Anne Le Troter: Les Pornoplantes

“As soon as man uses language to establish a living relationship with himself or with his peers, language is no longer an instrument, no longer a means; it is a manifestation, a revelation of our most intimate essence, and of the psychological link that binds us to ourselves and to our peers.”

Walter Benjamin

Anne Le Troter’s exhibitions appear as sonic investigations, dedicated to projecting oral forms. The collected vocal material that she sculpts or reinterprets often turns out to be surprising; within it, the body is omnipresent, caught up in the semantic prism of different professional fields as if crystallising a zone of resistance to be said.