Anthony McCall: Split Second

Since in the 1970s up to the present day, McCall has produced his installations around the idea of “solid light”, a concept referring to the volume effects generated by the controlled projection of planes of light in the exhibition space, producing shapes that hypnotically and intangibly move throughout the darkness of the gallery. In clear dialogue with the works of Richard Serra and Lucio Fontana in the Museum Collection, this exhibition features the premier of a single new work, titled “Split Second (Mirror) IV” (2024), alongside the historic projection piece “Miniature in Black and White” (1972) and a series of photographic prints.