici” at Parco Archeologico, Brescia
  • Francesco Vezzoli will be Museion’s guest curator for 2016
  • Francesco Vezzoli: Milan from an Artist’s Perspective
  • Franco Noero Opens a Second Exhibition Space in Turin
  • François Pinault Brings His collection at Museum Folkwang, Germany
  • François Pinault to Open a Space in Paris
  • Franklin Sirmans: PAMM is growing and Miami art scene is growing with us
  • Free Experience at Jack Shainman Gallery, NY: an Interview with Leslie Wayne
  • French-Moroccan photographer Leila Alaoui dies after Ouagadougou attacks
  • Frieze art fair returns to London with both online and offline events
  • Frieze Fairs in London this October maybe combined, smaller and reconfigured – if able to go ahead
  • Frieze L.A.
  • Frieze Launches First-Ever Exhibition Space in London at No.9 Cork Street
  • Frieze London 2016: Details Announced
  • Frieze Los Angeles 2023
  • Frieze Los Angeles to Premiere on February 15 –17, 2019
  • Frieze New York 2020 canceled due to the Coronavirus crisis
  • Frieze New York 2020 Goes Digital
  • Frieze New York 2024
  • Frieze New York kicks off and is the first art fair in the US to take place since the beginning of the pandemic
  • Frieze New York to Open this Week
  • Frieze Projects at Frieze New York 2016: Artists Announced
  • Frieze Sculpture is Back in Regent’s Park, London
  • Frieze Sculpture Returns to Regent’s Park, London
  • Frieze Sculpture to open in Regent’s Park in October 2020
  • Frieze Seoul
  • Frieze’s London Fairs Cancelled
  • From the Armory Show, New York: An Interview with Fiete Stolte
  • Fulgur: an interview with Matilde Sambo
  • g. olmo stuppia: Marrying the Night Episode V
  • g. olmo stuppia: Sposare la Notte (Marrying the Night)
  • Gabi Ngcobo Will be Curator of the 10th Berlin Biennale
  • Gabriel Pérez-Barreiro is the Curator of the Next São Paulo Biennial
  • Gabriella Belli Announces MUVE Exhibition Program 2017
  • Gagosian to open a new gallery in Athens
  • Gal Weistein to Represent Israel at 2017 Venice Biennale
  • Galería Hilario Galguera’s Sculpture Terrace is set to host an exhibition presented by Winter Street Gallery in Mexico
  • Galerie Kronsbein Hosts Banksy’s First Solo Show in Germany
  • Galerie Perrotin Moves to the Lower East Side
  • Galerie Perrotin to Open New Space in Tokyo
  • Galleria Continua Celebrates its 30 years anniversary
  • Galleria Continua Havana: November events and shows
  • Galleria Continua Hosts an Exhibition of Leila Alaoui’s Works
  • Galleria Continua inaugurates its new venue in Paris
  • Galleria Continua Opens a New Venue in Rome
  • Gallerie d’Italia – Cantiere del ‘900 hosts a series of talks
  • Gallerie dell’Accademia, Venice to present a major exhibition by Anish Kapoor in 2022
  • Galleries announced for the 2021 physical edition of Art Dubai
  • Gallery 1957 will open in Accra, Ghana in March 2016
  • Gallery Weekend Berlin
  • Gallery Weekend Berlin
  • Gallery Weekend Berlin 2018: Galleries Announced
  • Gallery Weekend Berlin 2019: Galleries and Artists Announced
  • Gallery Weekend Berlin announces participating galleries and artists
  • Gallery Weekend Berlin: Participating Galleries
  • Gallery Weekend Mexico City is Back for its 7th Edition
  • Garage Museum of Contemporary Art: New Building
  • Garage Museum of Contemporary Art: Spring 2016 Exhibitions
  • Garage Museum Unveiled Artists List for First Triennial of Russian Contemporary Art
  • Genera#ion: Contemporary Art from Saudi Arabia in San Francisco
  • Generation Brussels 2023
  • Geopolitics and Energy Resources in Sub-Saharan Africa: Local Impacts
  • Gerhard Richter Artist’s Books
  • Gerhard Richter: Engadin
  • German Pavilion at the Venice Biennale 2019: an Interview with Curator Franciska Zólyom
  • Giardini Colourfall at the Venice Biennale: An Interview with Ian Davenport
  • Gilbert & George to Inaugurate the New Season of Teatrino di Palazzo Grassi
  • Gilbert & George to Open a Non-profit Gallery
  • Gilbert and George quit Royal Academy as their hopes for “high-profile show” fall through
  • Giorgia Severi: Climax #5 Venice
  • Giorgio Andreotta Calò: Venice through an Artist’s Perspective
  • Giovanni Carmine on Basel: not just a visitor but a commuter who leaves his mark
  • Glasgow International
  • Glitches by Servane Mary: The first contemporary art exhibition in San Carlo church, Cremona
  • Global Art Forum 11 Announces its Program: Trading Places
  • Global Fine Art Awards
  • Golden Lion for Lifetime Achievement to Paulo Mendes da Rocha for the 15th Venice Architecture Biennale
  • Goldschmied & Chiari: Where shall we go dancing tonight?
  • Graft: Allora & Calzadilla take part into the Garage Square Commission series
  • GranPalazzo Inaugurates its 2nd Edition
  • Greece at the Venice Biennale: An interview to Andreas Angelidakis
  • Gregor Muir is the New Tate’s Director of Collection, International Art
  • GRID2012 Urban Reality Check
  • Gropius Bau opens the first major survey in Germany of South African visual activist Zanele Muholi
  • Gropius Bau, Berlin to present the first major retrospective by Yayoi Kusama in Germany
  • Ground Water: a new project by Andreco on view at SpazioC21, Reggio Emilia
  • Guest Ghost Host Machine: Serpentine Marathon
  • Guggenheim Announces Short List for the Hugo Boss Prize 2016
  • Guggenheim Bilbao announces its exhibition programme
  • Gulf Labor Coalition at the 56th Venice Biennale – Talks
  • Gustavo Aceves to Install Monumental Sculptures in Front of Rome’s Colosseum
  • Harlem Fine Arts Show 2021 makes its online debut celebrating African Diasporic art
  • Haroon Mirza wins the Calder Prize
  • Hashim Sarkis Appointed Curator of the 17th International Architecture Exhibition – La Biennale di Venezia
  • Hauser & Wirth New York to stage an exhibition dedicated to Lucio Fontana, curated by Luca Massimo Barbero
  • Hauser & Wirth New Space in Los Angeles
  • Hauser & Wirth to occupy former Dia:Chelsea building in New York City
  • Hauser and Wirth is Due to Open an Arts Centre in Isla del Rey, Menorca
  • Haute Photographie: a New Photo Fair Takes over Rotterdam
  • Heather Phillipson’s latest work “The End” has finally been unveiled on Trafalgar Square’s fourth plinth.
  • Heir of the famous collector Charles Saatchi to open a major art space in London
  • Helen Marten Wins the Turner Prize 2016
  • Henning Fehr and Philipp Rühr Selected for the Second BMW Art Journey
  • Herno Prize assigned to Wilkinson Gallery
  • Highlight from Manifesta 12 Press Conference: OMA Announced as Creative Mediator
  • Highlights from the 8th Barcelona Symposium: an Interview with Elena Soboleva, Director of Online Sales at David Zwirner
  • Highlights from the Sculpture Biennale: a Conversation with Matthew Lutz
  • Highlights from the Sculpture Biennale: a Conversation with Ser Serpas
  • Highlights from Upcoming Bologna Art Week: an Interview with Lorenzo Balbi
  • HILLARY: “The Hillary Clinton Emails”: an Interview with Francesco Urbano Ragazzi
  • HIPA Announces Categories for its Sixth Season “The Challenge”
  • Hirshhorn Museum to Host the First Survey of Yayoi Kusama’s Infinity Rooms
  • Hirshhorn Museum to Stage a Major Survey on Ilya and Emilia Kabakov
  • Home Works 7
  • Hong Kong Art Gallery Association Presents Hong Kong Art Week
  • Hong Kong Art Week 2017
  • Hong Kong from an Artist’s Perspective: an Interview with Trevor Yeung
  • Hong Kong Gallery Week 2015
  • Hong Kong’s art community restarts with #SouthsideSaturday
  • Honolulu Biennial to Launch its First Edition
  • Hoor Al Qasimi Appointed Curator of the Lahore Biennale 2020
  • Hoor Al Qasimi: On contemporary life along borders and in between cultures.
