Amy Bessone: Our Secret Garden

Patricia Low in Venice presents the work of American artist Amy Bessone. The exhibition comprises an array of paintings and a sculptural work that picture archetypal figures, either alone or in groups, in obscure environments pulsating with colour.

Echoes of painted figures by Ingres, Picabia, Munch and De Chirico, among others, merge with suggestions of classical and neo-classical architecture, cartouches, and desert oases. Referencing multipleart-historical and architectural sources, yet reconfigured into ambiguous, dream-like settings, and executed in an intense, almost digital palette, the paintings combine a sense of the ethereal with the hyperreal. In one painting, a reclining nude is seen in a midnight garden along a path leading to a small arched structure; in another, a figure stands in contrapposto pose beside a head on a plinth. Elsewhere, a bronze mask on a pedestal stares hollow-eyed at the viewer, while in another painting, a collection of figures and masks seems to be emerging from a haze of pinks and blues.

Motifs including trees, arched recesses and an island fortress recur throughout, alongside the various figures in their particular poses – which also appear in miniature three-dimensional form aspart of a diorama, where they are reminiscent of chess pieces. In doing so, Bessone returns these figures, which she paints from sculptures found on auction websites and sundry other sources, to sculptural form. The vignettes in which they appear make up an immersive, if also indeterminate, narrative –a charged, female-centric world of lush foliage, alcoves and abundant bodies, and a site of reclamation and reactivation for objectified forms.