Aleksandra Domanoviç’s sculptures and video expand the scope of conventional technological history by illuminating feminist, cyberfeminist, and Eastern European contributions to the development of science and the Internet. Born in the former Yugoslavia but now based in Berlin, Domanoviç builds on the notion that Ada Lovelace was the first computer programmer and that the history of computing is inherently feminist. A recurring feature in her videos, prints, and modeled sculptures is the hand, which functions as a reference to the 1963 Belgrade Hand, an important development in the history of controllable prosthetics. This motif also alludes to early 1990s cyberfeminism, which was invested in the notion of the cyborg as a utopian feminist figure.
Art in the Age of Anxiety
Curated by Omar Kholeif, this is the most ambitious exhibition to date in the region exploring art in the age of the internet. The exhibition takes place in Gallery 1,2 and 3.
21 Mar 2020 - 21 Jun 2020
Sharjah Art Foundation
Aleksandra Domanović: Hotel Marina Lućica
After three successful exhibitions by Harun Farocki in 2012, the artists’ collective Slavs and...
20 Jul 2015 - 10 Oct 2015
Art Space Pythagorion
Aleksandra Domanovic: Bulls Without Horns
Personal and public histories often meld in the work of Aleksandra Domanović. Questioning the idea of...
29 Apr 2016 - 25 Jun 2016
The Art Happens Here: Net Art’s Archival Poetics
Leveraging on Rhizome’s expertise in the field, the exhibition “The Art Happens Here: Net Art’s...
22 Jan 2019 - 26 May 2019
Aleksandra Domanović: The Falseness of Holes
Fondazione Arnaldo Pomodoro presents the solo exhibition by the winner of the Arnaldo Pomodoro prize...
12 Nov 2019 - 06 Jan 2020
Galleries in Berlin