  • How to Support Beirut’s Cultural Sector
  • Hrair Sarkissian. Back to the future
  • Huang Yong Ping Brings “Empires” of Globalization to Paris
  • Hugo Boss Asia Art Award 2015
  • Hugo Boss Asia Art: Group Exhibition opens
  • Hugo McCloud: Timeline, an interview
  • Hulda Guzmán at ISCP – Studio Visit
  • Hungarian Exhibition in London during Frieze Week: a Conversation with Andras Szanto
  • Hypermaremma
  • Hypermaremma to launch its third edition
  • HyperPavilion Announced today in Hong Kong
  • Hypnosis Sessions to Reorientate our Collective and Individual Psyche
  • I fumi della fornace
  • I Muri del Silenzio
  • I Want to Like You but I Find It Difficult at Fondazione Prada Milano
  • Ibrahim Mahama: Purple Hibiscus
  • ICA Associates 33 33 present Masāfāt
  • Ice Watch London: A public Artwork by Olafur Eliasson and Minik Rosing
  • Iceland Pavilion officially shut down
  • If this rings any bell to you: an interview with Samson Young
  • if walls could tell
  • Iggy Pop Life Class
  • Il Mondo Magico, Cecilia Alemani’s Italian Pavilion at the 57th Venice Biennale
  • Il Trionfo dell’Immagine. Luca Massimo Barbero illustrates IMAGINE. New Imagery in Italian Art 1960–1969 at Guggenheim Collection Venice
  • Ilaria Bonacossa
  • Images from the Opening of the New MoMA, New York
  • In Florence: Urs Fischer is Taking Over Piazza della Signoria
  • In memory of Jonas Mekas by Francesco Urbano Ragazzi
  • In the Artist’s Studio: Tomás Saraceno
  • Inaugural edition of Helsinki Biennial announces artists and new commissions
  • Incerteza viva. Bienal de São Paulo Announces Preliminary Artist List for 2016 Edition
  • Independent New York
  • India Art Fair 2016
  • Infinito a photographic project by Alice Rohrwacher and Simona Pampallona
  • Inhotim Opens a New Permanent Pavilion
  • Inhotim: an interview with Bernardo Paz and Rodrigo Moura
  • InLaguna Film Festival to be launched this week
  • Inside Outside Under Bucharest
  • Inside the .ART Award: Ulvi Kasimov on Documentation, Digital Identity and Artistic Legacy
  • Inside: An Exhibition by Prisoner-Artists curated by Antony Gormley
  • Insights on Artissima 2019: Q&A with Ilaria Bonacossa
  • Institute of Arab and Islamic Art Opens in Manhattan in May
  • Interview between Chus Martinez and Elena Mazzi: ‘I do not desire, I am moved’ at Der TANK, Basel
  • Interview with Aida Mahmudova and Dina Nasser-Khadivi
  • Interview with Jorge Pineda
  • Interview with Marianne Goebl, Director of Design Miami/Basel
  • Interview with Peter Bläuer, Director of LISTE 17
  • Inteview with the Winner of the Korea Artists Prize 2018: Siren Eun Young Jung
  • Inti Ligabue on Venice’s New Renaissance
  • Investec Cape Town Art Fair 2023
  • Io dico Io – I say I : an all-female artists show at Galleria Nazionale, Rome
  • Iranian Artist Atena Farghadani Released from Prison
  • Iranian Artist Parviz Tanavoli Barred from Leaving Country
  • Iris Müller-Westermann Appointed Director of Malmö’s Moderna Museet
  • Is There a there there? An interview with Yuan Yuan
  • Is This Tomorrow?
  • Istanbul Dealers to Launch Gallery Weekend to Reinvigorate the Turkish Art Scene
  • Istanbul from a different perspective: a conversation with Mari Spirito, founder of Protocinema
  • Italian Gallery Hosts a Tribute to Hema Upadhyay
  • Italian museums to face a new lockdown until December 3, 2020
  • Italian museums to reopen from April 26 in the country’s yellow regions
  • ITALICS Art and Landscape: what Italy means for a gallerist
  • Italics presents “Panorama”, an island-wide exhibition curated by Vincenzo de Bellis
  • IV Audemars Piguet Award
  • Jacopo Benassi: Dealing with Nature as a Political Act
  • Jacopo Crivelli Visconti: the human condition
  • Jakarta Biennale 2015
  • Jakob Lena Knebl and Ashley Hans Scheirl to represent Austria at 2021 Venice Biennale
  • Jamaican Artist Leasho Johnson Selected for the Davidoff Art Initiative’s Residency
  • Jameel Arts Centre Has Opened in Dubai
  • James Murdoch’s Firm to Invest in Art Basel
  • Jan Fabre’s Tartle to Be Set in Piazza della Signoria, Florence
  • Ján Mančuška (1972 – 2011): First Retrospective
  • Jannies Kounellis has Died in Rome
  • Jannis Kounellis survey to open at Walker Art Center, Minneapolis in 2022
  • Jaou Photo 2022
  • Jeff Koons Donates Artwork to the City of Paris
  • Jeff Koons’ Pluto and Proserpina should stay in Florence
  • Jeremy Deller’s Posters Around London
  • Jeremy Shaw wins the 2016 Sobey Art Award
  • Jimmie Durham is the Recipient of the Golden Lion for Lifetime Achievement of the 58th International Art Exhibition – La Biennale di Venezia
  • Joaquin Segura: Mexico City Through an Artist’s Perspective
  • JOCKEY CLUB New Arts Power (JCNAP) presents its annual finale programme – Art Walk: Before a Passage.
  • Johann König on Berlin: “This city is still a place of liberty, freedom and hedonism”
  • John Baldessari, the Godfather of Conceptual Art (The Guy who Put Dots over People’s Faces) dies aged 88
  • Jonas Mekas Will Show his Photographs from WWII at documenta14
  • Jonas Mekas,”the godfather of American avant-garde cinema”, dies at home age 96
  • Jos de Gruyter and Harald Thys: Elegantia. An Interview with Curator Francesco Garutti
  • José Parlá Solo Show and JPMorgan Collective
  • Journeys in Land Art, Towards Wadi AlFann, AlUla
  • JR at the Louvre
  • JR Erects Moon Studio on Casa Amarela in Rio
  • JR Unveils New Works for Rio Olympics
  • JR’s New Project Makes the Louvre’s Pyramid Disappear
  • Juergen Teller to curate exhibition of works by Robert Mapplethorpe in London
  • Julien Creuzet: ‘Too blue, too deep, too dark we sank…’
  • Kader Attia Opens Independent Project Space in Paris
  • Kader Attia Wins the 2016 Prix Marchel Duchamp
  • Kapwani Kiwanga’s “Flowers for Africa” receives Prix Marcel Duchamp 2020
  • Kara Chin & Alessandro Vincentelli in conversation
  • Karole Vail Named New Director of The Peggy Guggenheim Collection, Venice
  • Karole Vail: One Year at the Peggy Guggenheim Collection
  • Kasper Bosman’s solo show to inaugurate a new exhibition cycle at Fondazione Arnaldo Pomodoro
  • Katie de Tilly on Hong Kong
  • Katja Novitskova to Represent Estonia at 2017 Venice Biennale
  • Kaunas Biennal opens Kaunas European Capital of Culture 2022
  • Keeper of the past in the present for the future: an interview with Rayyane Tabet
  • Kenneth Frampton is the Recipient of the Golden Lion for Lifetime Achievement at Venice Architecture Biennale
  • Kenya Backs Out from 56 Venice Biennale
  • Ketty La Rocca at the Biennale Donna Ferrara
  • Khalid Albaih travels from Washington D.C. to Memphis with Culturunners
  • Kingsley Ng: Hong Kong Through an Artist’s Perspective
  • Kochi-Muziris Biennale 2018: Possibilities for a Non-Alienated Life
  • Kochi-Muziris Biennale Fundraiser Action 31 October, 2017
  • Komumuma: Starting Sunday
  • König Wien opens its doors with an all-female exhibition
  • Korea Gallery Weekend: October 4 – 7, 2018
  • Koyo Kouoh Appointed Curator for the 61st International Art Exhibition – La Biennale di Venezia
  • Kunsthalle Praha finally will open in February 2022
  • Kunsthaus Baselland’s Exhibitions Program
  • Kunstmuseum Basel to reveal Jackson Pollock
  • KW Institute for Contemporary Art, Berlin Announces New Artistic Team
  • La Biennale di Venezia Announces new dates for the architecture and art exhibition
  • La Biennale di Venezia awards Golden Lions to Calvesi, Celant, Enwezor, and Gregotti
  • La Biennale di Venezia Has a New President: Roberto Cicutto
  • La Quadriennale di Roma to open this weekend
  • La Terraza Magnética
  • Labyrinth Original Sound Track
  • LagosPhoto Biennial 2025
  • LagosPhoto Festival 2015: Designing Futures
  • LagosPhoto Festival October 27 – November 15, 2018: “Time Has Gone”
  • LagosPhoto: Ground State – Fellowship Within the Uncanny
  • Lahore will host its first Biennale
  • Lampedusa: Migration and Desire, an interview with Vik Muniz
  • Latin American Foto Festival 2019
  • Laura Vincenti: Cape Town, the place to be in February
  • Laurent Grasso: On the Limits Between Fiction and Reality
  • Lawrence Abu Hamdan Wins the 2016 Nam June Paik Award
  • Lawrence Weiner’s work takes to the sky with Tracce /Traces
  • Le Carreau du Temple Hosts the First Fair Dedicated to Urban Art
  • Le French May Arts Festival 2016
  • Le muse inquiete (The Disquieted Muses). When the Biennale Meets History
  • Leading US conceptualist artist Lawrence Weiner dies aged 79
  • Lee Ufan’s The Cane of Titan Installation on View at the Hermitage Museum
  • Legacy: New Museum Spring 2016 R&D Season
  • Leo Frontini: Painting from the Subconscious in Unsettled Times
  • Les Rencontres De La Photographie Arles 2024
  • Les Rencontres d’Arles Celebrates its 50th edition
  • Letizia Battaglia to Direct a New International Centre for Photography in Palermo
  • LIAF 2017 – Curators Announced
  • Lilla Tabasso: an outstanding glass artist with roots in biology
  • Lily McMenamy: A Hole is a Hole
  • Lina Bo Bardi Special Golden Lion For Lifetime Achievement
  • Lipadusa. From Sea to Land
  • Lisbon Art Weekend 2025
  • Lisson Gallery New York to open in May 2016
  • Lisson Gallery presents the online exhibition – Liu Xiaodong: Spring in New York
  • Lisson Gallery to Open a Second Space in New York
  • List of exhibitors announced for ZONAMACO México Arte Contemporáneo 2019
  • Lithuanian Pavilion’s performance “Sun & Sea” comes back to Italy, at Teatro Argentina, in Rome
  • Liu Haisu Art Museum Reopened in Shanghai
  • Live Uncertainty is the Title of the 32nd São Paulo Bienal
  • Liverpool Biennial 2016 Annnounced its Programme
  • Liverpool Biennial 2016 to Open this Weekend
  • Locust Talks: Massimiliano Gioni
  • London Art Fair 2017
  • London Art Night coming up on July 2nd
  • London from an Artist’s Perspective: an Artistic Itinerary by Rebecca Ackroyd
  • London from an Artist’s Perspective: an Interview with Jean Paul Kelly
  • London Gallery Weekend
  • London Gallery Weekend
  • London’s V&A wins Museum of the Year award
  • Long awaited Ai Weiwei’s Lego project unveiled
  • Long Museum Shanghai Opens its Third Space in Chongqing
  • Looking at reality through the eyes of love: an Interview with Ragnar Kjartansson
  • Looking back, Thinking forward: an Interview with Jitish Kallat
  • LOOP Fair Barcelona 2016
  • Loredana Longo with Agata Polizzi on “We Are Cannibals” – a powerful, ferocious, and poetic exhibition
  • Loredana Longo: Carpet #18, We Must Do All We Can
  • Lorenzo Balbi Presents “That’s IT!” at MAMBO
  • Loris Cecchini, Giovanni Ozzola: Vision systems / Reality systems, a Public Art Project
  • Lotus L. Kang, Bvlgari Pavilion
  • Louvre Abu Dhabi Announces Contemporary Commissions by Jenny Holzer and Giuseppe Penone
  • Louvre Abu Dhabi to Open Its Doors on 11 November 2017
  • Lubaina Himid Wins the Turner Prize 2017
  • Luca Massimo Barbero to curate a major show by Lucio Fontana and Antony Gormley during the Venice Biennale 2022
  • Luca Panaro: the city I choose
  • Luciana Lamothe in conversation with Mara Sartore: On and Beyond Boundaries and Identity
  • Lucrezia Calabrò Visconti
  • Luigi Fassi reveals the oblique face of Turin and tells us about the outcome of Artissima 2022
  • Luigi Pecci Centre presents its inaugural exhibition: The End of the World
  • LUMA Foundation to Open a New Building
  • Lupo Borgonovo: a lateral thought on Milan
  • Luxembourg & Dayan to Restage Jannis Kounellis’ Performing Tableau at Art Basel 2016
  • Lyon Contemporary Art Biennale appoints 2021’s curators
  • M+ Grand Opening
  • MAAT: Museum of Art, Architecture and Technology Opening in Belém, Lisbon
  • Madrid Gallery Weekend 2016
  • Madrid Gallery Weekend 2017
  • Magasin III, Stockholm to Open a Satellite Space in Jaffa
  • Magazzino: a New Art Space Dedicated to Postwar and Contemporary Italian Art to Open in the Hudson Valley
  • Majhi International Art Residency in Venice: An Interview with Durjoy Rahman
  • Major exhibitions, new art spaces and events enhance the Saudi art scene
  • Making of Mario Merz, Catalogue Raisonné Volume One: The Igloos.
