Nuria Mora

Nuria’s work creates an explicit, dialogical interaction with the surface, an interchange between herself and the very medium of the city, but must also be understood through its attempt to create a dialogue with the public itself, with her audience, the diverse community of the city. Her work is thus what she would call an ‘open language’, a silent, sensitive poetry, working against the saturation, the overburdening of signals that we are subject to within everyday city life. Through a spontaneous, respectful practice, considering the space, place and the neighbourhood itself, Nuria thus attempts to make ‘a place for free thinking’, a ‘space of dead time’, using a language which is ‘infinite, abstract’, and thus ‘universal’.