Swan Lake is the title of the Austrian Pavilion at the Biennale Arte 2024, conceived by artist Anna Jermolaewa and curated by Gabriele Spindler.

The project mixes genres and attitudes as means for questioning complexity and for entering into contact with the worlds with which it relates.

The first-ever Benin Pavilion at the Venice Biennale features the site-specific work of four contemporary Beninese artists.

Glicéria Tupinambá represents Brazil at the 2024 Venice Biennale, making her the first Indigenous artist ever to do the country’s pavilion solo.

The installation partially recreates the survivors’ homes in which the meetings and conversations with them unfolded.

Kiwanga's interdisciplinary approach investigates the intricacies of structures, systems, and narratives shaping today's power asymmetries.

The exhibition presents a dynamic interplay of elements, featuring a central installation surrounded by a curtain, sculptures, and video projections.

Vlatka Horvat investigates the relationship between the body and its physical surrounds through a multivalent practice.

The pavilion's first dedicated photography exhibition, promising a transformative experience of Greenland's rich heritage.

The exhibition reflects on the complexities of the modern world.

Ethiopia’s very first National Pavilion will feature a solo presentation of new works by Tesfaye Urgessa.

The Pavilion is reimagined by artists whose practices focus on their embodied experiences of structural, environmental and social imbalances in the world.

A collaborative project presented by a team of Georgian and French curators and artists.

The artistic contribution approaches thresholds, steps, and boundaries through three scenarios.

Techno Zen is an immersive environment, sculptural elements, paintings and multimedia installations create a hypnotic spatial dynamic.

A visually captivating work with a critical edge, prompting viewers to reconsider the intricate relationships between aesthetics, functionality.

The project's demonstrates the artist's deep mental connection to Latvia's artistic heritage in terms of content, emotion and form.

The project explores the intersection of myth and reality through Mounira Al Solh's multimedia installation

Rožanskaitė’s historical examination of the body-medicine in connection with Pakui Hardware's contemporary perspectives.

The definition of a collective artwork is expanded hosting a number of guest artists who produce and perform new sound compositions and experiences.

The project explores human existence and survival through the lens of historical ex-voto ship graffiti and contemporary digital artistry.

The video installation seeks to poetically evoke displacement and, simultaneously, the rootedness represented by family.

The exhibition culminates in a monumental mosaic installation in Chișinău, Moldova, contrasting traditional socialist public art.

"Shifting Sands: A Battle Song," Manal AlDowayan for The National Pavilion of Saudi Arabia, commissioned by the Visual Arts Commission