  • MAMbo – Museum of Modern Art of Bologna joins the #arteculturabenicomuni campaign launched by the Forum of Italian Contemporary Art
  • MAMbo’s new model: an interview with Lorenzo Balbi on how the museum is readapting and reacting to the pandemic
  • Mami Kataoka Has Been Appointed Artistic Director of the 21st Biennale of Sydney
  • Manifattura Tabacchi Summer Opening
  • Manifattura Tabacchi, Florence Presents Many Possible Cities, a Festival Dedicated to Urban Regeneration
  • Manifesta 11 Announces Projects and Artist List
  • Manifesta 11 Takes Shape
  • Manifesta 11: an Interview with Hedwig Fijen
  • Manifesta 12 Just Announced the Collateral Events
  • Manifesta 12: Palermo
  • Manifesta 13 Marseille Announced its Collaboration with Winy Maas and MVRDV
  • Manifesta 13 Marseille Announces the New Artistic Team for the 2020 Edition
  • Manifesta 13 Marseille to gradually unfold from August 28th
  • Manifesta 13 postponed until further notice
  • Manifesta 13 to be Held in Marseille
  • Manifesta 14 Prishtina moves forward and announces details of its upcoming edition
  • Manifesta 14: It matters what worlds: how to tell stories otherwise
  • Manifesta 15: Barcelona
  • Manifesta12 Concept Unveiled: The Planetary Graden. Cultivating Coexistance
  • Manuela Kokanović: Tracing the Cartographies of Flow
  • March Meeting 2023: The Postcolonial Constellation: Art, Culture, Politics after 1960
  • Mare Karina is now landing in sunny Puglia to open a showroom that speaks of art, design, fashion and bitcoin
  • Maria Balshaw is the New Tate Director
  • Maria Eichhorn to represent Germany at 2022 Venice Biennale
  • Marian Goodman Gallery will Open a Second Paris Space
  • Marie Denis and her works of art that open its pores to the soul of things
  • Marilisa Cosello, “Siren”: Body, Labour and Power
  • Marina Abramovic Accused of “Political Propaganda” by Mayor of Trieste
  • Mario Codognato
  • Mark Bradford inaugurates the new venue of Hauser & Wirth in Menorca
  • Mark Bradford to Represent the US at the 57th Venice Biennale
  • Mark Bradford: Process Collettivo
  • Markus Reymann
  • Marrakech Biennale 2016: Highlights
  • Marrakech Biennale 2016: Not New Now, Artist List
  • Marrakech Biennale 2016: Parallel Projects
  • Marrakech Biennale 2016: Parallel Projects Places
  • Marrakech Biennale 2016: Places
  • Marry the Night: Venice and Palermo
  • Marsèlleria Opened a New Venue in New York with an Inaugural Show by Matteo Nasini
  • Marta Barina and Chiara Carrera: A City After Dark
  • Martin Creed’s New Sculpture for BBP Bringing Message of “Understanding”
  • Martin Creed’s New Show at New York’s Park Avenue Armory
  • Martin Hatebur and Basel, the city that made Monet’s water lilies iconic
  • Martin Roth, Director of the V&A, Will Leave his Role in Autumn
  • Masbedo in conversation with Mara Sartore about their last film Arsa
  • Massimo Bartolini: On Union and Presence
  • Massimo De Carlo opens a new gallery space in Hong Kong
  • Massimo De Carlo Opens a New Space in Milan
  • Masterpiece London Fair Opens to the Public
  • Matthew Barney: River of Fundament, Italian National premiere in Bologna
  • Matthias Bruggmann Wins Second Edition of Prix Elysée
  • Maurizio Cattelan Goes Back to NYC with a Golden Toilet
  • MAXXI Hosts Basim Magdy’s First Solo Show in Italy
  • Maya Allison on Abu Dhabi
  • Maze: Journey Through The Algorithmic Self
  • Mecánica de lo inestable: an Interview with Jose Dávila
  • Meeting Place: A Project by Wolfgang Tillmans
  • Mental Escapology: 40 works by Damien Hirst are being exhibited across five locations in St. Moritz
  • Mercedes-Benz x ZSONAMACO
  • Merike Estna: Painting as a Living Organism
  • Mexican Contemporary Art Community Unites to Support Earthquake Victims
  • MIA Photo Fair Returns for Its Sixth Edition to Milan
  • Miami as an Artistic Ecosystem: an Interview with Dennis Scholl
  • Miami Beach and Miami Design District launch new initiatives for Winter 2020
  • Miami from an Artist’s Perspective: an Artistic Itinerary designed by Magnus Sodamin
  • Miart
  • Miart 2016
  • miart 2016 Highlights
  • miart 2017: Program Announced
  • miart 2018: Details Announced
  • miart 2021: The “Starry Worlds” of Milano Art Week
  • miart and Milan Art Week to be held in September 2020
  • miart announces participating galleries to its 2021 edition
  • miart goes digital for 2020
  • Miart’s first digital edition to open on September 9 with a new online platform
  • Michael Wolf: Life in Cities
  • Michelangelo Pistoletto to Show at Blenheim Palace
  • Mike Bouchet’s “The Zurich Load” at Manifesta 11
  • Mike Nelson to take on the Tate Britain Commission ​
  • Milan from an Artist’s Perspective: an Interview with Nathalie Du Pasquier
  • Milan Studi Festival: Artists’ Exhibitions in their Studios
  • Milan to Host SPRINT, the Independent Publishers and Artists’ Books Salon
  • Milan’s Sexier and Unknown Side: A Selection of Design Events by Chiara Alessi
  • Miltos Manetas to Present “Internet Paintings” at MAXXI, Rome
  • Miranda July Opened a Interfaith Charity Shop at Selfridges, London
  • Mitochondria: Powerhouses, an Interview with Ahmed Mater
  • Mitsuo Kim: A conversation on blurring borders
  • MoMA To Reopen on August 27th with free access for the first month made possible by UNIQLO
  • MoMA to Stage the First U.S. Survey of Photographer Stephen Shore’s Work
  • Monir Museum to Open in Tehran in December 2017
  • Monumenta 2016: Huang Yong Ping, Empires
  • More than Human: an Interview with Tomás Saraceno
  • Moscow’s Garage Museum to Set an Exhibition in St. Petersburg
  • Multidimensional Thinking to Practice a New Ecology: An Interview with Shirley Tse
  • Multiple Maniacs: Beatrice Favaretto in Conversation with Mara Sartore
  • Mumbai Gallery Weekend 2016
  • Museo Madre’s Summer – Fall program
  • Museums, Institutions and Paris Photo closed after Paris attacks
  • Music is different: an interview with Frances Stark
  • My Art Guide Basel 2017 Editorial Committee
  • My Art Guide Basel 2018 Editorial Committee
  • My Art Guide Basel 2019 Editorial Committee
  • My Art Guide Basel App for iOS and Android
  • My Art Guide Basel Fall 2020 | Special Edition
  • My Art Guide Berlin 2018 Editorial Committee
  • My Art Guide Dubai & Sharjah 2017 Editorial Committee
  • My Art Guide Dubai/Sharjah/ Abu Dhabi Editorial Committee
  • My Art Guide Dubai/Sharjah/Abu Dhabi 2019 Editorial Committee
  • My Art Guide Hong Hong 2017 Editorial Committee
  • My Art Guide Hong Kong 2018 Editorial Committee
  • My Art Guide Hong Kong 2019 Editorial Committee
  • My Art Guide Hong Kong App for iOS and Android
  • My Art Guide London 2018 Editorial Committee
  • My Art Guide London App for iOS and Android
  • My Art Guide London Editorial Committee
  • My Art Guide London sponsored by Julius Baer: A further commitment to art and culture
  • My Art Guide Madrid 2018 Editorial Committee
  • My Art Guide Mexico City 2017 Editorial Committee
  • My Art Guide Mexico City 2018 Editorial Committee
  • My Art Guide Mexico City 2025
  • My Art Guide Mexico City 2026
  • My Art Guide Miami 2018 Editorial Committee
  • My Art Guide Miami App for iOS and Android
  • My Art Guide Miami Editorial Committee
  • My Art Guide Milan 2018 Editorial Committee
  • My Art Guide Milan 2019 Editorial Committee
  • My Art Guide Milan 2025
  • My Art Guide Milan 2026
  • My Art Guide Milan App for iOS and Android
  • My Art Guide New York 2018 Editorial Committee
  • My Art Guide New York 2019 Editorial Committee
  • My Art Guide New York App for iOS and Android
