Drawing inspiration from cultural traditions and symbols, the project invites contemplation on the significance of culture in shaping human experience.

The project celebrates in those who have had to leave their community in search of work, attention, and perhaps success elsewhere.

Through its diverse array of artworks, the Pavilion aims to foster dialogue and inspire a renewed appreciation for the interconnectedness of our global community.

The pavilion presents a study of the intricate interplay between individuals and their environments against the backdrop of the global theme.

The exhibition invites viewers to contemplate the complexities of identity, diversity, and unity within the broader context of human experience.

Kastrati’s project brings into public view women’s narratives, who work at the margins of society.

Koo's project transforms the cylindrical steel pavilion into a Korean scent journey with different aromas representing different Korean cities.

The exhibition explores currents of mysticism and modernity, the past and the future, as well as the coincidence of the cosmopolitan and the vernacular.

Cruzet actively intertwines sculpture, installation and textual intervention that frequently address his own diasporic experience.

Africans deported to the Americas and elsewhere transformed their despair into an act of absolute resilience: the blue note. 

The pavilion serves as a testament to the creative spirit and resilience of artistic community, inspiring dialogue and exchange on a global scale.

The pavilion offers innovative methodologies that address relevant issues, employing a multi-media, visitor-centred approach and engaging with local communities.

Wael Shawky explores notions of national, religious and artistic identity.

A collective process of research and reconstruction of the atmosphere but also of the economy and work of the other Provincial Festival.

"Exposition Coloniale" in its visual abundance, deals with places which become social memorabilia, or the anxiety left by a society.

The exhibition draws inspiration from Oman's core, symbolizing a sanctuary for sailors, merchants, and immigrants throughout history.

Yuko Mohori approaches installation and sculpture not to compose (or construct) but to focus on “phenomena”.

Cardozo's expressive wealth shines through in the diversity of his approaches.

Title: Participatory Experience: Juvenal Ravelo Commissioner: Reinaldo J Landaeta Diaz Curator: Edgar...

In this exhibition, artists present their ideal worlds where ancient spirits and mystical rituals converge.

Featuring the works of contemporary Tanzanian artists Happy Robert, Naby, Haji Chilonga, and Lute Mwakisopile, the pavilion delves into the intricate theme of the "Other."

The exhibition invites viewers on a journey of introspection and connection, highlighting the enduring spirit and creative vitality of Kenyan artistry.

The title is taken from a verse of a poem by Abu Mohammad Mosleh ebn Abdollāh

He investigates our consciousness changes in a globalized world and represents the great information flood, the cloud to challenge.