Isa Genzken: Works 1973–1983

Internationally acclaimed solo exhibitions have presented surveys of key tendencies in Genzken’s oeuvre or showcased spectacular new productions. The show at the Kunstmuseum Basel, by contrast, undertakes a comprehensive examination of her output between 1973 and 1983. The bodies of work selected for the exhibition draw attention to the influence of conceptual and post-minimalist approaches on Genzken’s early work.

Her oeuvre, which continues to inspire and challenge younger generations of artists, straddles the boundaries of disciplines such as sculpture, installation, architecture, photography, film, and painting.