  • My Art Guide Palermo Editorial Committee
  • My Art Guide Paris 2024 Editorial Committee
  • My Art Guide Paris 2025
  • My Art Guide Paris Editorial Committee
  • My Art Guide São Paulo 2018 Editorial Committee
  • My Art Guide Seoul / Gwangju / Busan 2018 Editorial Committee
  • My Art Guide Turin 2018 Editorial Committee
  • My Art Guide Turin App for iOS and Android
  • My Art Guide Turin Editorial Committee
  • My Art Guide Tuscany first edition
  • My Art Guide UAE App for iOS and Android
  • My Art Guide Venice App for iOS and Android
  • My Art Guides East Central Europe Exploring Series’ Launch
  • My Art Guides Studio Visits: Mexico City
  • My Art Guides Venice Meeting Point: A Report of the 2019 Edition
  • My Art Guides Venice Meeting Point: An Ocean Archive
  • My Art Guides Venice Top 20
  • My Art Guides, Your Compass in the Art World
  • Myriam Mihindou in conversation with Mara Sartore. Evoking presence, power, and protection
  • Nada Raza on Dubai
  • Nalini Malani: Of Woman Born – Memory, Myth, and the Urgency of Women’s Voices
  • Naples Clothed In “Oro Rosso”: A Conversation with Jan Fabre and Curator Melania Rossi
  • Napoli Gallery Weekend
  • Natalia Ortega Gamez First artist for the New Davidoff Art Residency in Bogotá, Colombia
  • Nataša Petrešin Bachelez: Listening to Forgotten Histories
  • Natascha Sadr Haghighian to Represent Germany at the Venice Biennale 2019
  • Nathalie Du Pasquier at APalazzo Gallery: Silent Life and Talks in Colors
  • National Gallery Singapore opens to the public on November 24
  • National Museum of Contemporary Art (MNAC), Bucharest’s Summer Program
  • New Contemporary Art Museum to Come in Beirut
  • New Curator for Frieze Projects UK: Raphael Gygax
  • New Dates for Manifesta 13 in Marseille
  • New Dates for March Meeting and Sharjah Biennial 15
  • New dates for miart and Milano Art Week 2021
  • New Format for Frieze London and Frieze Masters 2020
  • New Hermitage Museum to Be Hosted in Barcelona in 2019
  • New Jameel Arts Centre to open in Dubai in November 2018
  • New Museum and K11 Art Foundation Announce a New Partnership
  • New Museum of Street Art Opening in Amsterdam
  • New Museum: 2016 Spring Exhibitions
  • New Tate Modern: details announced
  • New York Arab World Year Long Programme in the Five Boroughs
  • New York Galleries and their new outposts in the Hamptons
  • Newport Street Gallery has won 2016 RIBA Stirling Prize
  • Nicholas Serota Steps Down as Director of Tate
  • Nick Korniloff Launches New Art Miami Sister Fair, Palm Beach Modern & Contemporary Fair
  • Nicola Ricciardi appointed new Artistic Director of Miart
  • Nicola Samorì presents “Sfregi” at Palazzo Fava, Bologna: an interview with the artist
  • Nicoletta Fiorucci
  • Nika Autor Will Represtent Slovenia at The Venice 57th Biennale
  • Niteroi Museum to set Louis Vuitton Fashion Show
  • No Show Museum Next Stops Around the Globe
  • Noasis: An Absolut Bar by Clemens Behr
  • Nomad Abu Dhabi 2025
  • Nomad Capri
  • Nomad chooses an exclusive location in the heart of the Mediterranean
  • Nominees Announced for the 2015 Absolut Art Award
  • Nominees for the Prix Marcel Duchamp 2016 announced
  • Nordic Pavilion at the Venice Biennale: Final Performances
  • Not Fair to Open at the Palace of Culture, Warsaw
  • Not Vital: On Scarch, Sunsets and Silence
  • Nothing Matters: An Absolut Bar by FOS
  • Ocean Space, TBA21’s New Home, Will Open in Venice in 2019
  • Ocean Space, Venice presents The Soul Expanding Ocean #2: Isabel Lewis
  • Official Awards Biennale Arte 2024
  • Officielle Art Fair will not take place in 2016
  • OGR Celebrates its One Year Anniversary with two days of music, art and dance.
  • OGR Celebrates its Opening with “The Big Bang” Festival
  • OGR, Turin opens a new collective exhibition curated by Jessica Stockholder
  • OGR: Brand New Day
  • Ogrydziak Prillinger Architects to Design Untitled, San Francisco, 2017
  • Olafur Eliasson takes over the Palace of Versailles
  • Olafur Eliasson to create a new exhibition project at Fondation Beyeler in 2021
  • Olafur Eliasson Will be Palace of Versailles Guest Artist in 2016
  • Olafur Eliasson’s Green Light at TBA21 Augarten
  • Olafur Eliasson’s Ice Watch in Paris gives a glimpse at climate change
  • Oliver Jeffers: Observations on Modern Life
  • Olivier Malingue Opens in London with a Solo Show of Korean Artist Cho Yong-Ik
  • On Anish Kapoor’s multi-varied London, his new paintings and future plans in Venice
  • On the Egyptian Art Scene: an Interview with Gamal El Kheshen
  • On the Front Line. Women Photojournalists in War Zones
  • On the identity of your heart: an interview with Gao Bo
  • On the Middle Eastern Art Scene: An Interview with Ramin Salsali
  • On the potential of digital and NFT art. An interview with Serena Tabacchi.
  • On the Venice International Performance Art Week: an Interview with Andrea Pagnes
  • On Valuing Art and Not its Value: An Interview with Sean Kelly
  • Once Upon a time in 2020: an exhibition by Fabrizio Spucches at the new Scalo Lambrate, Milan
  • Open studio day at Vienna Art Week
  • Opening of The Bass’s Newly Designed Space Postponed to Spring 2017
  • Oscar Murillo Closing Party & Runway Show in Venice
  • Oscar Murillo Destroyed his British Passport on a London – Sidney flight
  • osloBIENNALEN: A Five-year Art Programme in Public Space
  • Osservatorio: a New Space devoted to Photography by Fondazione Prada
  • Our Mother’s House
  • Our Ocean Guide
  • Out Among The Stars
  • Outernet Arts: a new public programme embracing new media and cinematic technology
  • Over the walls: Visions d’Architecture
  • P. Staff: On pain lapsing into pleasure and back again
  • Pakistani Artist Ghulam Mohammad is the Winner of Jameel Art Prize
  • Palai 2023
  • Palais de Tokyo announced the 2nd edition of the DO DISTURB Festival
  • Palais de Tokyo Announces the 2nd edition of the DO DISTURB Festival
  • Palais de Tokyo Reopens
  • Palais de Tokyo Summer Program
  • Palazzo Chigi of Ariccia to Host the Third Edition of Granpalazzo
  • Palazzo Grassi and Punta della Dogana to reopen their exhibitions
  • Palazzo Grassi Announced Its Upcoming Exhibitions Program
  • Palazzo Grassi to host a solo exhibition by Marlene Dumas
  • Palazzo Grassi to reopen to the public from February 11–26
  • Palazzo Grassi – Punta della Dogana presents a cycle of online conversations “Bruce Nauman Archive for the Future”
  • Palazzo Strozzi presents “American Art 1961-2001. From Andy Warhol to Kara Walker”
  • Palazzo Strozzi to host a major exhibition by Jeff Koons
  • Palazzo Strozzi to Stage a Major Retrospective of Marina Abramović
  • Palazzo Strozzi, Florence to Feature a Solo Show by Tomas Saraceno in 2020
  • Palazzo Strozzi, Florence to Host Ai Weiwei First Retrospective in Italy
  • Palestinian Artist Khaled Jarrar installs “Ladder Installation” at Infamous US/Mexico Border Crossing
  • Palestinian Museum’s First Show Opens in Beirut
  • Palestinian Poet and Artist Ashraf Fayadh sentenced to death in Saudi Arabia
  • PAMM exhibitions during Art Basel in Miami Beach 2015
  • Panorama L’Aquila
  • Panorama Monferrato
  • Panorama Pozzuoli
  • Paola Anziché
  • Paola Pivi at Palazzo Strozzi
  • Paolo Baratta confirmed as President of the Venice Biennale
  • Para Site celebrates its 25th anniversary with the double exhibition “Noble Rot”
  • Paris + par Art Basel Public programme
  • Paris from an Artist’s Perspective: an Interview with Romina de Novellis
  • Paris Galleries Night 2014
  • Paris Gallery Weekend
  • Paris Gallery Weekend 2025
  • Paris Gallery Weekend begins!
