“Ina Lou/Dear Mother Earth” is a powerful two-day symposium (19-20 November 2024), organized by Cristina Baldacci, Natalie King, and Francesca Tarocco, held during the closing week of the 60th Venice Biennale. Designed to create a vibrant dialogue across the Timor-Leste, Portuguese, and South-East Asian pavilions, the event draws together artists, curators, activists, and academics to explore shared themes of ecological reverence, cultural memory, and environmental activism.

The 31st edition of Artissima, the International Fair of Contemporary Art in Turin, successfully concluded its four-day event from October 31 to November 3, 2024. Under the guidance of Luigi Fassi for the third consecutive year, the fair presented a high-caliber selection of contemporary art and facilitated international networking. Artissima not only promotes contemporary art but also strengthens the cultural prominence of Turin and Italy, playing a pivotal role in the Italian art ecosystem. This year’s event attracted an impressive 34,200 attendees, including visitors, art professionals, and collectors.

To discuss the themes of "Ojalá se derrumben las puertas (I Hope the Doors Collapse)" at the Argentina Pavilion during the 60th International Art Exhibition – La Biennale di Venezia, Luciana Lamothe and Mara Sartore held a conversation inside the Pavilion on 21st September 2024. This initiative was promoted by the Ministry of Foreign Affairs, International Trade, and Religion of the Argentine Republic in collaboration with Galerie Alberta Pane.

We interviewed Myriam Mihindou on the occasion of “Praesentia”, the exhibition featuring a comprehensive selection of her work from the past 20 years at the Palais de Tokyo. Mihindou's work addresses issues of identity, memory, language, ritual, living beings, the female condition, spirituality, and ecology. This exhibition is part of the artist's long journey, which centers on creating space for presences...