Rosemarie Trockel is a contemporary German Conceptual artist whose work challenges traditional notions of femininity, culture, and artistic production. Employing a wide range of materials, including video, ceramics, drawing, found artifacts, and knitted works, the artist raises questions of politics, domesticity, eroticism, and fantasy. “The minute something works, it ceases to be interesting,” she said of making art. “As soon as you have spelled something out, you should set it aside.” Born in Schwerte, Germany on November 13, 1952, she studied at the Werkkunstschule in Cologne, before going on to become one the first artists to show at Monika Sprüth gallery. Trockel first rose to prominence after exhibiting her celebrated Knitted Paintings (1985) series, which were created using machine-knitted fabrics stretched onto canvas supports. Throughout these woolen surfaces, Trockel depicts generic, computer-generated imagery or, in some cases, specific historic iconography, such as the Soviet worker with a sickle and hammer. In 2012, her sprawling exhibition “Rosemarie Trockel: A Cosmos,” opened at the New Museum in New York, later traveling to the Serpentine Gallery in London the following year. The artist currently lives and works in Cologne, Germany. Today, her works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, and the Kunstmuseum Basel, among others.