  • Paris Gallery Weekend enlivens the city
  • Paris is like Ithaca: the home to return to – an interview with Adel Abdessemed
  • Paris Photo 2015
  • Paris Photo 2017
  • Paris Photo 2023
  • Paris Photo 2024
  • Paris Photo New York 2020
  • Paris Photo Reaches its 20th Edition
  • Paris Photo Revealed 2016 Exhibitor List
  • Paris through an Artist’s Perspective: an Interview with Tatiana Trouvé
  • PART: a new museum of Contemporary and Modern art opens in Rimini
  • Patricia Urquiola Designs the Interiors of the New Laufen Showroom in Madrid
  • Patrizia Sandretto Re Rebaudengo: Building an Island for Art in Venice
  • Patron of the Arts Award to Alserkal Family
  • Pecci Centre for Contemporary Art reopens in October 2016
  • Peer UK reopens its doors with a new exhibition by Angela de la Cruz
  • Per Barclay and Turin: a Declaration of Love to an Underestimated City
  • Pérez Art Museum Miami announces details of Miami Art Week 2020
  • Performa 15
  • Performa 15: Jesper Just
  • Performa Biennal 2021 in New York is back
  • Performa Biennial 2023
  • Performance artist Marina Abramovic has partnered with WeTransfer to show curated contents on the file-sharing platform
  • Perú Arte Contemporáneo – PArC 2017
  • Pestifera Film Festival at Castello di Rivoli in Turin
  • Petrit Halilaj Wins the Second Edition of Mario Merz Prize
  • Petrit Halilaj withdraws from Belgrade Biennial as it fails to recognise his nationality
  • Philip Rylands’s Step Down as Director of The Peggy Guggenheim Collection
  • Philipp Kaiser Appointed New Curator of Art Basel Public Sector in Miami Beach
  • Philippe Parreno to undertake the Hyundai Commission for 2016 at Tate Modern
  • Phoebe Hui Awarded Audemars Piguet Art Commission
  • Photo London
  • Photo London 2020 announces the 6th edition’s exhibitors and highlights
  • PHOTOFAIRS | San Francisco’s first edition
  • PHOTOFAIRS| Shanghai Announces 2016 Galleries
  • PHOTOFAIRS|Shanghai Reaches its Third Edition
  • Photographer Boris Mikhailov to Represent the Ukrainian Pavilion at the 57th Biennale
  • Phyllida Barlow to represent Britain at 57th Venice Biennale
  • Pick your London Map and Get Ready for Condo 2017
  • Piedicavallo Festival 2024
  • Pierre Huyghe Wins the 2017 Nasher Prize
  • Pilvi Takala will Represent Finland at the 2021 Venice Biennale
  • Pioneer Artist from the UAE, Hassan Sharif, has died
  • Pirelli HangarBicocca reopens and presents “Digital Mourning” by Neïl Beloufa
  • Pirelli HangarBicocca to host a major exhibition by Maurizio Cattelan
  • Pirelli HangarBicocca to Stage a Major Exhibition of Mario Merz
  • Pirelli HangarBicocca to Stage a Major Show by Lucio Fontana
  • Pista 500
  • Places for People: the Austrian Pavilion at the Venice Architecture Biennale 2016
  • PLATFORM-L Contemporary Art Center Opening in Seoul
  • Playing with Nature: An Interview with Bosco Sodi
  • Please, Jump on it!: an Interview with Jeremy Deller and Massimiliano Gioni
  • Pompidou to Open New Exhibition Spaces in South Korea and China
  • Pope.L Presents “Whispering Campaign”, a new sound performance piece for documenta14
  • Postponed Dates on a Disappearing Coast
  • Prada presents a new exhibition project in Shanghai by artist Theaster Gates 
  • Prada Rong Zhai: The New Fondazione Prada’s Venue in Shanghai
  • Premier selection of galleries to participate in Art Basel in Hong Kong 2016 edition
  • Premio Furla at Arte Fiera
  • President Trump and Contemporary Art in Saudi Arabia
  • Primitive Migration from/to Taiwan: an interview with architect Divooe Zein
  • PRISMA Human Rights Photo Contest
  • Pristina Appointed Host City of Manifesta 14 in 2022
  • Prix Meret Oppenheim 2016: laureates announced
  • Project by Tomás Saraceno to inaugurate Manifattura Tabacchi’s new artistic hub in Florence
  • Prospect.4 New Orleans / The Lotus in Spite of the Swamp
  • Provocative Performance Artist Ulay dies aged 76
  • Public Trust: A Public Art Project by Paul Ramirez Jonas in Boston
  • Puccini’s Crisantemi was played to an audience of 2,292 plants at Barcelona’s Gran Teatre del Liceu
  • Pulse New York 2016
  • Qalandiya International Reaches its Third Edition
  • Qatar Museums to Stage a Retrospective of the Iraqi Artist Dia Al-Azzawi
  • Quisqueya Henríquez Mara Sartore interviews the artist
  • Quoz Arts Fest 2016
  • Quoz Arts Fest 2017
  • Rachel Whiteread’s New Installation in New York’s Governors Island
  • Rafael Moneo to be awarded the Golden Lion for Lifetime Achievement of the Venice Architecture Biennale 2021
  • Ragnar Kjartansson to Get his First US Museum Survey
  • Ralph Rugoff Announces the Title of the Venice Biennale 2019: May You Live in Interesting Times
  • Ralph Rugoff Named Curator of the Biennale Arte 2019
  • Ramallah Art Fair 2024
  • Ranchos, Planchas y Gallinas. An interview on Engel Leonardo’s project
  • Raqib Shaw at Glyndebourne 2016
  • Raqs Media Collective Appointed as Artistic Director for Yokohama Triennale 2020
  • Raqs Media Collective appointed chief curator of the 11th Shanghai Biennale
  • Rauschenberg’s Most Ambitious Artwork Soon in Beijing
  • Re-appropriating The Field of Emotion: an Interview with Kader Attia
  • Reawakening Hong Kong’s Art Scene: an Interview with Tobias Berger
  • Reed Exhibitions announces the end of Paris Photo Los Angeles and cancels planned launch of FIAC Los Angeles
  • Reframe Iran
  • Rencontres d’Arles 2018
  • Repetition: an interview with Ken Matsubara
  • Reporting from Shanghai Biennale: an Interview with Huang Jing Yuan
  • Reporting from Shanghai: An Interview with Suki Seokyeong Kang
  • Reporting from the Front – 15th Venice Architecture Biennale
  • Reporting From the Front, the 15th Venice Architecture Biennale
  • Reporting Statements from the Hong Kong Art Community
  • Robbie Fitzpatrick on the Art Market and the Making of Basel Social Club
  • Robin Meier: “Synchronicity”
  • Rockaway!: A Special Outdoor Exhibit by Artist Katharina Grosse
  • RojoNegro: Practicing Indigenous Knowledge in a Turbulent Present
  • Rolls-Royce Art Programme Announces Its New Commission
  • Romanian Artist Geta Brătescu Has Died at 92
  • Rome’s MAXXI to open art museum in L’Aquila in October
  • Romeo Martinez: Camera 1953/1964
  • Ruggero Pietromarchi talks about Terraforma, the festival designed to last in time and memory
  • Rumours confirmed: Anish Kapoor Foundation to open in Venice
  • Ryoji Ikeda to take over 180 Studios in London, with a multi-sensory exploration of light and sound.
