Working primarily in porcelain, Liu Jianhua’s personal affinity with the traditional medium sprung from fourteen years of training at the imperial kilns of Jingdezhen. By creating new forms in this ancient material, Liu brings into question the contemporary Chinese artists’ relationship with cultural heritage.
Liu Jianhua’s delicate porcelain installations possess aesthetic beauty, placing strong emphasis on form and material. Liu stands away from the prevailing styles in contemporary art; that of social commentary and narrative approaches and favours a “no meaning, no content” approach which signals an innovative direction in contemporary art creation.
“The title of the exhibition is meant to express the abstract idea of the relationship between the works and the space, the viewers, and between the two different cultures of tradition and modernity. “ Liu Jianhua
Liu’s installations create a perfect balance between objects and space, giving the viewer free reign to explore their own ideas. He transforms paper, leaves, bones and ink drops into curious and fragile porcelain sculptures.
The artist’s Blank Paper series, included in the exhibition, consists of white porcelain rectangles which at first glance appear to be blank sheets of paper. Upon closer inspection, the viewer becomes attuned to a surreal atmosphere that vibrates from the coiled corners of the fragile ceramic sheets.