A retrospective that delves into the rich history of the Maison. This immersive exhibition showcases...

Fourteen objects and six drawings by Alessandro Mendini form the core of the exhibition project, curated...

‘The paintings, the video, the sculptures – all of the work – is about being captured in a continual state of transition.’ – Sarah Sze

ARTNYC is holding a special exhibition in Venice to celebrate the 2024 Venice Biennale. It features a solo
exhibition by a group of diaspora artists living as colonial rulers or immigrants at this exhibition.

In an era inundated with a barrage of images and headlines, Unspoken Wars ventures beyond the surface...

“Aguas Negras” is a fictional journey in the form of a video-graphic work that integrates...

Revered Austrian artist presents five large new paintings that explore ideas of exile, migration, and...

The site-specific installation, realized with sustainable materials and procedures more than 10 meters high, reaches the facade of San Lorenzo Arts.

The Dream Cathedral, an immersive, real-time generative AI experience created by the artists Huemin and Ganbrood site specifically for the Biennale.

In the water, a new alliance is formed, and once immersed in Caterina Morigi's "Micro-Waters," all scales of matter blend into a liquid of mercury-like color.

A Japanese colour field that could somehow be linked both to the American colour field but also to the materiality of arte povera. 

"Note to Self" is an exhibition by Charlie Hamish Jeffery cureted byMarie de Brugerolle at Window/Finestra.

The series of autobiographical paintings explore the notion of belonging and fixed identities, along with intimate subjects such as surrogacy and LGBTQ+ rights.

A series of six paintings where Annette Skarbek plays with the visual ambiguity of images inspired by her collages.

Lost Directions, an exhibition project that takes its title from an installation by Urs Lüthi (Switzerland,...

The artists involved in this exhibitions represent a new generation.

The exclusively nighttime event leads the spectator into a Cave, in front of 10 works of the artist exhibited almost all for the first time.

The exhibition invites participants to engage directly with the art-making process.

A counter-space to the reigning agendas of war, patriarchy, and colonialism, and their toxic impacts on human and non-human ecosystems.

The exhibition presents a selection of works, from 1932 to 2000, by one of the most relevant Venetian artists.