  • Sabine Himmelsbach talks about Basel, the city where culture is in the air
  • Salone del Mobile confirms its 2021 edition
  • Salone del Mobile, Milan Postponed to June due to Coronavirus Emergency
  • Salty Sermon: An Interview with Slavs and Tatars
  • Samson Kambalu’s Antelope on the fourth plinth
  • Samson Young to Represent Hong Kong at the 2017 Venice Biennale
  • Samson Young will present a new public artwork during Art Basel in March 2016
  • Samson Young wins the Inaugural Sigg Prize
  • Samson Young: Hong Kong From an Artist’s Perspective
  • San Francisco Museum of Modern Art (SFMoMA) Opening Soon
  • Santarcangelo Festival. Performance, Music, Party
  • Santiago Calatrava to Design UAE Pavilion for Dubai World Expo 2020
  • Santiago Sierra Censored by IFEMA at ARCOmadrid for Explicit Political References
  • São Paulo Biennial from an Artist’s Perspective: an Interview with Ebony G. Patterson
  • São Paulo Biennial introduces 2020’s themes
  • São Paulo from an Artist’s Perspective: an Interview with Marcelo Moscheta
  • Sapore di Mare
  • Sara Enrico
  • Sarah Cosulich Steps Down as Director of Artissima
  • Sarah Howe Presents Six Windows, a Reading and Talk at Asia Art Archive
  • Sarah Lucas at the Albergo Diurno in Milan
  • Saudi Pavilion at the 16th International Architecture Exhibition, La Biennale di Venezia: an Interview with the Architects
  • SB2016: an Interview with the Curatorial Co-Head, Tan Siuli
  • Schirn Kunsthalle Frank­furt to dedicate an extensive survey to Gilbert & George
  • Scope New York 2016
  • Scotland + Venice Selects Rachel Maclean to Represent Scotland at the Venice Biennale
  • Sculptor and Light Artist François Morellet Has Died, Aged 90
  • Sculpture Garden’s Mary Ceruti Designated Executive Director of The Walker Art Center
  • Scuola Piccola Zattere
  • Seeing Beyond the Visible. Isabella Staino and the Tarot as an Inner Mirror
  • Semantics of the Heart: Being with Chiara Camoni
  • Serendipity in Venice (and Baku): an Interview with Suad Garayeva
  • Serpentine Sackler Gallery to Host a Major Zaha Hadid Show
  • Sestiere Itinerary #1 Cannaregio
  • Sestiere Itinerary #2 Giudecca and San Giorgio
  • Sestiere Itinerary #3 Dorsoduro
  • Sestiere Itinerary #4 Santa Croce and San Polo
  • Set Up in the Empty Museum
  • Seth– Range ta Chambre
  • Shanghai and Mexico City to Host Condo in 2018
  • Shanghai Art Week 2021
  • Shanghai Art Week Insights: an Interview with Laura Zhou, Director, Asia at White Cube
  • Shanghai from an Artist’s Perspective: an Interview with Xu Zhen
  • Shanghai Project inaugural event
  • Sharjah Art Foundation announces its spring 2021 programme and March Meeting
  • Sharjah Art Foundation Announces MM 2016
  • Sharjah Art Foundation organises “5-plus-1: Rethinking Abstraction” international symposium on the occasion of “Frank Bowling: Mappa Mundi” exhibition opening
  • Sharjah Biennial 15: Thinking Historically in the Present
  • Shepard Fairey: We the People Posters Unveiled for Inauguration Day
  • Shezad Dawood on Fogo Island ‘Between Land & Sea’
  • Shipwreck Crime: An Exhibition by Italo Rondinella
  • Shirana Shahbazi: On Zurich and grappling with the contradictory nature of photography
  • Shortlist Announced for The Illuminated River
  • Shortlisted Artists for the 2017 Mario Merz Prize Announced
  • Shubigi Rao and Ute Meta Bauer to represent Singapore at the 59th Venice Biennale
  • Silence is Compliance: a pro-democracy platform
  • Simone Leigh will be the first black woman artist to represent US at Venice Biennale
  • Simone Menegoi, New Artistic Director of Arte Fiera, Reveals This Year’s Highlights
  • Singapore Art Week
  • Singapore Biennale 2016: Artists and Artworks Announced
  • Singapore Biennale Returns after 3-year Absence
  • Siris: Herakleia Archaeological Park
  • SITElines.2016: Much Wider Than a Line
  • Six Continents, or more
  • Skarstedt Gallery and Almine Rech Gallery Announced New London Locations
  • Skulptur Projekte Münster to Inaugurate This Weekend
  • Slavs and Tatars Appointed Curators of the 33rd Biennial of Graphic Arts in Ljubljana
  • Soft water hard stone
  • Softer: An exhibition by Jenny Holzer at Blenheim Palace
  • Something I Can Feel
  • SOMMET Winter Salon of Contemporary Art to Set its First Edition in St. Moritz
  • Song-Ming Ang to Represent Singapore at the Venice Biennale 2019
  • Sotheby’s Contemporary Art Evening Auction picks up $363.2 M.
  • Sous la lune/Beneath the moon at ICA Singapore
  • South Island Art Day on 22nd of September
  • SP-Arte 2017: Save the Date!
  • SP-Arte/2018 gathers over 160 exhibitors from 15 different countries
  • SP-Arte/Foto Reaches its 10th edition
  • SP-Foto in São Paulo Reaches its 13th Edition
  • Spain Has Been Awarded the Golden Lion for Best National Participation
  • Speaking up: Black Lives Matter
  • Spring in New York
  • SPRINT Reaches its 6th Edition and Announces a New Partnership with Spazio Maiocchi
  • St Paul Cathedral to unveil new Bill Viola video work
  • Start Art Fair Announces Exhibitors List
  • Stay, work, participate and be alert. An Interview with Wong Ping on Hong Kong
  • Stefania Galegati: Arcipelago 2020-2024
  • Stefano Cagol: We Are All Nauru
  • Stephen Stapleton: Mara Sartore interviews Edge of Arabia’s founder
  • Stones Against Diamonds, an interview with Isaac Julien
  • Subtle Instability: an interview with Matilde Sambo
  • Such Sweet Thunder: Samson Young’s Project for documenta 14
  • Sudarshan Shetty Appointed Curator of 2016 Kochi – Muziris Biennale
  • Suhanya Raffel Appointed Executive Director of Hong Kong’s M+ Museum
  • Sultan Sooud Al Qassemi: Dubai and Sharjah through a Collector’s Perspective
  • Summer 2016 exhibitions at National Gallery in Prague
  • Summer 2018 at The Serpentine Galleries
  • Supporting Art and Culture: The Julius Baer Art Collection
  • Survival Kit 16: Contemporary Art Festival in Riga
  • Surviving the Heatwave in Venice
  • Susanne Ghez Special Golden Lion
  • Suspended Forest at Knockdown Center
  • Swiss Museums unite to urge the Swiss Federal Council to end Museum Lockdown
  • TAG 2020: Galleries in Turin to reopen with special exhibitions this weekend
  • Tai Kwun Opens in Hong Kong – Inaugural Exhibition
  • Taipei Biennial 2016: Participating Artists Announced
  • Taipei Biennial 2020: You and I Don’t Live on the Same Planet
  • Taipei Dangdai Art Fair Announces 2019 Galleries
  • Taipei Dangdai Opens January 18, 2019
  • Taking Care – Designing for the Common Good: an Interview with Tamassociati, curators of the Italian Pavilion at the 15th Venice Architecture Biennale
  • Talks. Presented by Locust Projects and ArtCenter/South Florida
  • TAM – Tower Art Museum to be the first contemporary art institution in Matera
  • Tate Announces 2017 Exhibitions
  • Tate Britain announces the 10 winners of the 2020 ‘Turner bursaries’
  • Tate Britain Announces Turner Prize 2016 Shortlist
  • Tate Modern’s 2016 Film Programme
  • Tate Modern’s Turbine Hall to be Transformed by Superflex
  • Tate Modern, London opens a major retrospective of Andy Warhol
  • TBA21 First Convening In Jamaica
  • TBA21 launches the second season of st_age, the digital platform dedicated to present new creative ideas at the time of the pandemic
  • TBA21-Academy, The Current Launches Ute Meta Bauer’s 2nd expedition “Tuamotus: Distant Islands”
  • TBA21–Academy Presents Two-days of Performances and Lectures Curated by Chus Martínez
  • Teatrino di Palazzo Grassi presents Gestus
  • Teatro di Roma and MACRO present the second edition of BUFFALO
  • TEFAF Maastricht postponed to early June due to the pandemic
  • TEFAF Maastricht Will Launch Two TEFAF Art Fairs
  • TEFAF New York Coming Next Fall
  • Ten Disruptive Women Artists of 2022
  • Teresa Solar Abboud : Madrid Through an Artist’s Perspective
  • Thaddaeus Ropac’s New Location Opening in London in 2017
  • The 11th Edition of Contemporary Istanbul
  • The 11th edition of the Liverpool Biennial, The Stomach and the Port, explores notions of the body and ways of connecting with the world.
  • The 11th Gwangju Biennale : an Interview with Maria Lind, Artistic Director and Michelle Wong, Assistant Curator
  • The 11th Gwangju Biennale Announces Title and Curatorial Team
  • The 13th edition of the Gwangju Biennale, set to open in 2021, will investigate rising forms of intelligence
  • The 13th Gwangju Biennale, Minds Rising Spirits Tuning, takes place from 1 April – 9 May, 2021
  • The 13th Shanghai Biennale announces participating artists for main exhibition opening in April
  • The 13th Shanghai Biennale opens at Power Station of Art
  • The 14th Gwangju Biennale: soft and weak like water
  • The 14th Shanghai Biennale: Cosmos Cinema
  • The 15th edition of Lo Schermo dell’Arte
  • The 15th edition of Manifesta will take place in Barcelona in 2024
  • The 15th Istanbul Biennial Announced Title and Curatorial Concept
  • The 15th Istanbul Biennial Announces its Venues
  • The 15th Istanbul Biennial from the Curators Perspective: an Interview with Elmgreen & Dragset
  • The 15th Istanbul Biennial: An Interview with Director Bige Örer
  • The 16th Lyon Biennale: fragility at the heart of a generative form of resistance
  • The 17th International Architecture Exhibition “How will we live together?”: Details Announced
  • The 18th International Festival of Contemporary Dance
  • The 20 Artists Who Left their Mark in 2019
  • The 20 Best Shows to Visit during Gallery Weekend Berlin
  • The 2017 Absolut Art Award Winners
  • The 2020 Art World Calendar Starts with Taipei Dangdai
  • The 22 Official Collateral Events of the 57th Venice Biennale
  • The 34th Bienal de São Paulo launches the group show “Vento”
  • The 46th Edition of FIAC is Back in the Grand Palais, Paris
  • The 47th edition of FIAC is cancelled and postponed to 2021
