An exhibition about exhibitions, it brings together a group of artworks, artefacts and documentations drawn from projects organised by the NUS Museum between the years 2008 to 2014. Together, they can be considered highlights of recent curatorial projects; but importantly, they are assembled to prompt considerations into ways of working, and the broader relationships between objects, subjects, and authorial control or the lack of it. Many of these projects were also devised along encounters that drift between discipline and heuristic impulses, and as such render readings or positions dependent on negotiations and play.
The exhibition title is based on the words of Wak Ali, a custodian of a Muslim shrine that once stood on the banks of the Kallang River. It is at once an affirmation and a lament about the potentials of a site that may transform the individual regard, and the very contingency of positions on immediate experiences and commitments. Anexhibition can only harbour meanings that are provisional and conditional, if it is to be an active site for a public with an active agency. Is this our purpose? If so, what of institutional methods and practice?