  • The 47th Rencontres d’Arles
  • The 55 Artists Participating to the 15th Istanbul Biennial
  • The 55th October Salon
  • The 56th International Art Exhibition curated by Okwui Enwezor closed its gates
  • The 57th Venice Biennale: International Jury Announced
  • The 5th Moscow International Biennale for Young Art
  • The 5th Singapore International Photography Festival 2016 returns with the theme, The Archive
  • The 73rd Venice International Film Festival
  • The 7th Bi-City Biennale of UrbanismArchitecture: an Interview with Curator Hou Hanru
  • The 9th Berlin Biennale Reveals Participating Artists
  • The Abraaj Group Announces 2018 Winner
  • The Abraaj Group Announces the Winning Artists and Curator for 2016
  • The Aesthetic of Consumer’s Culture: An Interview with Josephine Meckseper
  • The African Art in Venice Forum
  • The Afro-future of Art and Photography:
    an interview with Lorenzo Vitturi at Lagos Photo Festival 2016
  • The Age of Strandbeests: an Interview with Theo Jansen
  • The All-embracing Nature of Nature: An Interview with Kiki Smith
  • The Amory Show: African Perspectives
  • The Architecture Biennale 2021 to officially open on May 22nd
  • The Arena of the 56th Venice Biennale
  • The Armory Show 2016: Time-Based Exhibitor Projects
  • The Armory Show 2017
  • The Armory Show Announces Talks Programming
  • The Armory Show Appoints Benjamin Genocchio as Executive Director
  • The Art of the Treasure Hunt
  • The Art of “Viventes”: an Interview with Laura Lima
  • The Art World Reacts to the Election of Donald Trump
  • The artist Jimmie Durham has died aged 81
  • The Austrian Pavilion at the Venice Art Biennale 2022 launched the exhibition’s official website
  • The awaited Jeff Koons’ exhibition at Palazzo Strozzi
  • The Awards Ceremony of the 58th Biennale di Venezia
  • The Awards of the 16th Venice Architecture Biennale
  • The Barbican Will Host the First Major Basquiat Retrospective in 20 Years
  • The Bass Museum Unveils Ugo Rondinone’s Miami Mountain
  • The Bass Opens to the Public on October 29, 2017
  • The Belgium Pavilion at the Venice Biennale 2019: An Interview with Jos de Gruyter and Harald Thys
  • The Biennale of Contemporary African Art in Dakar Opens on May 3rd
  • The big return: the Biennale Arte opens in Venice with a host of collateral events and exhibitions across the city
  • The Body of Energy: Blanca de la Torre in Conversation with Stefano Cagol
  • The Body that Dances: Reflections on Art and Identity with Cristina Caprioli
  • The Bourse de Commerce, François Pinault’s New Art Museum in Paris to open
  • The Brand New Caribbean Art Initiative: an Interview with Albertine Kopp
  • The Bright Side Of The Desert Moon
  • The British Pavilion at the 58th Venice Biennale: an Interview with Curator Dr Zoe Whitley
  • The Centre Pompidou hosts the 21st edition of the Prix Marcel Duchamp
  • The Centre Pompidou will close for renovations from 2023 until 2026
  • The Charm of Disquiet: an interview with Elham M. Aghili
  • The Cindy Sherman Effect: Identity and Transformation in Contemporary Art
  • The Crossway Foundation Announces the Journey to Japan 2015 Winners
  • The Cup and the Saucer: an Interview with Hashel Al Lamki
  • The Edinburgh Art Festival 2019
  • The Egyptian Surrealists in Global Perspective
  • The European Month of Photography in Berlin
  • The Feuerle Collection to Open in Berlin
  • The Feuerle Collection, Berlin, Opens to the Public
  • The first edition of London Gallery Weekend to launch this June
  • The First Edition of the Venice Glass Week
  • The Floating Piers at Lago d’Iseo
  • The Flumen project by artist Andreco to include actions of retraining of Rome’s fluvial ecosystem
  • The Fondation Beyeler invites architecture firms to take part in a design study
  • The fourth Biennale of Photography on Industry and Work to Open in Bologna
  • The Gallery of Everything: First space in London Dedicated to Self-taught Artists
  • The Gallery Weekend Berlin Reaches its 16th Edition
  • The Golden Lion for Best National Participation and other Awards of the 57th Venice Biennale
  • The Google Insitute at the 56th Venice Biennale
  • The Goslarer Kaiserring 2015 goes to Boris Mikhailov
  • The Grand Opening of the ICP Museum at 250 Bowery, New York
  • The Grand Opening of the new Luigi Pecci Centre for Contemporary Art, Prato
  • The Gwangju Biennale Foundation announces details about the GB Commission and the Pavilion Projects
  • The Human in Material, a Fleeting Encounter with Rayyane Tabet
  • The iconic Berghain club in Berlin to host a major group exhibition in collaboration with Boros Foundation
  • The inauguration of the new Kunstmuseum Basel will bring several innovations
  • The Inflatable Refugee
  • The International Performance Art Week Comes Back to Venice
  • The Island Mara Sartore interviews Arnar Asgeirsson and Yazan Khalili
  • The Italian Pavilion at the Venice Architecture Biennale 2018: an Interview with Mario Cucinella
  • The June edition of Art Basel’s Online Viewing Rooms
  • The Kochi-Muziris Biennale Announces the First List of Artists
  • The Kochi–Muziris Biennale from an Artist Perspective: an Interview with AES+F
  • The last exhibition conceived by late curator Okwui Enwezor will open at New Museum
  • The Last Project by Zaha Hadid to Inaugurate in Salerno
  • The line-up of the 76th Venice International Film Festival has been announced
  • The Madagascar Pavilion at the Venice Biennale 2019: An Interview with Joël Andrianomearisoa
  • The Marc Quinn sculpture of a Black Lives Matter activist was erected then removed in 24hrs
  • The Materiality of Judy Chicago at Galleria Alberta Pane
  • The MAXXI – National Museum of XXI Century Arts in Rome reopens its doors
  • The Milk of Dreams: title and theme announced for the Venice Biennale 2022
  • The Miracle of Collective Art Making: An Interview with Jaimie Warren
  • The Museu Nacional in Rio de Janeiro Has Been Destroyed by a Fire
  • The Museum and Gallery of Everything: an Interview with James Brett
  • The Museum of Modern Art in Warsaw to open the Museum on the Vistula
  • The My Art Guides Venice Biennale Top 15
  • The Mystical Body: an interview with Nino Cais
  • The National Pavilion UAE announced Hammad Nasar as Curator for the Pavilion 2017 Venice Biennale
  • The National Portrait Gallery Awards Claudio Rasano the Taylor Wessing Photographic Portrait Prize 2016
  • The new Basel H. Geiger Cultural Foundation: an interview with Director Raphael Suter
  • The New Kurdish Museum in Northern Iraq
  • The New Museum Celebrates its 40th Anniversary
  • The Nuit Blanche Takes over Paris on Saturday October 1st
  • The OGR in Turin reopen to the public with a whole new programme between art, science and technology
  • The Parliament of Bodies
  • The Pavillon of Reflections at Manifesta 11
  • The Power of Fragility: Connexxion 2026 and the Art of Resistance
  • The Programme for the 31st Biennial of Graphics Art, Ljubljana
  • The rise of Emerging Galleries at Artissima 2019: Tommaso Tisot and Lucrezia Calabrò Visconti on the New Entries Fair Fund
  • The Royal Academy of Arts, London to Stage a Major Exhibition by Marina Abramović
  • The Rubell Family Collection Will Relocate in 2018
  • The São Paulo Biennial Foundation Has Nominated its New Director
  • The Schinkel Pavillon Program
  • The Serpentine Architecture Programme expands for 2016, with four Summer Houses joining the Serpentine Pavilion.
  • The Serpentine launches the first issue of Future Art Ecosystems on Art and Advanced Technologies (FAE: AxAT)
  • The show goes on for Singapore Art Week
  • The Six Shortlisted Artists for the Max Mara Art Prize for Women 2017 – 2019
  • The sixth edition of Festival delle Letterature Migranti goes digital
  • The Standing March – JR and Darren Aronofsky
  • The state of North Rhine-Westphalia celebrates the centenary of the birth of Joseph Beuys
  • The Story of a Mountain, The History of a Country: An Interview with Minerva Cuevas
  • The Strangeness of Beauty
  • The Unstable Life of Things: An Interview with Sophie Jung
  • The Urban Acupuncture Method: an Interview with Seung H-Sang
  • The urge to speak: an Interview with Alfredo Cramerotti
  • The V&A has announced the shortlist for the Jameel Prize 4
  • The Venice Biennale presents an alternative International Exhibition from August 29th
  • The Venice Glass Week 2019: Details Announced
  • The Venice International Performance Art Week 2017
  • The via Emilia. Roads, journeys, borders
  • The Vienna Biennale Reflects on the Digital Age
  • The Vienna Lounge at Art Basel in Miami Beach
  • The Wedding Project. An Interview with Aaron Cezar
  • The White Night of the Art Galleries in Romania
  • The Whitney Biennial 2019
  • The Whitney Museum of American Art announced the 2017 Whitney Biennial co-curators
  • This is Lesley Lokko, curator of the 18th Architecture Venice Biennale
  • This Summer Photo Festivals and Events in Sicily
  • Though it’s dark, still I sing: the 34th Bienal de São Paulo launches its digital edition
  • Three British Mosques: an interview with the curators of the Applied Arts Pavilion Special Project at the Biennale Architettura 2021
  • Three Stations for art-science
  • Thyssen-Bornemisza Art Contemporary Presents Final Show Before Moving to Prague
  • Tickets for the Rain Room at LACMA Are Selling Out
  • Time as a Material: Julieta Aranda’s Exploration of Resistance and Temporal Systems
  • Time Spy: an Interview with Sun Xun about his future project
  • Time Waterfall: a new Large-Scale Public Light Installation by Tatsuo Miyajima in Hong Kong Next Week
  • Times to plan art institutions’ future: Warehouse421, Abu Dhabi unveils its 5-year strategy plan
  • Timothy Taylor to Open a New Gallery in New York
  • Tirana Art Weekend
  • Tomaso de Luca: Artissima, Lobster Loop and more…
  • Tomorrow Today: An Absolut Art Bar by Seth Troxler and RUN
  • TONO Festival
  • Top 10 Exhibitions to See during the Festive Holidays
  • Torino Foto Festival: New Landscapes
  • Touching Memory: A Conversation with Claudio Beorchia
  • Townhouse Gallery Reopens in a New Location in Cairo
  • Tracey Emin’s first solo show in China in 2016
  • Tracey Emin: I Thrive on Solitude
  • Tracey Snelling: Everything is Everything
  • Tracing the Red Thread: Stéphane Thidet on Reimagining Christie’s Façade
  • Trayectos 2025
  • Triennale Milano launches a peaceful protest initiative against the murders and violence in Iran
  • Triscele: A Street Art Project in Sicily
  • trust & confusion continues with Tino Sehgal
  • Turner Prize 2015 awarded for the first time to a collective of “non-artists”
  • Turner Prize 2019
  • Turner Prize 2023
  • Turner Prize replaced with £100,000 fund for artists
  • Tutto Infinito: A Conversation with Patrick Tuttofuoco
  • ÜberMauer, BAM Biennale Arcipelago Mediterraneo is Taking over Palermo
  • UCCA Summer Program
  • Ugo Rondinone and Mika Rottenberg Inaugurate Expanded Bass Museum in Miami Beach
  • Ugo Rondinone’s Land Art Installation in the Las Vegas desert
  • Ulay in Geneva: Invisible Opponent
  • Una boccata d’arte
  • Una Boccata d’Arte 2025
  • Una Boccata d’Arte to held its second edition in June
  • Una Boccata d’Arte
  • United in Creativity
  • United in Creativity: Jaffa Laam Lam
  • United in Creativity: Nuria Kramer and Yeung Yang
  • Unknown Unknowns. An Introduction to Mysteries
  • Unraveling Complexity: an Interview with Shezad Dawood
  • Unruly Knowledge: Rehearsing for Epistemic Restitution
  • Unscheduled: 12 Hong Kong galleries announce a new art initiative
  • Untitled, Art Launches its second location in San Francisco
  • Updates from the Sharjah Art Foundation: Curators of the 2019 Biennale and March Meeting 2018
  • V&A and Smithsonian to Open a New Space in London
  • V-A-C Foundation to Open an Exhibition Space and Artist Residency at Palazzo delle Zattere, Venice
  • Valentino Catricalà
  • Vanessa Beecroft at Palazzo Reale: between photographs and sculptures
  • Variationes
  • Venetian Artist Ida Barbarigo Dies at 92
  • Venice Architecture Biennale 2020 Announces 15 Collateral Events
  • Venice Architecture Biennale 2020 Postponed
  • Venice Architecture Biennale 2020: Ippolito Pestellini Laparelli to curate the Russian Pavilion
  • Venice Art Week 2022
  • Venice Biennale 2017 – My Art Guides App Now Online
  • Venice Film Festival to Feature Three New Films by Contemporary Artists
  • Venice Galleries View: Nine Art Galleries in a Joint Project
  • Venice Meeting Point April 16 – 21, 2024
  • Venice Meeting Point closes its fifth edition with great success
  • Venice to Host the First Edition of the African Film Festival
  • Venice to Inaugurate its First Glass Week
  • Vernissages in Mexico City, ZsONA MACO 2016 – Part 1
  • Vernissages in Mexico City, ZsONA MACO 2016 – Part 2
  • Vetrina #13 – Night Eyes: Mariana Hahn in Conversation with Mara Sartore
  • Video Sound Art Festival: the tenth edition to unfold from September – December 2020
  • Videoart at Midnight – an Artists’ Cinema Project
  • VideoArt Week 2019: the MAXXI museum, Rome showcases cutting edge video artworks
  • Videonale: Changing City – Shifting Spaces
  • Vienna Art Week 2015: Creating Common Good
  • Vienna Art Week 2016: Seeking Beauty
  • Vienna Contemporary moves forward inaugurating its 2020 edition
  • Viennacontemporary and What to See in Town this Week
  • Villa Borghese, Rome hosts “Back to Nature”, the new project dedicated to contemporary art and climate change
  • Vincenzo de Bellis and Adrienne Edwards appointed curators at Walker Art Center
  • Vincenzo de Bellis: from the Walker Art Center to Art Basel via Monopoli
  • Vincenzo De Bellis: My Italian Summer
  • VIPVIG: An Event for Very Important People with Very Indipendent Galleries
  • Visitors have to repair broken things at Yoko Ono’s exhibition
  • Viva Arte Viva: Artists Announced
  • Volcano Extravaganza 2019
  • VOLTA 12 Reveals Ambitious List of Exhibitors This Year
  • VOLTA Miami to make its debut During Miami Art Week 2020
  • VOLTA New York 2020
  • VOLTA NY 2016
  • Volta NY Celebrates its 10th Anniversary Edition
  • Wael Shawky Winner of the First Edition of Mario Merz Prize
  • Waiting for Artissima: Discover the Art Season in Turin
  • Walker Art Center, Two Years on and his Thoughts on the Next Italian Pavilion: 
an Interview with Vincenzo de Bellis
  • Wallace Chan’s Vessels of Other Worlds: A Monument of Jewellery in Venice and Shanghai
  • Warehouse421 partners with Cinema Akil for an online film programme
  • Warehouse421, Abu Dhabi announces eight residents for the Homebound Residency Programme
  • Warehouse421, Abu Dhabi features a dynamic Spring exhibition programme
  • Warsaw Gallery Weekend Runs from 23rd to 25th Septmber
  • We are all emotional
  • We Are the Traces of the Future: An Interview with Kader Attia
  • We Are Two Abysses – a Well Staring at the Sky: an Interview with Ignazio Mortellaro
  • Wendelien van Oldenborgh selected for Dutch Pavilion at Venice Biennale 2017
  • Wendy Xu on Hong Kong
  • West Bund Art and Design 2019
  • Westminster Hall Hosts The Ehtics of Dust by Jorge Otero-Pailos
  • What is between the eyelid and the eye: Mohamed Ahmed Ibrahim and Maya Allison in conversation
  • What to see this spring in Florence
  • When Food Turns to Art: an Interview with Jorge Menna Barreto
  • When the human body becomes landscape: a conversation with Luna Cenere.
  • When Tradition Meets Modernity: An Interview with Nujoom Alghanem
  • White Cube Hong Kong to Host the First Show by Danh Vo
  • William Kentridge, Triumphs and Laments: A Project for Rome.
  • William Kentridge: Waiting for the Sibyl
  • Wind and Art don’t care about Border
  • Winning artists and curator announced for the 2016 Abraaj Group Art Prize
  • Wishing you a wonderful end of the year and a peaceful beginning, here are ten different exhibitions in ten different cities for your holiday hikes.
  • Wolfgang Tillmans Campaign in favor of Britain Remaining with the European Union
  • Wolfgang Tillmans Dedicates His Berlin Project Space to the European Refugee Crisis
  • Women of Venice at the Swiss Pavilion at the 57th Venice Art Biennale
  • Word Body Art
  • Worldwide Reading of selected poems and other texts in support of Ashraf Fayadh
  • Xavier Veilhan Will Represent France at the 2017 Venice Biennal
  • Yann Bronder: Tu m’as reproché en fait ce que tu faisais avec moi sans que je ne le sache. Top.
  • Yann Gerstberger and Mexico City’s Magnetism
  • Yayoi Kusama’s Cosmic Nature Opens at the New York Botanical Garden
  • Ydessa Hendeles: Grand Hotel
  • Ydessa Hendeles: The Art of Metaphor
  • Yelloween: an interview with Lupo Borgonovo
  • Yokohama Triennale 2017: Artists Announced
  • Yongwoo Lee & Hans Ulrich Obrist appointed Co-Artistic Directors of first edition of Shanghai Project: 2116
  • Young Gaza artist Malak Mattar shows in Jerusalem
  • Your Compass in Basel 2025 curated by Hester Koper
  • Your Compass in Basel By Isabel Balzer
  • Your Compass in Mexico City 2025: Exploring Contemporary Art at the Intersection of the Americas
  • Your Compass in Mexico City 2026
  • Your Compass in Milan by Maria Chiara Valacchi
  • Your Compass in Paris by Pierre-Antoine Lalande
  • Your Compass in Venice 2025
  • Your Compass in Venice 2026
  • Yto Barrada: Winning artist of the Abraaj Art Prize 2015
  • Yung Ma appointed as Curator by Centre Pompidou in Partnership with the K11 Art Foundation
  • Yuri Ancarani: the importance of looking at things
  • Yves Saint Laurent aux Musée
  • Yvonne Farrell and Shelley McNamara Announce the theme of the 16th Venice Architecture Biennale
  • Yvonne Farrell e Shelley McNamara to Curate the Next Venice Architecture Biennale
  • ZACentrale to open in Palermo
  • Zad Moultaka to Represent Lebanon at 2017 Venice Biennale
  • Zaha Hadid Dies at 65
  • Zélika García on ZSONAMACO and Mexico’s Contemporary Art Scene
  • Zheng Bo’s exhibition inaugurated at Kadoorie Farm and Botanic Garden (KFBG), Hong Kong
  • Zimbabwe Will Have a Pavilion at the 2017 Venice Biennale
  • Zona Maco 2016: Dates Announced
  • Zona Maco and Mexico City Art Week: A Photo Report
  • Zona Maco Announced the Exhibitors List of its Upcoming Edition
  • Zona Maco Art Week to take place from April 27 to May 2, 2021 in Mexico City
  • ZONAMACO Foto Now Open in Mexico City until August 26
  • Zurich Art Weekend 2025
  • ZURICH ART WEEKEND 2026
  • ­Kader Attia appointed as curator of the 12th Berlin Biennale for Contemporary Art
  • Łukasz Twarkowski: The Employees
  • “A storm is blowing from paradise”: an interview with Oscar Murillo on his Venice show
  • “A terrible beauty is born”, a conversation with Martin Kollar
  • “Art is an Exercise on Freedom”: an Interview with Tania Bruguera
  • “Art Thinking Is How to Navigate the Future”. An Interview with Daehyung Lee
  • “Living with Art: a conversation between William Zhao and Alia Al Senussi
  • “New ancestral images”: Nicola Ricciardi interviews Maurizio Cattelan
  • “Regimes of Truth”: The 8th Edition of LagosPhoto Festival
  • “Smutty Opulence and the Wallace Collection”: Alys Williams in Conversation with Jamie Fitzpatrick and Lindsey Mendick
  • “The Beauty of Palermo is in its Soul”: an Interview with Letizia Battaglia
  • “To Insist, to Insist, to Insist…”: Abraham Cruzvillegas Unveils His Project for Art Basel
  • “Unknown Waters”: a floating cinema in Venice, rethinking the city from the perspective of the lagoon
  • “Where there is danger, there also grows salvation”: an interview with Loredana Longo